全球最高電影票房收入列表

电影通過多个渠道产生收入，例如影院放映、家庭媒體、电视广播版权和文化衍生品等。不過，影院票房收入是行业出版物评估电影成功的主要指标，主要是因为影院数据相较于光碟等家庭媒體和广播版权销售数据更便於獲取，也与历史惯例有关。本表中列出了按名目收入和实际收入排名的票房收入最高电影的列表、各年的最高收入电影列表、展示最高票房电影记录变迁的时间轴，以及票房收入最高的电影系列的列表。所有列表均按国际影院票房表现排名，尽可能排除来自家庭媒體、广播版权和文化衍生品的收入。

传统上，戰爭片、音乐片和历史片是最受欢迎的类型，但系列电影一直是21世纪表现最好的類型之一。超级英雄类型的电影也备受关注，漫威电影宇宙中的十一部电影名列名目收入榜单的前列。最成功的超级英雄电影《復仇者聯盟：終局之戰》也位列名目收入榜单的第二位，总共有四部基于《复仇者》漫画的电影进入前二十名。其他漫威漫画改编的电影如《蜘蛛侠》和《X戰警》系列也取得了成功，而改編自DC漫畫的《蝙蝠侠》和《超人》电影通常也表现不错。《星際大戰》也在名目收入榜单中占有一席之地，共有五部电影入榜，而《侏羅紀公園》系列也占据重要位置。雖然名目收入榜单主要由改编自现有作品的电影和续集主导，但榜首仍然是原创作品《阿凡达》。家庭动画电影始终表现良好，迪士尼电影在家庭媒體时代之前透過重映赚取了可观的收入。迪士尼后来也取得了《冰雪奇缘》及其续集、《動物方城市》和《狮子王》（包括其计算机动画重制版）的成功，而其皮克斯部门也有许多优秀作品，其中《腦筋急轉彎2》《超人特攻隊2》《玩具總動員3》和《玩具總動員4》都表现突出。除了迪士尼和皮克斯的动画外，《神偷奶爸》和《史瑞克》系列也取得了极大的成功。

虽然通货膨胀影响了20世纪50年代、60年代和70年代大多数电影的票房成就，但该时期仍有一些系列电影保持活跃。除了《星際大戰》和《超人》系列外，詹姆斯·邦德与哥斯拉系列电影仍定期发行，这四个系列都跻身票房收入最高的电影系列。某些曾经保持最高票房电影记录的老电影，按照今天的标准仍有可观的票房收入，但已无法与如今票价大幅上涨的电影竞争。不过，当这些票价经过通货膨胀调整后，曾经连续25年保持票房冠军的《乱世佳人》依然是历史上票房最高的电影。除非另有说明，表中的所有票房收入均以名目值的美元表示。

票房最高的电影

《阿凡达》以超过29亿美元的全球票房收入被誉为“票房最高”电影，但这种说法通常仅指影院收入，并未考虑家庭媒體和电视收入，而这些收入往往占电影总收入的很大一部分。若将家庭娱乐收入纳入考量，哪部电影最成功就不那么显而易见了。《泰坦尼克号》从录像和DVD销售及租赁中获得了12亿美元的收入^[1]，外加影院收入22亿美元。虽然《阿凡达》的完整销售数据不可得，但在北美销售了1600万张DVD和藍光光碟^[2]，收入达3.45亿美元，最终在全球售出了3000万张DVD和藍光光碟^[3]。考虑到這些家庭媒體收入后，两部电影的总收入均超过了30亿美元。电视广播版权也显著增加了电影的收入，截至2010年，一部电影通常会透過两次电视播放赚取相当于其影院票房收入的20%至25%，再加上按次付费的收入^[4]；《泰坦尼克号》从NBC和HBO的广播版权中获得了额外5500万美元^[1]，相当于其北美票房收入的约9%。

当一部电影作为商业资产極其可利用时，附加收入可能远超过直接的电影销售收入^[5]。1994年的《狮子王》从影院和家庭媒體销售中获得了超过20亿美元的收入^[1]，但与其舞台剧改编（英语：The Lion King (musical)）在全球剧院票房收入达到80亿美元相比，这个数字显得微不足道^[6]。文化衍生品也可以极为赚钱，《狮子王》还透過衍生品的銷售获得了30亿美元的收入^[7]，而皮克斯的《汽車總動員》虽然获得了4.62亿美元的影院票房收入，与其他皮克斯电影相比只是一个不大的成功^[8]，但是在2006年上映后的五年内，其全球衍生品销售额超过了80亿美元^[9]^[10]。皮克斯的另一部收获巨大成功的作品《玩具总动员3》除了获得10亿美元的影院票房收入外，还在衍生品零售上创造了近100亿美元的收入^[11]。

本表中，电影根据其影院收入的名目值进行排名，并标明各自曾经达到的最高排名。总共有六部电影全球票房收入超过20亿美元，《阿凡达》排名第一。所有这些电影都在21世纪有过影院放映（包括重映），而那些没有在此期间放映的电影因为未考虑票价通货膨胀、人口规模和购票趋势等因素，不会出现在表上。

