Mellor filme
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Mellor director
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Mellor actor
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Mellor actriz
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Mellor actor secundario
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Mellor actriz secundaria
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- Walter Brennan – O forasteiro
- Albert Bassermann – Enviado especial
- William Gargan – They Knew What They Wanted
- Jack Oakie – O gran ditador
- James Stephenson – The Letter
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Mellor guión orixinal
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Mellor guión adaptado
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- The Philadelphia Story – Donald Ogden Stewart
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Mellor argumento
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Mellor son
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- Arise, My Love – Benjamin Glazer e John S. Toldy
- Edison, the Man – Hugo Butler e Dore Schary
- O forasteiro – Stuart N. Lake
- My Favorite Wife – Leo McCarey, Samuel Spewack e Bella Spewack
- Comrade X – Walter Reisch
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- Strike Up the Band – Douglas Shearer, MGM Studio Sound Department
- Too Many Husbands – John Livadary, Columbia Studio Sound Department
- The Howards of Virginia – Jack Whitney, General Service Sound Department
- Captain Caution – Elmer A. Raguse, Hal Roach Studio Sound Department
- North West Mounted Police – Loren L. Ryder, Paramount Studio Sound Department
- Behind the News – Charles L. Lootens, Republic Studio Sound Department
- Kitty Foyle – John Aalberg, RKO Radio Studio Sound Department
- Sinfonía da vida – Thomas T. Moulton, Samuel Goldwyn Studio Sound Department
- As uvas da ira – E. H. Hansen, Fox Studio Sound Department
- Spring Parade – Bernard B. Brown, Universal Studio Sound Department
- The Sea Hawk – Nathan Levinson, Warner Bros. Studio Sound Department
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Mellor curtametraxe de ficción, un rolo
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Mellor curtametraxe de ficción, dous rolos
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- Quicker'n a Wink – Pete Smith e MGM
- London Can Take It! – Warner Bros.
- More About Nostradamus – MGM
- Siege – RKO Radio
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Mellor banda sonora
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Mellor banda sonora orixinal
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- Pinocchio – Leigh Harline, Paul J. Smith e Ned Washington
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Mellor canción
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Mellor curtametraxe de animación
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- "When You Wish upon a Star" de Pinocchio – Música de Leigh Harline; Letra de Ned Washington
- "Down Argentine Way" de Down Argentine Way – Música de Harry Warren; Letra de Mack Gordon
- "I'd Know You Anywhere" de You'll Find Out – Música de Jimmy McHugh; Letra de Johnny Mercer
- "It's a Blue World" de Music in My Heart – Música e letra de Chet Forrest e Bob Wright
- "Love of My Life" de Por fin sós – Música de Artie Shaw; Letra de Johnny Mercer
- "Only Forever" de Rhythm on the River – Música de James V. Monaco; Letra de Johnny Burke
- "Our Love Affair" de Strike Up the Band – Música e letra de Roger Edens e Arthur Freed
- "Waltzing in the Clouds" de Spring Parade – Música de Robert Stolz; Letra de Gus Kahn
- "Who Am I?" de Hit Parade of 1941 – Música de Jule Styne; Letra de Walter Bullock
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Mellor dirección de arte, branco e negro
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Mellor dirección de arte, cor
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- Pride and Prejudice – Cedric Gibbons e Paul Groesse
- Arizona – Lionel Banks e Robert Peterson
- O forasteiro – James Basevi
- Lillian Russell – Richard Day e Joseph C. Wright
- Arise, My Love – Hans Dreier e Robert Usher
- My Son, My Son! – John DuCasse Schulze
- Enviado especial – Alexander Golitzen
- The Sea Hawk – Anton Grot
- The Dark Command – John Victor Mackay
- The Boys From Syracuse – John Otterson
- My Favorite Wife – Van Nest Polglase e Mark-Lee Kirk
- Sinfonía da vida – Lewis J. Rachmil
- Rebecca – Lyle Wheeler
- Sis Hopkins – N/A (candidatura revogada)
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- O ladrón de Bagdad – Vincent Korda
- Down Argentine Way – Richard Day e Joseph C. Wright
- North West Mounted Police – Hans Dreier e Roland Anderson
- Bitter Sweet – Cedric Gibbons e John S. Detlie
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Mellor fotografía, branco e negro
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Mellor fotografía, cor
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- Rebecca – George Barnes
- The Letter – Gaetano Gaudio
- All This, and Heaven Too – Ernest Haller
- Abe Lincoln in Illinois – James Wong Howe
- Arise, My Love – Charles B. Lang, Jr.
- Enviado especial – Rudolph Maté
- Boom Town – Harold Rosson
- Waterloo Bridge – Joseph Ruttenberg
- The Long Voyage Home – Gregg Toland
- Spring Parade – Joseph Valentine
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- O ladrón de Bagdad – Georges Perinal
- Bitter Sweet – Oliver T. Marsh e Allen Davey
- The Blue Bird – Arthur C. Miller e Ray Rennahan
- North West Mounted Police – Victor Milner e W. Howard Greene
- Down Argentine Way – Leon Shamroy e Ray Rennahan
- Paso ao noroeste – Sidney Wagner e William V. Skall
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Mellor montaxe
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Mellores efectos especiais
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- North West Mounted Police – Anne Bauchens
- Rebecca – Hal C. Kern
- The Letter – Warren Low
- As uvas da ira – Robert L. Simpson
- The Long Voyage Home – Sherman Todd
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- O ladrón de Bagdad – Fotografía: Lawrence W. Butler; Son: Jack Whitney
- Rebecca – Fotografía: Jack Cosgrove; Son: Arthur Johns
- Enviado especial – Fotografía: Paul Eagler; Son: Thomas T. Moulton
- Dr. Cyclops – Fotografía: Farciot Edouart e Gordon Jennings; Son: Loren Ryder
- Typhoon – Fotografía: Farciot Edouart e Gordon Jennings; Son: Loren Ryder
- The Boys From Syracuse – Fotografía: John P. Fulton; Son: Bernard B. Brown e Joe Lapis
- The Invisible Man Returns – Fotografía: John P. Fulton; Son: Bernard B. Brown e William Hedgcock
- Boom Town – Fotografía: A. Arnold Gillespie; Son: Douglas Shearer
- The Sea Hawk – Fotografía: Byron Haskin; Son: Nathan Levinson
- The Long Voyage Home – Fotografía: R. T. Layton e Ray Binger; Son: Thomas T. Moulton
- Women in War – Fotografía: Howard J. Lydecker, William Bradford e Ellis J. Thackery; Son: Herbert Norsch
- One Million B.C. – Fotografía: Roy Seawright; Son: Elmer A. Raguse
- The Blue Bird – Fotografía: Fred Sersen; Son: Edmund H. Hansen
- Swiss Family Robinson – Fotografía: Vernon L. Walker; Son: John O. Aalberg
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