Cleanup Time

"Cleanup Time"
Song by John Lennon
from the album Double Fantasy
Released17 November 1980
Recorded13 August; 5, 17 September 1980
GenreFunk rock
Length2:58
LabelGeffen
Songwriter(s)John Lennon
Producer(s)John Lennon, Yoko Ono, Jack Douglas
Double Fantasy track listing
14 tracks
Side one
  1. "(Just Like) Starting Over"
  2. "Kiss Kiss Kiss"
  3. "Cleanup Time"
  4. "Give Me Something"
  5. "I'm Losing You"
  6. "I'm Moving On"
  7. "Beautiful Boy (Darling Boy)"
Side two
  2. "Watching the Wheels"
  3. "Yes, I'm Your Angel"
  4. "Woman"
  5. "Beautiful Boys"
  6. "Dear Yoko"
  7. "Every Man Has a Woman Who Loves Him"
  8. "Hard Times Are Over"

"Cleanup Time" is a song written by John Lennon released on his 1980 album Double Fantasy. It was also included on the compilation album Lennon.[1]

Lyrics and music

Like some other songs on Double Fantasy, including the hit single "(Just Like) Starting Over," one of the themes of "Cleanup Time" is rebirth, and another theme, as with "Watching the Wheels" is Lennon "coming to terms with his quiet years," during which Lennon was a househusband and Yoko Ono looked after the couple's business interests.[1][2][3][4] Lennon wrote the song in Bermuda in June 1980.[5] It was inspired by a phone discussion Lennon had with Jack Douglas, who would become the producer of Double Fantasy, while Lennon was staying in Bermuda.[1][6][7] The two discussed the 1970s and how people were cleaning up their alcohol and drug habits, and the conversation ended with Douglas stating that "Well, it's cleanup time, right" and Lennon responding "It sure is."[1][6][7][8] Lennon was then inspired to start playing a boogie on the piano, and wrote "Cleanup Time" in the process.[1][7][8] Lennon has described the song as "a piano lick, with the words added."[7][8] After developing the piano lick and having the title, Lennon wrote the words around a conception of the Lennon's home, The Dakota, being metaphorically their Palace of Versailles.[7]

Although Lennon claimed that the lyrics apply to people in general, and not specifically to the Lennons, the song does reflect the reality of the Lennons cleaning up their diets and their finances, as well as their drug habits, and reports on what the previous five years away from recording meant to the Lennons.[1][6][9] The song, like Lennon's Beatles' song "Cry Baby Cry," incorporates elements of the nursery rhyme "Sing a Song of Sixpence."[5][6] In the case of "Cleanup Time," the references to the king being in the kitchen and the queen counting the money may be autobiographical references.[6] Lennon had become a househusband while Ono was taking care of the couple's finances.[5][6] The song explicitly references that the king is baking bread, and Lennon was particularly proud of baking bread himself.[10] The lyrics also reflect Lennon's happiness being at home and being free of many obligations, such as recording contracts.[10]

According to author Andrew Jackson, "Cleanup Time" and "Woman" represent "the happy ending fade out of a bohemian It's a Wonderful Life," as the troubled young Lennon had found peace as a father and husband.[5] Tim Riley remarks that the song works on two levels: "a playfully gentle gibe at household chores" and as "an adult song about addiction."[11]

Recording

"Cleanup Time" began recording at the Hit Factory in New York City on 13 August 1980.[1][5] Horn overdubs were added on 5 September and Lennon's vocal was recorded on 17 September.[1][5] Mixing was completed by Yoko Ono on 18 October.[12] It was the last song from Double Fantasy to be completed.[12]

Guitarist Earl Slick played the opening guitar solo, and included a musical quote of the 1975 David Bowie song Fame during the fadeout, incidentally, which Lennon and Slick had both previously played on.[13]

Reception

Pop historian Robert Rodriguez considers "Cleanup Time" one of the weakest songs on Double Fantasy, claiming that it sounds like Lennon is "trying too damn hard to sell us something."[14] Music lecturers Ken Bielen and Ben Urish claim it has a sound reminiscent of the soul music issued by Stax Records and Atlantic Records during the mid-60s, particularly noting the horn parts.[10]

Personnel

The musicians who performed on the original recording were as follows:[1]

References

  1. ^ a b c d e f g h i Blaney, J. (2007). Lennon and McCartney: together alone : a critical discography of their solo work. Jawbone Press. pp. 143, 144, 199. ISBN 978-1-906002-02-2.
  2. ^ Harrison, E. (20 December 1980). "Last LP Shows New Insights". Billboard Magazine. p. 28. Retrieved 3 January 2013.
  3. ^ Erlewine, S.T. "Double Fantasy". Allmusic. Retrieved 3 January 2013.
  4. ^ Hopkins, Jerry (1986). Yoko Ono. Macmillan. p. 214. ISBN 0025539507.
  5. ^ a b c d e f Jackson, A.G. (2012). Still the Greatest: The Essential Solo Beatles Songs. Scarecrow Press. pp. 185–187. ISBN 978-0-8108-8222-5.
  6. ^ a b c d e f du Noyer, P. (1999). John Lennon: Whatever Gets You Through the Night. Thunder's Mouth Press. pp. 103–104. ISBN 1-56025-210-3.
  7. ^ a b c d e Rogan, J. (1997). The Complete Guide to the Music of John Lennon. Omnius Press. pp. 114–115. ISBN 0-7119-5599-9.
  8. ^ a b c Sheff, D. (2000). All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono. Macmillan. pp. 222–223. ISBN 978-0-312-25464-3.
  9. ^ Madinger, C.; Easter, M. (2000). Eight Arms to Hold You. 44.1 Productions. p. 121. ISBN 0-615-11724-4.
  10. ^ a b c Urish, B. & Bielen, K. (2007). The Words and Music of John Lennon. Praeger. p. 76. ISBN 978-0-275-99180-7.
  11. ^ Riley, T. (2009). Tell Me Why: The Beatles: Album by Album, Song by Song, the Sixties and After. Da Capo Press. p. 384. ISBN 978-0-7867-3090-2.
  12. ^ a b Rosen, R. (2002). Nowhere Man: The Final Days of John Lennon. Quick American Archives. p. 157. ISBN 978-0-932551-51-1.
  13. ^ Roger Farrington (8 December 2015). "Rick Nielsen, Earl Slick and Jack Douglas Discuss the Recording of John Lennon's Final Album, 'Double Fantasy'". guitarworld. Retrieved 3 July 2023.
  14. ^ Rodriguez, R. (2010). Fab Four FAQ 2.0: The Beatles' Solo Years 1970–1980. Hal Leonard. p. 192. ISBN 978-0-87930-968-8.