以底色標示者表示目前尚在上映中（包括重映、二次上映）之電影

排名	最高	片名	票房	年份	来源
1	1	阿凡達	$2,923,710,708	2009	^{[# 1]}^{[# 2]}
2	1	復仇者聯盟：終局之戰	$2,799,439,100	2019	^{[# 3]}^{[# 4]}
3	3	阿凡達：水之道	$2,320,250,281	2022	^{[# 5]}^{[# 6]}
4	1	鐵達尼號	^号$2,257,844,554	1997	^{[# 7]}^{[# 8]}
5	3	STAR WARS：原力覺醒	$2,071,310,218	2015	^{[# 9]}^{[# 10]}
6	4	復仇者聯盟3：無限之戰	$2,052,415,039	2018	^{[# 11]}^{[# 12]}
7	6	蜘蛛俠：不戰無歸	$1,952,732,181	2021	^{[# 13]}^{[# 14]}
8	8	哪吒之魔童鬧海	$1,766,503,784	2025	^{[# 15]}
9	8	玩轉腦朋友2	$1,698,863,816	2024	^{[# 16]}^{[# 17]}
10	3	侏罗纪世界	$1,671,537,444	2015	^{[# 18]}^{[# 19]}
11	7	獅子王	$1,662,020,819	2019	^{[# 20]}^{[# 4]}
12	3	復仇者聯盟	$1,520,538,536	2012	^{[# 21]}
13	4	玩命關頭7	$1,515,342,457	2015	^{[# 22]}
14	11	捍衛戰士：獨行俠	$1,495,696,292	2022	^{[# 23]}
15	10	冰雪奇緣2	$1,453,683,476	2019	^{[# 24]}
16	14	Barbie芭比	$1,447,038,421	2023	^{[# 25]}
17	5	復仇者聯盟2：奧創紀元	$1,405,018,048	2015	^{[# 26]}
18	15	超級瑪利歐兄弟大電影	$1,360,847,665	2023	^{[# 27]}
19	9	黑豹	$1,349,926,083	2018	^{[# 28]}
20	3	哈利·波特与死亡圣器（下）	$1,342,499,744	2011	^{[# 29]}
21	20	死侍與狼人	$1,338,073,645	2024	^{[# 30]}
22	9	星球大戰：最後絕地武士	$1,334,407,706	2017	^{[# 31]}
23	12	侏羅紀世界：迷失國度	$1,310,469,037	2018	^{[# 32]}
24	5	魔雪奇緣	^雪$1,290,000,000	2013	^{[# 33]}
25	5	鐵甲奇俠3	$1,266,152,644	2013	^{[# 34]}
26	10	美女與野獸	$1,266,115,964	2017	^{[# 35]}
27	15	超人特工隊2	$1,243,225,667	2018	^{[# 36]}
28	11	狂野時速8	^速8$1,238,764,765	2017	^{[# 37]}
29	10	迷你兵團	$1,159,457,503	2015	^{[# 38]}
30	12	美國隊長3：英雄內戰	$1,155,046,416	2016	^{[# 39]}
31	20	水行俠	$1,152,028,393	2018	^{[# 40]}
32	2	魔戒三部曲：王者再臨	$1,138,267,561	2003	^{[# 41]}
33	24^王	蜘蛛俠：決戰千里	$1,132,705,055	2019	^{[# 42]}
34	23^王	Marvel隊長	$1,131,416,446	2019	^{[# 43]}
35	5^王	變形金剛：黑月降臨	$1,123,794,079	2011	^{[# 44]}
36	7	蝙蝠俠—夜神起義	$1,114,976,407	2012	^{[# 45]}
37	7	新鐵金剛：智破天凶城	$1,108,594,137	2012	^{[# 46]}
38	10	變形金剛：殲滅世紀	$1,105,261,713	2014	^{[# 47]}
39	1	侏羅紀公園	$1,104,379,926	1993	^{[# 48]}
40	31	小丑	$1,078,958,629	2019	^{[# 49]}
41	32	星球大戰：天行者崛起	$1,077,022,372	2019	^{[# 50]}
42	30	反斗奇兵4	$1,073,841,394	2019	^{[# 51]}
43	4^玩3	反斗奇兵3	$1,067,316,101	2010	^{[# 52]}
44	3	加勒比海盜：決戰魔盜王	$1,066,179,747	2006	^{[# 53]}
45	20	俠盜一號：星球大戰外傳	$1,058,684,742	2016	^{[# 54]}
46	34	阿拉丁	$1,054,304,000	2019	^{[# 55]}
47	47	魔海奇緣2	$1,050,331,044	2024	^{[# 56]}
48	6	加勒比海盜：魔盜狂潮	$1,046,721,266	2011	^{[# 57]}
49	2	星球大戰前傳：魅影危機	$1,046,515,409	1999	^{[# 58]}
50	24	壞蛋獎門人3	$1,034,800,131	2017	^{[# 59]}
51	22	海底奇兵2	$1,029,266,989	2016	^{[# 60]}
52	2	哈利波特：神秘的魔法石	$1,026,414,475	2001	^{[# 61]}
53	24	優獸大都會	$1,025,521,689	2016	^{[# 62]}
54	5	愛麗絲夢遊仙境	$1,025,468,216	2010	^{[# 63]}
55	14	哈比人：不思議之旅	$1,017,107,150	2012	^{[# 64]}
56	4	黑暗騎士	$1,009,057,329	2008	^{[# 65]}
57	50	侏羅紀世界：統霸天下	$1,001,978,080	2022	^{[# 66]}

^号《泰坦尼克号》在Box Office Mojo和The Numbers的总票房数据均不准确。在2023年重新上映之前，这两个追踪网站的总票房数字都高于真实数据。

截至2019年，Box Office Mojo正确记录了《泰坦尼克号》在首次上映时的票房为18.43亿美元，2012年3D重映票房为3.44亿美元，2017年有限重映票房为69.2万美元，终身总票房为21.87亿美元^[12]。2020年进行了一次有限重映后，Box Office Mojo误将700万美元加到了首次上映的票房总数上^[13]。到2021年底，Box Office Mojo已经修正了首次上映的总票房，但误将700万美元加到了2012年和2017年重映的票房上，导致总票房错误地增加了1400万美元，达到了22.02亿美元^[14]。到2023年初，Box Office Mojo修正了2017年重映的票房，总票房降至21.95亿美元，但仍保留了2012年重映的错误^[15]。
The Numbers没有单独记录每次重映的票房，但在2014年9月记录了《泰坦尼克号》的总票房为21.86亿美元（大致为首次上映的18.43亿美元加3D重映的3.436亿美元）^[16]。几周后，The Numbers将总票房提高至22.08亿美元，但没有给出解释^[17]。

^哪《哪吒之魔童闹海》的票房以The Numbers的全球票房减去The Numbers的中国票房，再加上艺恩的中国内地人民币票房所得。不包括预售票房。其中中国票房以2025年2月21日汇率换算为美元。

^雪关于《冰雪奇缘》，Box Office Mojo在2014年8月停止了对其最重要的总票房的更新，尽管当时该片仍在上映。这里列出的总票房包括了2015年底之前在日本、尼日利亚、西班牙、英国和德国的后续收入，但省略了2016年在土耳其、冰岛、巴西和澳大利亚的票房，这些收入总计为几十万美元。为了弥补数值上的不准确，最终总票房四舍五入为100万美元。该片在2017年12月随《雪寶的佳節冒險》特别短片重新上映，在英国赚取了额外的230万美元。

^速8关于《玩命關頭8》，其票房数据来自Box Office Mojo的存档版本，因为在当前版本中发现了不规范的数据。多个国家（尤其是阿根廷）的票房每周持续下降，导致全球总票房有所下滑^[18]。鉴于数据来源的异常，此处采用了先前的数字。

^王《魔戒三部曲：王者再臨》在2020年初对首次上映票房进行了修正。修正结果导致《蜘蛛人：離家日》《驚奇隊長》和《變形金剛3》的最高排名比原来低了一位。

^玩3Box Office Mojo在2016年8月修正了皮克斯动画电影的票房数据，结果《玩具總動員3》的票房从10.63亿美元修正为10.67亿美元^[19]^[20]，意味着该片最终最高排名第4，超过了《加勒比海盗2：聚魂棺》，而不是原数据中显示的第5位。

九亿美元以上，十亿美元以下

58	獅子王	$979,161,373	1994	^{[# 67]}
59	奧本海默	$975,594,978	2023	^{[# 68]}
60	哈利波特－死神的聖物1	$974,919,063	2010	^{[# 69]}
61	壞蛋獎門人2	$970,766,005	2013	^{[# 70]}
62	神偷奶爸4	$969,126,452	2024	^{[# 71]}
63	魔幻森林	$967,724,775	2016	^{[# 72]}
64	逃出魔幻紀：叢林挑機	$962,544,585	2017	^{[# 73]}
65	哈比人：五軍之戰	$962,253,946	2014	^{[# 74]}
66	加勒比海盗3：世界的盡頭	$961,691,209	2007	^{[# 75]}
67	哈比人：荒谷魔龍	$959,079,095	2013	^{[# 76]}
68	奇異博士2：失控多元宇宙	$955,775,804	2022	^{[# 77]}
69	哈利波特：鳳凰會的密令	$942,862,581	2007	^{[# 78]}
70	海底奇兵	$941,637,960	2003	^{[# 79]}
71	哈利波特：混血王子的背叛	$941,055,851	2009	^{[# 80]}
72	迷你兵團2	$940,482,695	2022	^{[# 81]}
73	魔戒二部曲：雙城奇謀	$938,242,927	2002	^{[# 82]}
74	史力加2	$932,530,034	2004	^{[# 83]}
75	波希米亞狂想曲：搖滾傳說	$910,813,521	2018	^{[# 84]}
76	長津湖	$902,548,476	2021	^{[# 85]}

