Џон Китс

Џон Китс
Џон Китс, рад Вилијама Хилтона
Датум рођења(1795-10-31)31. октобар 1795.
Место рођењаЛондон, Велика Британија
Датум смрти23. фебруар 1821.(1821-02-23) (25 год.)
Место смртиРим, Папска држава

Џон Китс (енгл. John Keats; Лондон, 31. октобар 1795 — Рим, 23. фебруар 1821) био је енглески песник. Китс је постао једна од кључних фигура романтичарског покрета.[1]

Заједно са Лордом Бајроном и Персијем Биш Шелијем, Китс је припадао другој генерацији романтичарских песника. За време свог кратког живота није био добро прихваћен од стране критике,[2] али је његов постхумни утицај на песнике попут Алфреда Тенисона и Вилфреда Овена био значајан.[3]

Китсову поезију карактерише богат избор речи и сензуална сликовитост, највише у његовој серији ода које су остале међу најпопуларнијим песмама у енглеској књижевности. Китсова писма, која укључују развој његове естетске теорије негативне способности,[4] су међу најслављенијим од свих енглеских песника. Неке од његових песама су Лепа госпа без милости, Ода славују.

Радови

  • A Draught of Sunshine
  • Addressed to Haydon (1816)
  • Addressed to the Same (1816)
  • After dark vapours have oppressed our plains (1817)
  • As from the darkening gloom a silver dove (1814)
  • Asleep! O sleep a little while, white pearl!
  • A Song About Myself
  • Bards of Passion and of Mirth
  • Before he went to live with owls and bats (1817?)
  • Bright star, would I were steadfast as thou art (1819)
  • Calidore: A Fragment (1816)
  • The Cap and Bells; or, the Jealousies, a Faery Tale (незавршено, 1819)
  • The Day Is Gone, And All Its Sweets Are Gone
  • Dedication. To Leigh Hunt, Esq.
  • A Dream, After Reading Dante's Episode Of Paolo And Francesca
  • A Draught of Sunshine
  • Endymion: A Poetic Romance (1817)
  • Epistle to John Hamilton Reynolds
  • Epistle to My Brother George
  • First Love
  • The Eve of Saint Mark (незавршено, 1819)
  • The Eve of St. Agnes (1819)
  • The Fall of Hyperion: A Dream (незавршено, 1819)
  • Fancy (poem)
  • Fill for me a brimming bowl (1814)
  • Fragment of an Ode to Maia
  • Give me women, wine, and snuff (1815 или 1816)
  • God of the golden bow (1816 или 1817)
  • The Gothic looks solemn (1817)
  • Had I a man's fair form, then might my sighs (1815 или 1816)
  • Hadst thou liv’d in days of old (1816)
  • Happy is England! I could be content (1816)
  • Hither, hither, love (1817 или 1818)
  • How many bards gild the lapses of time (1816)
  • The Human Seasons
  • Hymn To Apollo
  • Hyperion (незавршено, 1818)
  • I am as brisk (1816)
  • I had a dove
  • I stood tip-toe upon a little hill (1816)
  • If By Dull Rhymes Our English Must Be Chain'd
  • Imitation of Spenser (1814)
  • In Drear-Nighted December
  • Isabella or The Pot of Basil (1818)
  • Keen, fitful gusts are whisp’ring here and there (1816)
  • La Belle Dame sans Merci (1819)
  • Lamia (1819)
  • Lines Written on 29 May, the Anniversary of Charles’s Restoration, on Hearing the Bells Ringing (1814 или 1815)
  • Lines on Seeing a Lock of Milton's Hair (1818)
  • Lines on The Mermaid Tavern
  • Meg Merrilies
  • Modern Love (Keats)
  • O Blush Not So!
  • O come, dearest Emma! the rose is full blown (1815)
  • O grant that like to Peter I (1817?)
  • O Solitude! if I must with thee dwell (1815 или 1816)
