Sons and Lovers (film)

Sons and Lovers
film poster
Directed by	Jack Cardiff
Written by	Gavin Lambert T. E. B. Clarke
Based on	Sons and Lovers by D. H. Lawrence
Produced by	Jerry Wald
Starring	Trevor Howard Dean Stockwell Wendy Hiller Mary Ure Heather Sears
Cinematography	Freddie Francis
Edited by	Gordon Pilkington
Music by	Mario Nascimbene
Production company	Jerry Wald Productions
Distributed by	20th Century Fox
Release dates	14 May 1960 (1960-05-14) (Cannes) 23 June 1960 (1960-06-23) (U.K.)
Running time	103 minutes
Country	United Kingdom
Language	English
Budget	$805,000[1]
Box office	$1,500,000 (US/Canada rentals)[2] $800,000 (UK rental)[3]

Sons and Lovers is a 1960 British period drama film directed by Jack Cardiff and adapted by Gavin Lambert and T. E. B. Clarke on the semi-autobiographical 1913 novel of the same name by D. H. Lawrence. It stars Trevor Howard, Dean Stockwell, Wendy Hiller, Mary Ure and Heather Sears.

Set and filmed in the East Midlands of England, the film centres on a young man (Stockwell) with artistic talent who lives in a close-knit coal-mining town during the early 20th century, and finds himself inhibited by his emotionally manipulative, domineering mother (Hiller)—a literary, psychological interpretation of the Oedipus story.

Premiering at the 1960 Cannes Film Festival, the film was well-received by critics and a commercial success. It was nominated for seven Academy Awards (at the 1961 ceremony), including Best Picture, Best Director, Best Actor (for Howard), Best Supporting Actress (for Ure), Best Adapted Screenplay and Best Art Direction – Black-and-White, and won Best Cinematography – Black-and-White. Jack Cardiff won the Golden Globe Award for Best Director and the National Board of Review Award for Best Director.

Plot

East Midlands housewife Gertrude Morel, miserable in her marriage, puts her hope into her son, Paul, who has the talent and ambition to become an artist, a desire that is mocked by his father, Walter, a miner who drinks heavily and sometimes shows his bitterness in violent ways. Paul finds his own desires to escape to a different life sidetracked by his mother's possessiveness but also by local girl Miriam Leivers, with whom he has an intellectual relationship that he desires to become physical. Miriam, however, suffers from her own mother's religious influence, viewing sex as sinful and dirty.

Paul's youngest brother, Arthur, dies in a mining accident, while older brother William flees to London. When William later returns for a visit, he is accompanied by his new wife, a pretty and more affluent young lady who lacks literate romanticism or Gertrude's passionate sense. When a sketch of Paul's is exhibited in Nottingham, a wealthy art patron criticizes the work but later comes to the Morel house to offer support because he recognized Paul's potential as an artist. Paul's desires are frustrated again, though, when Miriam rejects his physical advances and a violent confrontation between his parents convinces him that he is needed for his mother's financial support.

Paul takes a job in a factory, where he becomes enchanted with "liberated" feminist co-worker, Mrs. Clara Dawes, who is married, but separated. Nonetheless, he continues seeing Miriam, who finally agrees to have sex with him, which he comes to regret for making her do something that she so disliked. Paul and Clara eventually begin a passionate affair, but it is now Paul who does not feel that he can totally commit himself to her, in large part due to his mother's emotional hold on him. Clara's husband threatens and later beats Paul, who returns home to his mother. She has slipped into a morose depression due to Paul's growing distance from her, and she later becomes seriously ill, something that has been hinted at in her behavior for some time. Clara rejects Paul for his lack of emotional connection to her, but she confirms her own continuing feelings for her husband when he suffers an accident and she returns to him.

Paul and his father come to a kind of reconciliation as Gertrude lies dying. After her death Walter tells his grieving son that he must find his own path in life. Meeting Miriam one last time, he tells her that he is leaving. She suggests that they marry so that she can support him, but Paul rejects her proposal of marriage, telling her that he intends to live the rest of his life without any serious relationship with another woman.

Cast

Production

Development

American producer Jerry Wald had purchased the film rights to D. H. Lawrence's novel in the 1950s, intending to produce the film in the United States, with Montgomery Clift as Paul Morel and Marilyn Monroe as one of his girlfriends.^[4]

When Clift's casting fell through, Wald approached James Dean, but Dean's death put the project on hold for several years, after which Wald decided the film would be better served produced in the UK.

Casting

Dean Stockwell, whose performance was the most heavily criticised in reviews, was given the role of Paul at the insistence of producer Jerry Wald, who hoped that an American in the cast would increase the film's box-office appeal in the United States.^[5]

The part of Clara Dawes was offered to Joan Collins, but she turned it down. Her then-fiance Warren Beatty did not want her to do it and thought the script was "crap". The part went finally to Mary Ure, who was nominated for Academy Award for Best Supporting Actress.^[6]

Filming

Location shooting took place near Nottingham in the East Midlands, very close to where Lawrence himself grew up. Interiors were at Pinewood Studios in Buckinghamshire.

Freddie Francis says he was hired to shoot the film off the back of Room at the Top.^[7]

Reception

Box office

By January 1961, the film had earned $1,500,000 in box office rentals from the United States and Canada and $800,000 in the United Kingdom.^[2][3] Kine Weekly called it a "money maker" at the British box office in 1960.^[8]

The film was also entered into the 1960 Cannes Film Festival.^[9][10]

Critical reaction

Bosley Crowther of The New York Times wrote: "Sons and Lovers is sensitively felt and photographed in Jerry Wald's British-made film version of [Lawrence's novel] ... An excellent cast of British actors (and one American) play it well. And Jack Cardiff, camera man turned director, has filled it with picture poetry."^[11]

Variety described the film as "a well-made and conscientious adaptation of the D. H. Lawrence's famed novel, smoothly directed by Jack Cardiff and superbly acted by a notable cast." The review particularly singled Trevor Howard for "giving a moving and wholly believable study of a man equally capable of tenderness as he is of being tough."^[12]

Harrison's Reports wrote: "Prizeworthy performances are rendered by all, especially Trevor Howard as a humorous, drunken miner; Wendy Hiller as his wife; Dean Stockwell as the sensitive son; Heather Sears and Mary Ure as friends of Stockwell. Direction is outstanding; photography [is] fine."^[13]

Accolades

Notes

References

External links

• Sons and Lovers at IMDb
• Sons and Lovers at Turner Classic Movies
• Sons and Lovers at Rotten Tomatoes
• FilmFour