八亿美元以上，九亿美元以下

77	哈利波特：火盃的考驗	$897,468,952	2005	^{[# 86]}
78	蜘蛛俠3	$891,648,685	2007	^{[# 87]}
79	魔戒首部曲：魔戒現身	$888,195,122	2001	^{[# 88]}
80	冰河世紀3：大威龍駕到	$886,686,817	2009	^{[# 89]}
81	哈利波特：消失的密室	$882,740,355	2002	^{[# 90]}
82	蜘蛛俠：強勢回歸	$880,944,210	2017	^{[# 91]}
83	007：鬼影帝國	$880,707,597	2015	^{[# 92]}
84	冰河世紀4：玩轉新大陸	$877,244,782	2012	^{[# 93]}
85	Pet Pet當家	$875,698,161	2016	^{[# 94]}
86	蝙蝠俠對超人：正義曙光	$874,362,803	2016	^{[# 95]}
87	戰狼2	$870,325,439	2017	^{[# 96]}
88	飢餓遊戲：星火燎原	$865,011,746	2013	^{[# 97]}
89	銀河守護隊2	$863,756,903	2017	^{[# 98]}
90	黑豹2：瓦干達萬歲	$859,208,836	2022	^{[# 99]}
91	玩轉腦朋友	$859,076,254	2015	^{[# 100]}
92	毒魔	$856,085,161	2018	^{[# 101]}
93	雷神奇俠3：諸神黃昏	$855,301,806	2017	^{[# 102]}
94	星球大戰前傳：黑帝君臨	$850,035,635	2005	^{[# 103]}
95	吸血新世紀4：破曉傳奇下集	$848,593,948	2012	^{[# 104]}
96	銀河守護隊3	$845,555,777	2023	^{[# 105]}
97	潛行凶間	$839,030,630	2010	^{[# 106]}
98	變形金剛：狂派再起	$836,303,693	2009	^{[# 107]}
99	蜘蛛俠	$825,802,095	2002	^{[# 108]}
100	神奇女俠	$823,970,682	2017	^{[# 109]}
101	你好，李煥英	$822,009,764	2021	^{[# 110]}
102	天煞-地球反擊戰	$817,400,891	1996	^{[# 111]}
103	怪獸與牠們的產地	$816,037,575	2016	^{[# 112]}
104	玩轉極樂園	$814,641,172	2017	^{[# 113]}
105	哈利波特：阿茲卡班的逃犯	$808,485,409	2004	^{[# 114]}
106	史力加3	$808,308,862	2007	^{[# 115]}
107	逃出魔幻紀：霸氣升呢	$801,693,929	2019	^{[# 116]}

七亿美元以上，八亿美元以下

108	E.T.外星人	$797,307,407	1982	^{[# 117]}
109	加勒比海盜：惡靈啟航	$795,922,298	2017	^{[# 118]}
110	職業特工隊：叛逆之謎	$791,658,205	2018	^{[# 119]}
111	2012末日預言	$791,217,826	2009	^{[# 120]}
112	狂野時速6	$788,683,342	2013	^{[# 121]}
113	奪寶奇兵之水晶骷髏國	$786,636,033	2008	^{[# 122]}
114	死侍2	$785,896,632	2018	^{[# 123]}
115	蜘蛛俠2	$784,543,400	2004	^{[# 124]}
116	死侍：不死現身	$782,837,347	2016	^{[# 125]}
117	星球大戰：新的希望	$775,398,507	1977	^{[# 126]}
118	007：生死有時	$774,153,007	2021	^{[# 127]}
119	銀河守護隊	$773,350,376	2014	^{[# 128]}
120	蝙蝠俠	$772,319,315	2022	^{[# 129]}
121	雷神奇俠4：愛與雷霆	$760,928,081	2022	^{[# 130]}
122	狂野時速：雙雄聯盟	$760,732,926	2019	^{[# 131]}
123	達文西密碼	$760,006,945	2006	^{[# 132]}
124	黑魔后：沉睡魔咒	$759,853,685	2014	^{[# 133]}
125	飢餓遊戲終極篇：自由幻夢1	$759,159,711	2014	^{[# 134]}
126	蜘蛛俠：驚世現新	$758,707,722	2012	^{[# 135]}
127	星際啟示錄	$758,429,814	2014	^{[# 136]}
128	史力加萬歲萬萬歲	$752,600,867	2010	^{[# 137]}
129	自殺特攻：超能暴隊	$749,200,054	2016	^{[# 138]}
130	荒失失奇兵3：歐洲逐隻捉	$746,921,274	2012	^{[# 139]}
131	變種特攻：未來同盟戰	$746,045,700	2014	^{[# 140]}
132	納尼亞傳奇：獅子·女巫·魔衣櫥	$745,013,115	2005	^{[# 141]}
133	怪獸大學	$743,559,645	2013	^{[# 142]}
134	22世紀殺人網絡2：決戰未來	$741,847,937	2003	^{[# 143]}
135	沖天救兵	$735,102,136	2009	^{[# 144]}
136	魔法壞女巫	$727,930,830	2024	^{[# 145]}
137	F9狂野時速	$726,229,501	2021	^{[# 146]}
138	哪吒之魔童降世	$726,225,471	2019	^{[# 147]}
139	引力邊緣	$723,719,539	2013	^{[# 148]}
140	蜘蛛俠2：決戰電魔	$716,891,708	2014	^{[# 149]}
141	沙丘：第二部	$714,644,358	2024	^{[# 150]}
142	美國隊長2	$714,421,503	2014	^{[# 151]}
143	吸血新世紀4：破曉傳奇上集	$712,205,856	2011	^{[# 152]}
144	吸血新世紀2：新月傳奇	$711,048,123	2009	^{[# 153]}
145	猿人爭霸戰：猩凶崛起	$710,644,566	2014	^{[# 154]}
146	變形金剛	$709,709,780	2007	^{[# 155]}
147	狂野時速10	$704,875,015	2023	^{[# 156]}
148	小丑回魂	$704,242,888	2017	^{[# 157]}

六亿美元以上，七亿美元以下

149	流浪地球	$699,992,512	2019	^{[# 158]}
150	吸血新世紀3：月蝕傳奇	$698,513,085	2010	^{[# 159]}
151	飢餓遊戲	$695,220,619	2012	^{[# 160]}
152	職業特工隊：鬼影約章	$694,713,380	2011	^{[# 161]}
153	蜘蛛俠：飛躍蜘蛛宇宙	$690,824,738	2023	^{[# 162]}
154	獅子王：木法沙	$690,231,242	2024	^{[# 163]}
155	唐人街探案3	$686,257,563	2021	^{[# 164]}
156	職業特工隊：叛逆帝國	$682,716,636	2015	^{[# 165]}
157	阿甘正傳	$678,226,465	1994	^{[# 166]}
158	奇異博士	$677,796,833	2016	^{[# 167]}
159	鬼眼	$672,806,432	1999	^{[# 168]}
160	滿江紅	$670,491,959	2023	^{[# 169]}
161	超人：鋼鐵英雄	$670,145,518	2013	^{[# 170]}
162	冰河世紀2	$667,094,506	2006	^{[# 171]}
163	功夫熊貓2	$665,692,281	2011	^{[# 172]}
164	飢餓遊戲終極篇：自由幻夢2	$661,456,867	2015	^{[# 173]}
165	正義聯盟	$661,326,987	2017	^{[# 174]}
166	大英雄聯盟	$657,870,525	2014	^{[# 175]}
167	怪獸與葛林戴華德之罪	$655,755,901	2018	^{[# 176]}
168	魔盜王決戰鬼盜船	$654,264,546	2003	^{[# 177]}
169	黑超特警組3	$654,213,485	2012	^{[# 178]}
170	星球大戰前傳：複製人侵略	$653,780,724	2002	^{[# 179]}
171	雷神奇俠2：黑暗世界	$644,783,140	2013	^{[# 180]}
172	魔海奇緣	$643,332,467	2016	^{[# 181]}
173	旺卡	$634,402,312	2023	^{[# 182]}
174	星夢動物園	$634,338,409	2016	^{[# 183]}
175	功夫熊猫	$632,384,787	2008	^{[# 184]}
176	超人特工隊	$631,688,498	2004	^{[# 185]}
177	火星任務	$630,621,406	2015	^{[# 186]}
178	街頭超人	$629,443,428	2008	^{[# 187]}
179	長津湖之水門橋	$626,571,697	2022	^{[# 188]}
180	狂野時速5	$626,140,012	2011	^{[# 189]}
181	鐵甲奇俠2	$623,933,331	2010	^{[# 190]}
182	五星級大鼠	$623,729,380	2007	^{[# 191]}
183	蟻俠2：黃蜂女現身	$622,674,139	2018	^{[# 192]}
184	馴龍記2	$621,537,519	2014	^{[# 193]}
185	盧根	$619,180,476	2017	^{[# 194]}
186	侏羅紀公園：迷失世界	$618,638,999	1997	^{[# 195]}
187	新鐵金剛智破皇家賭場	$616,577,552	2006	^{[# 196]}
188	流浪地球2	$615,023,132	2023	^{[# 197]}
189	受難曲	$612,060,372	2004	^{[# 198]}
190	媽媽咪呀！	$611,452,132	2008	^{[# 199]}
191	少年Pi的奇幻漂流	$609,016,565	2012	^{[# 200]}
192	挑戰者1號	$607,874,422	2018	^{[# 201]}
193	變形金剛：終極戰士	$605,425,157	2017	^{[# 202]}
194	荒失失奇兵2	$603,900,354	2008	^{[# 203]}
195	強戰世界	$603,873,504	2005	^{[# 204]}