  • O Thou Whose Face
  • Ode (Keats)
  • Ode on a Grecian Urn (1819)
  • Ode on Indolence (1819)
  • Ode on Melancholy (1819)
  • Ode to a Nightingale (1819)
  • Ode to Apollo (1815)
  • Ode to Fanny
  • Ode to May (1818)
  • Ode to Psyche (1819)
  • Oh Chatterton! how very sad thy fate (1815)
  • Oh! how I love, on a fair summer's eve (1816)
  • Old Meg (1818)
  • On a Dream
  • On a Leander Which Miss Reynolds, My Kind Friend, Gave Me (1817)
  • On Death
  • On Fame, 1 & 2
  • On First Looking into Chapman's Homer (1816)
  • On Leaving Some Friends at an Early Hour (1816)
  • On Peace (1814)
  • On Receiving a Curious Shell, and a Copy of Verses, from the Same Ladies (1815)
  • On Receiving a Laurel Crown from Leigh Hunt (1816 уку 1817)
  • On Seeing the Elgin Marbles (1817)
  • On Sitting Down to Read King Lear Once Again (1818)
  • On the Grasshopper and Cricket (1816)
  • On the Sea (1817)
  • On The Story of Rimini (1817)
  • On Visiting the Tomb of Burns (1818)
  • The Poet (a fragment)
  • A Prophecy - To George Keats in America
  • Read Me a Lesson, Muse (1818)
  • Robin Hood. To A Friend
  • Sharing Eve's Apple
  • Sleep and Poetry (1816)
  • A Song of Opposites
  • Specimen of an Induction to a Poem (1816)
  • Staffa
  • Stay, ruby breasted warbler, stay (1814)
  • Stanzas (1818)
  • Think not of it, sweet one, so (1817)
  • This Living Hand
  • This pleasant tale is like a little copse (1817)
  • To — (1819)
  • To a Cat
  • To a Friend Who Sent Me Some Roses (1816)
  • To a Lady seen for a few Moments at Vauxhall (1818)
  • To A Young Lady Who Sent Me A Laurel Crown (1816 или 1817)
  • To Ailsa Rock
  • To Autumn (1819)
  • To Lord Byron (1814)
  • To Charles Cowden Clarke (1816)
  • To Fanny (1819)
  • To G.A.W. (Georgiana Augusta Wylie) (1816)
  • To George Felton Mathew (1815)
  • To Georgiana Augusta Wylie
  • To Haydon
  • To Haydon with a Sonnet Written on Seeing the Elgin Marbles (1817)
  • To Homer
  • To Hope (1815)
  • To John Hamilton Reynolds (1818)
  • To Kosciusko (1816)
  • To Leigh Hunt, Esq. (1817)
  • To My Brother George (epistle) (1816)
  • To My Brother George (sonnet) (1816)
  • To My Brothers (1816)
  • To one who has been long in city pent (1816)
  • To Sleep
  • To Solitude
  • To Some Ladies (1815)
  • To the Ladies Who Saw Me Crown’d (1816 или 1817)
  • To the Nile
  • Unfelt, unheard, unseen (1817)
  • Welcome Joy... (1818)
  • When I have fears that I may cease to be (1818)
  • Where Be Ye Going, You Devon Maid?
  • Where's the Poet? (1818)
  • Why did I laugh tonight? (1818)
  • Woman! when I behold thee flippant, vain (1815 или 1816)
  • Written in Disgust of Vulgar Superstition (1816)
  • Written in the Cottage Where Burns Was Born (1818)
  • Written on a Blank Space
  • Written on a Summer Evening
  • Written on the Day that Mr Leigh Hunt Left Prison (1815)
  • Written Upon the Top of Ben Nevis
  • You say you love; but with a voice (1817 или 1818)

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Референце

  1. ^ O'Neill and Mahoney (1988), p. 418.
  2. ^ Amy Wilcockson, "The Romantic Reputation of John Keats". History Today, February 2021, pp. 13–16.
  3. ^ Jorge Luis Borges (2000). This Craft of Verse. Harvard University Press, pp. 98–101.
  4. ^ Meigs 1917, стр. 277.