经通货膨胀调整后票房最高的电影

由于长期通货膨胀的影响，尤其是电影票价的显著上涨，未经过通货膨胀调整的榜单往往更加偏向于后期上映的电影^[21]。虽然这种未调整的榜单在媒体报道中较为常见，但由于不同年代的电影在经济环境和票价上存在巨大差异，因此并不适用于跨时代的电影比较。许多早期电影虽然在商业上取得了巨大成功，但由于未调整票价的榜单未考虑价格增长因素，很难出现在现代电影的票房排名中^[22]。为弥补货币贬值的影响，一些榜单会进行通货膨胀调整，但即使如此，这种方法仍无法完全解决问题，因为电影票价的变动并不总是与通货膨胀率同步。例如，1970年电影票价为1.55美元，相当于按2004年通货膨胀调整后的6.68美元；而到了1980年，票价上涨至2.69美元，按2004年价格调整后反而下降到了5.50美元^[23]。此外，各国电影票价的涨幅不同，使得全球总票房的通货膨胀调整更加复杂^[21]。

另一个影响因素是电影的多种放映格式，不同格式的票价各不相同。例如，《阿凡达》不仅以2D版本上映，还提供了3D和IMAX版本：该片近三分之二的票房来自3D放映，平均票价为10美元，而约六分之一的票房来自IMAX放映，平均票价超过14.50美元，相比之下，2010年2D电影的平均票价仅为7.61美元^[24]。此外，社会和经济因素也会影响观众购票数量，例如人口变化^[25]、国际市场的扩张^[26]^[27]^[28]，以及观众群体的差异。某些电影在儿童票价较低的市场表现更好，而另一些电影则在票价较高的大城市更受欢迎^[22]。

目前衡量电影成功的标准仍然基于未调整的总票房收入，主要是因为电影行业的传统做法：影院将票房收入报告给发行方，发行方再向媒体公布^[29]。若改用基于票房销量（即观影人次）而非票房总收入的统计方式，将面临诸多问题，因为较早期电影的数据通常只有票房收入，而没有具体的售票数量^[25]。此外，电影行业主要关注当前上映的电影，因此未调整的票房数据更符合市场营销需求，使得新上映的大片更容易进入高票房排名，被宣传为“史上最卖座电影”^[23]^[30]。由于营销和新闻报道的需求，行业缺乏动力转向更具代表性的分析方式^[29]。

尽管通货膨胀调整存在固有困难，但是仍有许多尝试。调整后的估算结果取决于用于计算的物价指数^[30]和汇率转换方式，这些因素都会影响最终的排名。1939年首映的《乱世佳人》通常被认为是最成功的电影，吉尼斯世界纪录在2014年估算其调整后的全球票房收入为34亿美元。关于《乱世佳人》的调整后总票房，各方估算存在较大差异：其版权持有方透納娛樂公司在2007年估算其调整后票房为33亿美元，略低于吉尼斯的估算^[31]；其他估算结果则略有不同，其中一项2010年的估算将其调整后票房定在略低于30亿美元^[32]，而另一项2006年的估算则给出了38亿美元的数字^[33]。最接近《乱世佳人》的竞争对手因数据来源不同而有所不同。吉尼斯世界纪录将《阿凡达》列为第二名，调整后票房为30亿美元，而其他估算则认为《泰坦尼克号》更接近，其首轮全球票房在2010年调整后约为29亿美元^[32]。

截至2023年^[update]票房最高的電影（經通货膨胀因素調整）^[34]^[通]
排名	片名	全球票房 (2023 $)	年份
1	乱世佳人	^乱$4,341,000,000	1939
2	阿凡达	^阿$3,957,000,000	2009
3	泰坦尼克号	$2,516,000,000^号$3,677,000,000	1997
4	星際大戰四部曲：曙光乍現	$3,563,000,000	1977
5	復仇者聯盟：終局之戰	^復$3,275,000,000	2019
6	音乐之声	$2,984,000,000	1965
7	E.T.外星人	^ET$2,917,000,000	1982
8	十诫	$2,758,000,000	1956
9	日瓦戈医生	$2,615,000,000	1965
10	STAR WARS：原力覺醒	^原$2,577,000,000	2015

^通通货膨胀调整是使用國際貨幣基金組織（IMF）发布的发达经济体消費者物價指數进行计算的^[35]。该指数被统一应用于吉尼斯世界纪录在2014年发布的票房榜单，从2014年的指数开始调整。上述榜单的数据已考虑自2014年至2023年间发生的通货膨胀。

^乱《乱世佳人》的调整后总票房包括其原始上映收入和截至1998年的重映收入，这些数据基于吉尼斯设定的基准年份进行调整。此外，其2019年的票房收入^[36]基于2020年指数进行调整。2020年代该片曾进行几次小规模重映，但这些重映的票房收入未计入调整后的总票房。

^阿《阿凡达》的调整后总票房包括其原始上映及四次重映的收入。其中，原始上映和2010年特别版的票房收入是基于吉尼斯设定的基准年份进行调整，而2020年和2021年的票房收入依据2021年指数调整，2022年的票房收入则依据2022年指数调整^[37]。

^号吉尼斯对《鐵達尼號》的调整后总票房在2012年（2011年发布）和2015年版本之间仅增加了1.02亿美元，增幅4.2%，与榜单中其他调整后总票房的增幅一致。此外，吉尼斯未计入该片2012年3D重映的票房收入^[34]^[38]。本表纳入了该次重映的3.43亿美元票房，依据2013年指数调整^[39]。此外，《鐵達尼號》在2017年和2020年的小规模重映共获得762,994美元票房，这部分票房已被纳入该片25周年重映的收入，依据2023年指数调整^[40]。

^ET《E.T.外星人》的调整后总票房包括原始上映及所有重映的收入。其中，原始上映及1985年、2002年重映的票房收入基于吉尼斯的基准年份进行调整，而2020年和2022年的票房收入^[41]依据2022年指数调整。

^復《復仇者聯盟：終局之戰》的票房收入依据2020年指数调整。

^原《STAR WARS：原力覺醒》的票房收入依据2016年指数调整。

年度票房冠軍

術語：发行商租金

票房数据通常以总收入或发行商租金形式报告，后者尤为常见于老电影的统计。发行商租金常常被误认为是家庭媒體收入，实际上則是指发行商从电影票房收入中获得的份额（即票房总收入减去影院的分成）^[42]^[43]。历史上，当发行商拥有电影院时，租金价格通常在30%到40%之间，相当于支付给发行商的总收入的三分之一多一些^[44]。在现代市场中，租金费用可能会有所不同，主要取决于多种因素，不過大公司出品的电影平均租金为43%^[42]。

20世纪观众的口味相当多样，但也出现了若干趋势。在无声电影时代，战争题材的电影深受观众喜爱，例如《一個國家的誕生》（南北战争）《启示录四骑士》《大軍啓行（英语：The Big Parade）》和《铁翼雄风》（都是关于第一次世界大战的电影），在各自上映的年份都成为最成功的电影，这一趋势直到1930年《西線無戰事》上映后才逐渐消失。1927年有声电影的出现使得音乐片这一最能展示新技术的类型成为最受欢迎的电影类型，1928年和1929年的票房冠军都是音乐片。音乐片在1930年代仍然表现强劲，但随着第二次世界大战的爆发，战争题材电影再次成为主流，从1939年的《乱世佳人》（南北战争）到1946年的《黄金时代》（第二次世界大战）为止。1949年的《霸王妖姬（英语：Samson and Delilah (1949 film)）》开启了1950年代历史剧的趋势，这些历史剧背景大多设定在古罗马或圣经时代，当时电影与电视的竞争愈发激烈^[45]，《暴君焚城錄（英语：Quo Vadis (1951 film)）》《聖袍千秋（英语：The Robe (film)）》《十诫》《賓漢》和《風雲羣英會》等都成为了当年票房收入最高的电影，直到这一类型开始随着几部備受關注却失败的影片上映而走向衰退^[46]。1950年代《銀色聖誕（英语：White Christmas (film)）》和《南太平洋（英语：South Pacific (1958 film)）》的成功预示着音乐片在1960年代的回归，《西城故事》《歡樂滿人間》《窈窕淑女》《音乐之声》和《妙女郎（英语：Funny Girl (film)）》都成为年代票房冠军。1970年代，观众口味转向高概念电影，乔治·卢卡斯和斯蒂芬·斯皮尔伯格两位导演制作的六部电影在1980年代占据票房榜首。21世纪以来，电影更多依赖于系列片和改编作品，基于已有知识产权的电影在票房上的主导地位达到了历史新高^[47]。

斯蒂芬·斯皮尔伯格（1975年、1981年、1982年、1989年、1993年）和塞西爾·B·德米爾（1932年、1947年、1949年、1952年、1956年）并列成为榜单中最具代表性的导演，两人分别有五部电影占据年度票房冠军。威廉·惠勒（1942年、1946年、1959年、1968年）和詹姆斯·卡梅隆（1991年、1997年、2009年、2022年）则各自代表四部电影登顶。D·W·格里菲斯（1915年、1916年、1920年）、乔治·罗伊·希尔（1966年、1969年、1973年）和罗素兄弟（2016年、2018年、2019年）也分别有三部电影登上榜单。乔治·卢卡斯在1977年和1999年两度以导演身份登顶，并且在1980年、1981年、1983年和1989年以制片人或编剧身份参与制作，也有强大的创作贡献。以下导演也分别有两部电影进入榜单：弗蘭克·洛伊德、金·維多（英语：King Vidor）、法蘭克·卡普拉、麥可·寇蒂斯、李歐·麥卡瑞、亞弗列·希治閣、大卫·利恩、斯坦利·库布里克、蓋·漢彌爾頓、迈克·尼科尔斯、威廉·弗莱德金、彼得·杰克逊、高爾·韋賓斯基和麥可·貝；茂文·李洛埃、肯·安納金和罗伯特·怀斯各自有一部独立作品和一部合作作品，约翰·福特则与他人共同导演了两部电影。迪士尼电影通常是联合导演，某些导演参与了多个获奖团队：威尔弗雷德·杰克逊（英语：Wilfred Jackson）、汉密尔顿·卢斯克（英语：Hamilton Luske）、克莱德·吉罗尼米（英语：Clyde Geronimi）、大卫·汉德（英语：David Hand (animator)）、本·夏普斯廷（英语：Ben Sharpsteen）、沃夫冈·雷瑟曼和比尔·罗伯茨等都至少联合导演了两部登上榜单的影片。仅有七位导演曾连续两年成为票房冠军：麥卡瑞（1944年和1945年）、尼科尔斯（1966年和1967年）、斯皮尔伯格（1981年和1982年）、杰克逊（2002年和2003年）、韋賓斯基（2006年和2007年）和罗素兄弟（2018年和2019年）。

由于上映时间安排，特别是年底上映的电影，以及全球不同的上映模式，许多电影可能跨越两个或多个日历年。因此，记录的票房数据不仅限于电影首映的年份。票房收入也不局限于首轮上映，许多老电影经常会定期重映，因此数据包括电影自首次上映以来的所有票房收入。电影的首轮票房收入如果已知会在总票房后括注。由于数据不完整，某些电影的确切收入和上映时间仍不确定，但一般来说，下表列出的是每年票房最高的电影。如果有估算数据存在冲突，则会同时列出两部电影；如果某部电影透過重映超越了之前的纪录保持者，前任纪录保持者仍会被保留。