Литература

  • Meigs, William Montgomery (1917). The Life of John Caldwell Calhoun. The Neale Publishing Company. стр. 277. ISBN 9780795009181. 
  • Bate, Walter Jackson (1964). John Keats. Cambridge, Mass.: Harvard University Press.
  • Bate, Walter Jackson (2009). John Keats. Cambridge, Mass.: Harvard University Press.
  • Bate, Walter Jackson (2012). Negative Capability: The Intuitive Approach in Keats (1965), reprinted with a new intro by Maura Del Serra. New York: Contra Mundum Press, 2012.
  • Brown, Charles Armitage (1937). The Life of John Keats, ed. London: Oxford University Press.
  • Brown, Sue (2009). Joseph Severn, A Life: The Rewards of Friendship. Oxford University Press. ISBN 978-0-19-956502-3. 
  • Chapman, D. (2012). What's in an Urn?, Concept. . ISBN 978-1291143119.  Недостаје или је празан параметар |title= (помоћ)
  • Colvin, Sidney (1917). John Keats: His Life and Poetry, His Friends Critics and After-Fame. London: Macmillan
  • Colvin, Sidney (1970). John Keats: His Life and Poetry, His Friends, Critics, and After-Fame. New York: Octagon Books
  • Coote, Stephen (1995). John Keats. A Life. London: Hodder & Stoughton
  • De Almeida, Hermione (1991). Romantic Medicine and John Keats. New York: Oxford University Press. ISBN 0-19-506307-4. 
  • Gittings, Robert (1954). John Keats: The Living Year. 21 September 1818 to 21 September 1819. London: Heinemann.
  • Gittings, Robert (1964). The Keats Inheritance. London: Heinemann
  • Gittings, Robert (1968). John Keats. London: Heinemann
  • Gittings, Robert (1987) Selected poems and letters of Keats London: Heinemann
  • Goslee, Nancy (1985). Uriel's Eye: Miltonic Stationing and Statuary in Blake, Keats and Shelley. University of Alabama Press. ISBN 0-8173-0243-3. 
  • Hewlett, Dorothy (3rd rev. ed. 1970). A life of John Keats. London: Hutchinson.
  • Hirsch, Edward, ур. (2001). Complete Poems and Selected Letters of John Keats. Random House Publishing. ISBN 0-375-75669-8. 
  • Houghton, Richard, ур. (2008). The Life and Letters of John Keats. Read Books. ISBN 978-1-4097-9103-4. 
  • Jones, Michael (1984). „Twilight of the Gods: The Greeks in Schiller and Lukacs”. Germanic Review. 59 (2): 49—56. doi:10.1080/00168890.1984.9935401. 
  • Lachman, Lilach (1988). "History and Temporalization of Space: Keats' Hyperion Poems". Proceedings of the XII Congress of the International Comparative Literature Association, edited by Roger Bauer and Douwe Fokkema (Munich, Germany): 159–164
  • G. M. Matthews (Ed). (1995). John Keats: The Critical Heritage. London: Routledge. ISBN 0-415-13447-1. 
  • Monckton Milnes, Richard, ed. (Lord Houghton) (1848). Life, Letters and Literary Remains of John Keats. 2 vols. London: Edward Moxon
  • Motion, Andrew (1997). Keats. London: Faber
  • O'Neill, Michael & Mahoney Charles (Eds.) (2007). Romantic Poetry: An Annotated Anthology. Blackwell. O'Neill, Michael; Mahoney, Charles (24. 9. 2007). Romantic Poetry: An Annotated Anthology. John Wiley & Sons. ISBN 978-0-631-21317-8. 
  • Ridley, M. and R. Clarendon (1933). Keats' craftsmanship: a study in poetic development Keat's craftsmanship;: A study in poetic development. Clarendon Press. јануар 1933. ASIN B00085UM2I.  (Out of Print in 2010)
  • Scott, Grant F. (1994). The Sculpted Word: Keats, Ekphrasis, and the Visual Arts. Hanover, NH: University Press of New England. ISBN 0-87451-679-X. 
  • Stillinger, Jack (1982). Complete Poems. Cambridge, Massachusetts: Belknap Press of Harvard University Press. ISBN 0-674-15430-4. 
  • Strachan, John, ур. (2003). A Routledge Literary Sourcebook on the Poems of John Keats. New York: Routledge. ISBN 0-415-23478-6. 
  • Vendler, Helen (1983). The Odes of John Keats. Belknap Press. ISBN 0-674-63076-9. 
  • Walsh, John Evangelist (1999). Darkling I Listen: The Last Days and Death of John Keats. New York: St. Martin's Press
  • Walsh, William (1957). "John Keats", in From Blake to Byron. Middlesex: Penguin
  • Ward, Aileen (1963). John Keats: The Making of a Poet. London: Secker & Warburg
  • Wolfson, Susan J. (1986). The Questioning Presence. Ithaca, New York: Cornell University Press. ISBN 0-8014-1909-3. 
  • Bate, Walter Jackson. Negative Capability: The Intuitive Approach in Keats. New York: Contra Mundum Press, 2012
  • Cox, Jeffrey N. (2004). Poetry and Politics in the Cockney School: Keats, Shelley, Hunt and Their Circle. Cambridge: Cambridge University Press. ISBN 978-0521604239. 
  • Kirkland, John (2008). Love Letters of Great Men, Vol. 1. CreateSpace Publishing
  • Kottoor, Gopikrishnan (1994). The Mask of Death: The Final Days of John Keats, (A Radio Play). Writers WorkShop Kolkata, 1994
  • Lowell, Amy (1925). John Keats. 2 vols. Boston: Houghton Mifflin
  • Parson, Donald (1954). Portraits of Keats. Cleveland: World Publishing Co.
  • Plumly, Stanley (2008). Posthumous Keats. New York: W.W. Norton & Co.
  • Richardson, Joanna (1963). The Everlasting Spell. A Study of Keats and His Friends. London: Cape
  • Richardson, Joanna (1980). Keats and His Circle. An Album of Portraits. London: Cassell
  • Roe, Nicholas (2012). John Keats. A New Life. New Haven and London: Yale University Press. ISBN 978-0-300-12465-1. 
  • Rossetti, William Michael (1887). The Life and Writings of John Keats. London: Walter Scott
  • Turley, Richard Marggraf (2004). Keats' Boyish Imagination. London: Routledge. ISBN 978-0-415-28882-8. 