年度票房冠軍^[48]^[49]^[50]
年份	片名	全球票房	预算	来源
1915	一個國家的誕生	$50,000,000–100,000,000 $20,000,000+^租 ($5,200,000)^租	$110,000	^{[# 205]}^{[# 206]}^{[# 207]}
1916	忍無可忍	$1,750,000^租 ^忍	$385,907	^[51]^[52]
1917	埃及豔后（英语：Cleopatra (1917 film)）	$500,000^*^租	$300,000	^{[# 208]}^{[# 209]}
1918	米奇（英语：Mickey (1918 film)）	$8,000,000	$250,000	^{[# 210]}
1919	奇蹟先生（英语：The Miracle Man (1919 film)）	$3,000,000^租	$120,000	^{[# 211]}
1920	江水東流（英语：Way Down East）	$5,000,000^租 ($4,000,000)^租	$800,000	^{[# 212]}^{[# 213]}
1921	启示录四骑士	$5,000,000^租 ($4,000,000)^租	$600,000–800,000	^{[# 214]}
1922	羅賓漢（英语：Douglas Fairbanks in Robin Hood）	$2,500,000^租	$930,042.78	^{[# 215]}^{[# 216]}
1923	邊外英雄（英语：The Covered Wagon）	$5,000,000^租	$800,000	^{[# 217]}^{[# 218]}
1924	海鷹（英语：The Sea Hawk (1924 film)）	$3,000,000^租	$700,000	^{[# 217]}
1925	大軍啓行（英语：The Big Parade）	$18,000,000–22,000,000^租 ($6,131,000)^租	$382,000	^{[# 219]}^{[# 220]}^{[# 221]}
1925	賓漢（英语：Ben-Hur (1925 film)）	$10,738,000^租 ($9,386,000)^租	$3,967,000	^{[# 222]}^{[# 223]}
1926	天降妙人（英语：For Heaven's Sake (1926 film)）	$2,600,000^租 ^天降	$150,000	^{[# 212]}^{[# 224]}
1927	铁翼雄风	$3,600,000^租	$2,000,000	^{[# 212]}^{[# 225]}^{[# 226]}
1928	歌臺憨者（英语：The Singing Fool）	$5,900,000^租	$388,000	^{[# 226]}^{[# 227]}
1929	红伶秘史	$4,400,000–4,800,000^租	$379,000	^{[# 228]}^{[# 229]}
1929	陽光隨處（英语：Sunny Side Up (1929 film)）	$3,500,000^*^租 ^陽光	$600,000	^{[# 230]}^{[# 231]}
1930	西線無戰事	$3,000,000^租	$1,250,000	^{[# 212]}^{[# 232]}^{[# 233]}^{[# 234]}
1931	科学怪人	$12,000,000^租 ($1,400,000)^租	$250,000	^{[# 235]}^{[# 236]}
1931	城市之光	$5,000,000^租	$1,607,351	^{[# 237]}
1932	羅宮春色（英语：The Sign of the Cross (1932 film)）	$2,738,993^租	$694,065	^{[# 218]}^{[# 238]}^{[# 239]}^{[# 240]}
1933	金刚	$5,347,000^租 ($1,856,000)^租	$672,255.75	^{[# 241]}
	我不是天使（英语：I'm No Angel）	$3,250,000+^租	$200,000	^{[# 242]}^{[# 243]}
	气壮山河	$3,000,000–4,000,000^租	$1,116,000	^{[# 213]}^{[# 233]}
	儂本多情（英语：She Done Him Wrong）	$3,000,000+^租	$274,076	^{[# 244]}^{[# 245]}^{[# 246]}
1934	風流寡婦（英语：The Merry Widow (1934 film)）	$2,608,000^租	$1,605,000	^{[# 247]}^{[# 239]}
1934	一夜風流	$2,500,000^租 ^一夜	$325,000	^{[# 248]}^{[# 249]}
1935	叛艦喋血記	$4,460,000^租	$1,905,000	^{[# 239]}
1936	火燒舊金山（英语：San Francisco (1936 film)）	$6,044,000+^租 ($5,273,000)^租	$1,300,000	^{[# 247]}^{[# 239]}
1937	白雪公主	$418,000,000+^白雪 ($8,500,000)^租	$1,488,423	^{[# 250]}^{[# 251]}
1938	浮生若夢	$5,000,000^租	$1,200,000	^{[# 252]}^{[# 253]}
1939	乱世佳人	$390,525,192–402,382,193 ($32,000,000)^租 ^亂世	$3,900,000–4,250,000	^{[# 254]}^{[# 255]}^{[# 256]}^{[# 257]}^{[# 258]}
1940	木偶奇遇记	$87,000,862^* ($3,500,000)^租	$2,600,000	^{[# 259]}^{[# 251]}^{[# 260]}
1940	俠義雙雄（英语：Boom Town (film)）	$4,600,000^*^租	$2,100,000	^{[# 261]}^{[# 262]}
1941	艾文·約克（英语：Sergeant York (film)）	$7,800,000^租	$1,600,000	^{[# 263]}^{[# 264]}
1942	小鹿斑比	$267,997,843 ($3,449,353)^租	$1,700,000–2,000,000	^{[# 265]}^{[# 266]}^{[# 267]}
1942	忠勇之家	$8,878,000^租	$1,344,000	^{[# 268]}^{[# 269]}
1943	戰地鐘聲	$11,000,000^租	$2,681,298	^{[# 270]}^{[# 271]}^{[# 272]}
1943	這就是軍隊（英语：This Is the Army）	$9,555,586.44^*^租	$1,400,000	^{[# 273]}^{[# 274]}^{[# 272]}
1944	与我同行	$6,500,000^*^租	$1,000,000	^{[# 275]}^{[# 276]}^{[# 277]}
1945	媽媽和爸爸	$80,000,000^媽爸/$22,000,000^租	$65,000	^{[# 278]}
1945	聖瑪麗亞的鐘聲（英语：The Bells of St. Mary's）	$11,200,000^租	$1,600,000	^{[# 279]}
1946	南方之歌	$65,000,000^* ($3,300,000)^租	$2,125,000	^{[# 280]}^{[# 281]}^{[# 282]}
	黄金时代	$14,750,000^租	$2,100,000	^{[# 283]}^{[# 284]}
	太陽浴血記（英语：Duel in the Sun (film)）	$10,000,000^*^租	$5,255,000	^{[# 275]}^{[# 285]}
1947	除却巫山不是云	$8,000,000^租	$6,375,000	^{[# 230]}^{[# 285]}
1947	血戰保山河（英语：Unconquered (1947 film)）	$7,500,000^租 ^血戰	$4,200,000	^{[# 286]}^{[# 287]}
1948	萬花錦繡	$5,918,134^租	$2,500,000	^{[# 277]}^{[# 288]}
	紅菱艷（英语：The Red Shoes (1948 film)）	$5,000,000^*^租	£505,581 (~$2,000,000)	^{[# 275]}^{[# 289]}^{[# 290]}
	蛇穴	$4,100,000^*^租	$3,800,000	^{[# 291]}^{[# 292]}
1949	霸王妖姬（英语：Samson and Delilah (1949 film)）	$14,209,250^租	$3,097,563	^{[# 293]}^{[# 218]}
1950	仙履奇缘	$263,591,415 ($20,000,000/$7,800,000^租)	$2,200,000	^{[# 294]}^{[# 295]}^{[# 296]}
1950	所羅門王寶藏（英语：King Solomon's Mines (1950 film)）	$10,050,000^租	$2,258,000	^{[# 297]}
1951	暴君焚城錄（英语：Quo Vadis (1951 film)）	$21,037,000–26,700,000^租	$7,623,000	^{[# 293]}^{[# 298]}^{[# 299]}
1952	This Is Cinerama（英语：This Is Cinerama）	$50,000,000^CI	$1,000,000	^{[# 300]}^{[# 301]}
1952	戲中之王	$18,350,000^租 ^戲王	$3,873,946	^{[# 302]}^{[# 303]}^{[# 218]}
1953	小飛俠	$145,000,000 ($7,000,000)^*^租	$3,000,000–4,000,000	^{[# 304]}^{[# 305]}
1953	聖袍千秋（英语：The Robe (film)）	$25,000,000–26,100,000^租	$4,100,000	^{[# 306]}^{[# 307]}^{[# 299]}
1954	後窗	$24,500,000^* ($5,300,000)^*^租	$1,000,000	^{[# 308]}^{[# 298]}
	銀色聖誕（英语：White Christmas (film)）	$26,000,050^* ($12,000,000)^*^租	$3,800,000	^{[# 309]}^{[# 310]}^{[# 311]}
	海底兩萬里	$25,000,134^* ($6,800,000–8,000,000)^*^租	$4,500,000–9,000,000	^{[# 312]}^{[# 313]}^{[# 275]}^{[# 314]}
1955	小姐与流浪汉	$187,000,000 ($6,500,000)^*^租	$4,000,000	^{[# 315]}^{[# 275]}^{[# 316]}
	Cinerama Holiday（英语：Cinerama Holiday）	$21,000,000^CI	$2,000,000	^{[# 317]}^{[# 318]}
	羅勃先生（英语：Mister Roberts (1955 film)）	$9,900,000^租	$2,400,000	^{[# 319]}
1956	十诫	$90,066,230^租 ($122,700,000/$55,200,000^租)	$13,270,000	^{[# 218]}^{[# 320]}^{[# 321]}
1957	桂河大桥	$30,600,000^租	$2,840,000	^{[# 321]}
1958	南太平洋（英语：South Pacific (1958 film)）	$30,000,000^租	$5,610,000	^{[# 322]}
1959	賓漢	$90,000,000^租 ($146,900,000/$66,100,000^租)	$15,900,000	^{[# 323]}^{[# 324]}
1960	瑞士家庭魯賓遜（英语：Swiss Family Robinson (1960 film)）	$30,000,000^租	$4,000,000	^{[# 325]}
	風雲羣英會	$60,000,000 ($22,105,225)^租	$10,284,014	^{[# 326]}^{[# 327]}
	驚魂記	$50,000,000+ ($14,000,000)^租	$800,000	^{[# 328]}
1961	101忠狗	$303,000,000	$3,600,000–4,000,000	^{[# 315]}^{[# 329]}^{[# 267]}