Додатна литература

  • Bate, W. J. Negative Capability (Cambridge, Mass, 1939)
  • Bate, W. J. The Stylistic Development of Keats (London, 1945)
  • Blackstone, Bernard. The Consecrated Urn: An Interpretation of Keats in
  • Terms of Growth and Form (London, New York, 1959)
  • Bush, Douglas. John Keats: His Life and Writings (London, 1967)
  • Evert, W. E. Aesthetic and Myth in the Poetry of Keats (Princeton, 1964)
  • Finney, C. L. The Evolution of Keats's Poetry (Cambridge, Mass, 1936)
  • Fogle, Richard H. The Imagery of Keats and Shelley: A Comparative Study (Chapel Hill, 1969)
  • Garrod, H. W. Keats (London, 1926)
  • Gittings, Robert. John Keats: The Living Year (London, 1954)
  • Gittings, Robert, ed. The Letters of John Keats (London, 1969)
  • Goldberg, Milton. The Poetics of Romanticism: Toward a Reading of John Keats (Yellow Springs, 1969)
  • Hewlet, Dorothy. A Life of John Keats (London, New York, 1970)
  • Jack, Ian. Keats and the Mirror of Art (Oxford, 1967)
  • Jones, John. John Keats's Dream of Truth (London, 1969)
  • Matthews, G. M, ed. Keats: The Critical Heritage (New York, 1971)
  • Muir, Kenneth. John Keats (Liverpool, 1959)
  • Pettet, E. C. On the Poetry of Keats (Cambridge, 1957)
  • Ridley, M. R. Keats's Craftsmanship (London, 1963)
  • Stillinger, Jack, ed. Twentieth Century Interpretations of Keats's Odes (Englewood Cliffs, 1968)
  • Tate, Priscilla Weston. From Innocence through Experience: Keats's Myth of the Poet (Salzburg, 1974)
  • Ward, Aileen. John Keats: The Making of a Poet (London, 1964) Wasserman, Earl R. The Finer Tone: Keats's Major Poems (Baltimore, 1953)
  • Wigod, Jacob. The Darkening Chamber: The Growth of Tragic Conscious- ness in Keats (Salzburg, 1972)

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