1961	西城故事	$105,000,000 ($31,800,000)^租	$7,000,000	^{[# 330]}^{[# 331]}
1962	阿拉伯的劳伦斯	$77,324,852 ($69,995,385)	$13,800,000	^{[# 332]}^{[# 333]}
	西部開拓史	$35,000,000^租	$14,483,000	^{[# 334]}
	碧血長天	$33,200,000^租	$8,600,000	^{[# 331]}^{[# 333]}
1963	埃及艳后	$40,300,000^租	$31,115,000	^{[# 331]}^{[# 333]}
1963	鐵金剛勇破間諜網	$78,900,000/$29,400,000^租 ($12,500,000)^租	$2,000,000	^{[# 335]}^{[# 336]}^{[# 337]}
1964	窈窕淑女	$55,000,000^租	$17,000,000	^{[# 338]}
	鐵金剛大戰金手指	$124,900,000 ($46,000,000)^租	$3,000,000	^{[# 335]}^{[# 337]}
	歡樂滿人間	$44,000,000–$50,000,000^租	$5,200,000	^{[# 339]}^{[# 338]}
1965	音乐之声	$286,214,076 ($114,600,000)^租	$8,000,000	^{[# 340]}^{[# 331]}
1966	開天闢地（英语：The Bible: In the Beginning）	$25,325,000^租	$18,000,000	^{[# 327]}^{[# 341]}
	夏威夷（英语：Hawaii (1966 film)）	$34,562,222^* ($15,600,000)^*^租	$15,000,000	^{[# 342]}^{[# 275]}
	靈慾春宵	$33,736,689^* ($14,500,000)^*^租	$7,613,000	^{[# 343]}^{[# 275]}^{[# 344]}
1967	森林王子	$378,000,000 ($23,800,000)^租	$3,900,000–4,000,000	^{[# 315]}^{[# 345]}^{[# 346]}^{[# 267]}
1967	毕业生	$85,000,000^租	$3,100,000	^{[# 347]}^{[# 348]}
1968	2001太空漫遊	$141,000,000–190,000,000 ($21,900,000)^租	$10,300,000	^{[# 349]}^{[# 331]}
1968	妙女郎（英语：Funny Girl (film)）	$80,000,000–100,000,000	$8,800,000	^{[# 350]}^{[# 351]}
1969	虎豹小霸王	$152,308,525 ($37,100,000)^租	$6,600,000	^{[# 352]}^{[# 331]}^{[# 348]}
1970	愛的故事	$173,400,000 ($80,000,000)^租	$2,260,000	^{[# 353]}^{[# 354]}^{[# 355]}
1971	霹靂神探	$75,000,000^租	$3,300,000	^{[# 230]}
	屋頂上的提琴手	$49,400,000^租 ($100,000,000/$45,100,000^租)	$9,000,000	^{[# 356]}^{[# 357]}
	鐵金剛勇破鑽石黨	$116,000,000 ($45,700,000)^租	$7,200,000	^{[# 335]}^{[# 336]}
1972	教父	$246,120,974–287,000,000 ($127,600,000–142,000,000)^租	$6,000,000–7,200,000	^{[# 358]}^{[# 357]}^{[# 359]}^{[# 360]}
1973	大法師	$430,872,776 ($112,300,000)^租	$10,000,000	^{[# 361]}^{[# 362]}^{[# 363]}^{[# 364]}
1973	老千計狀元才	$115,000,000^租	$5,500,000	^{[# 365]}^{[# 366]}
1974	沖天大火災	$203,336,412 ($104,838,000)^租	$14,300,000	^{[# 367]}^{[# 368]}^{[# 369]}^{[# 364]}^{[# 370]}
1975	大白鯊	$477,220,580 ($193,700,000)^租	$9,000,000	^{[# 371]}^{[# 372]}^{[# 373]}
1976	洛奇	$225,000,000 ($77,100,000)^租	$1,075,000	^{[# 374]}^{[# 375]}^{[# 357]}^{[# 376]}
1977	星際大戰四部曲：曙光乍現	$775,398,007 ($530,000,000^星戰/$268,500,000^租)	$11,293,151	^{[# 377]}^{[# 378]}^{[# 357]}^{[# 379]}
1978	油脂	$396,271,103 ($341,000,000)	$6,000,000	^{[# 380]}^{[# 381]}^{[# 347]}
1979	鐵金剛勇破太空城	$210,308,099	$31,000,000	^{[# 382]}^{[# 335]}^{[# 383]}
1979	洛奇2	$200,182,160	$7,000,000	^{[# 384]}^{[# 385]}^{[# 383]}
1980	星際大戰五部曲：帝國大反擊	$550,016,086 ($413,562,607)^星戰	$23,000,000–32,000,000	^{[# 386]}^{[# 387]}
1981	法櫃奇兵	$389,925,971 ($321,866,000–353,988,025)	$18,000,000–22,800,000	^{[# 388]}
1982	E.T.外星人	$797,307,407 ($619,000,000–664,000,000)	$10,500,000–12,200,000	^{[# 389]}^{[# 378]}^{[# 390]}^{[# 391]}
1983	星際大戰六部曲：絕地大反攻	$482,466,382 ($385,845,197)^星戰	$32,500,000–42,700,000	^{[# 392]}^{[# 387]}
1984	魔鬼剋星	$370,000,000 ($355,200,000)	$25,000,000–30,000,000	^{[# 393]}^{[# 394]}^{[# 395]}
1985	回到未来	$389,225,789 ($381,109,762)	$19,000,000–22,000,000	^{[# 396]}^{[# 397]}
1986	捍衛戰士	$357,288,178 ($345,000,000)	$14,000,000–19,000,000	^{[# 398]}^{[# 399]}^{[# 400]}
1987	致命的吸引力	$320,145,693	$14,000,000	^{[# 401]}^{[# 400]}
1988	雨人	$354,825,435	$30,000,000	^{[# 402]}^{[# 403]}
1989	聖戰奇兵	$474,171,806–494,000,000	$36,000,000–55,400,000	^{[# 404]}^{[# 400]}^{[# 405]}
1990	人鬼情未了	$505,870,681 ($505,702,588)	$22,000,000	^{[# 406]}^{[# 400]}
1991	终结者2：审判日	$523,774,456 ($519,843,345)	$94,000,000	^{[# 407]}^{[# 408]}
1992	阿拉丁	$504,050,219	$28,000,000	^{[# 409]}^{[# 267]}
1993	侏羅紀公園	$1,037,535,230 ($912,667,947)	$63,000,000–70,000,000	^{[# 410]}
1994	狮子王	$970,707,763 ($763,455,561)	$45,000,000–79,300,000	^{[# 411]}
1995	玩具总动员	$373,554,033 ($364,873,776)	$30,000,000	^{[# 412]}^{[# 413]}
1995	終極警探3	$366,101,666	$70,000,000	^{[# 414]}^{[# 415]}
1996	天煞-地球反擊戰	$817,400,891	$75,000,000	^{[# 416]}
1997	泰坦尼克号	$2,257,844,554 ($1,843,373,318)	$200,000,000	^{[# 7]}
1998	絕世天劫	$553,709,788	$140,000,000	^{[# 417]}^{[# 418]}
1999	星際大戰首部曲：威脅潛伏	$1,046,515,409 ($924,317,558)	$115,000,000–127,500,000	^{[# 419]}^{[# 387]}
2000	職業特工隊2	$546,388,108	$100,000,000–125,000,000	^{[# 420]}^{[# 400]}
2001	哈利波特：神秘的魔法石	$1,009,046,830^哈1 ($974,755,371)	$125,000,000	^{[# 421]}
2002	指环王：双塔奇兵	$948,945,489 ($936,689,735)	$94,000,000	^{[# 422]}
2003	魔戒三部曲：王者再臨	$1,147,997,407 ($1,140,682,011)	$94,000,000	^{[# 423]}
2004	史瑞克2	$932,530,034 ($928,965,305)	$150,000,000	^{[# 424]}
2005	哈利波特：火盃的考驗	$896,346,413 ($895,921,036)	$150,000,000	^{[# 425]}
2006	加勒比海盗2：聚魂棺	$1,066,179,747	$225,000,000	^{[# 426]}
2007	加勒比海盗3：世界的尽头	$960,996,492	$300,000,000	^{[# 427]}
2008	黑暗騎士	$1,007,336,937 ($997,039,412)	$185,000,000	^{[# 428]}
2009	阿凡达	$2,923,706,026 ($2,743,577,587)	$237,000,000	^{[# 1]}
2010	玩具總動員3	$1,066,970,811	$200,000,000	^{[# 429]}
2011	哈利·波特与死亡圣器（下）	$1,342,139,727 ($1,341,511,219)	$250,000,000^哈8	^{[# 430]}
2012	復仇者聯盟	$1,518,815,515	$220,000,000	^{[# 431]}
2013	冰雪奇缘	$1,290,000,000 ($1,287,000,000)	$150,000,000	^{[# 432]}
2014	變形金剛4：絕跡重生	$1,104,039,076	$210,000,000	^{[# 433]}
2015	STAR WARS：原力覺醒	$2,068,223,624	$245,000,000	^{[# 9]}
2016	美国队长3	$1,153,337,496 ($1,153,296,293)	$250,000,000	^{[# 434]}
2017	STAR WARS：最後的絕地武士	$1,332,539,889	$200,000,000	^{[# 435]}
2018	復仇者聯盟3：無限之戰	$2,048,359,754	$316,000,000–400,000,000	^{[# 11]}^{[# 436]}
2019	復仇者聯盟：終局之戰	$2,797,501,328	$356,000,000	^{[# 3]}
2020	鬼滅之刃劇場版無限列車篇	$507,119,058	$15,750,000	^{[# 437]}
2021	蜘蛛人：無家日	$1,922,598,800 ($1,912,233,593)	$200,000,000	^{[# 13]}^{[# 438]}
2022	阿凡達：水之道	$2,320,250,281	$350,000,000–460,000,000	^{[# 5]}^{[# 439]}^{[# 440]}
2023	Barbie芭比	$1,447,038,421	$128,000,000–145,000,000	^{[# 441]}^{[# 442]}^{[# 443]}
2024	腦筋急轉彎2	$1,698,863,816	$200,000,000	^{[# 16]}^{[# 444]}

(...) 由于票房收入不仅限于首次上映，已知的情况下，电影的首次上映票房将以括号形式附在总票房后面。

^*僅統計加拿大和美國的收入。

^租發行商租金。

^忍暂无关于《海底兩萬里》的当代票房数据，不過The Numbers网站給出了800万美元的北美票房数据^[53]。然而，可能是将1954年翻拍版的票房误认为了该片的票房，因为翻拍版在北美也赚取了800万美元的租金票房^[54]。

^天降有些来源（如The Numbers）指出《南海美人（英语：Aloma of the South Seas (1926 film)）》是当年最高票房电影，票房为300万美元^[55]。然而，未有当代数据提供关于《南海美人》的具体票房，因此300万美元的数字的具体含义不清。如果是指租金票房，那么該片不仅是当年的最高票房电影，还是无声电影时代的最高票房之一；如果是这样，那么《国际电影年鉴（英语：International Motion Picture Almanac）》和《綜藝》在各自的列表中不收录该片就显得不太寻常。

^陽光关于《陽光隨處》的票房数字不清楚是指北美票房还是全球票房。其他来源表明其票房为200万美元^[56]，可能意味着较高的数字是全球租金票房，因为这一时期的国际票房数据常常存在混淆^[57]。

^一夜《一夜風流》的票房数字并不能完全反映其成功：該片是与20多部其他的哥倫比亞电影一起打包发行的，总收入是平均的；因此，其实际票房应当更高^[58]。

^白雪《白雪公主》4.18億美元的全球总票房不包括1987年后北美以外的票房收入。

^亂世关于《乱世佳人》最初上映时的票房收入并不完全清楚。当代的报道常常列出該片在北美租金收入为3200万美元，而回顾性的排行榜常常重复这一说法；然而，很可能这是全球租金收入。行业期刊透過获取发行商提供的数据（他们乐于宣传大获成功的电影），或者透過调查电影院来构建估算报告。發行商通常會報告全球租金收入，因為更高的數字會讓電影看起來更成功，而估算报告则僅限於北美地區的表現；因此全球和北美的租金混淆的情況並不罕見。第二次世界大戰爆發後，好萊塢無法進入許多國外市場，因此只报告北美票房表現成為了標準做法^[57]。為了保持這種新風格，1947年《亂世佳人》的北美租金修改為2100萬美元（比之前的數字低1100萬美元）^[59]，而截至1953年（1947年曾重新上映），《綜藝》雜誌报告的收入為2600萬美元^[60]。到1956年，米高梅報告稱其三次发行在北美的累計票房收入為30,015,000美元，國外票房收入為18,964,000美元^[61]。首次上映時全球租金收入3200萬美元，與修訂後的數字以及後來報告的全球數字一致：表明該片首次上映時在北美賺了2100萬美元，海外賺了1100萬美元，並且到1956年為止，透过後續重新上映，在北美又賺了900萬美元，海外又賺了800萬美元。

^媽爸由于是独立发行，《媽媽和爸爸》通常未出现在《综艺》等的高票房榜单上。该片本质上属于剝削電影类型，市场推广打着两性卫生教育用途的幌子，试图规避审查制度。由于违反电影制作守则，该片没有获得主流发行，仅限于独立和汽車戲院放映。该片是同类影片中最大的成功，并且一直持续到1970年代，直到硬調色情电影开始取而代之。到1947年年底时，票房已达到200万美元，到1949年为800万美元；到1956年，其租金收入已达到2200万美元，总收入达到8000万美元，在20世紀40年代末50年代初輕鬆躋身十大影片之列。其总票房估计甚至高达1亿美元。

^血戰乔普拉-甘特明确表示《血戰保山河》的票房数字是指北美票房，但如同当时惯例，排行榜数据混淆了全球与北美的票房收入。其他来源表明，《除却巫山不是云》（800万美元）和《天倫樂》（650万美元）^[62]实际上是全球租金收入，因此有可能《血戰保山河》也是全球租金收入。

^CICinerama公司的票房数字代表的是总收入。由于Cinerama拥有影院，因此这些电影没有租金费用，意味着电影公司从票房中获得了100%的收入，而不像大多数其他电影，发行商通常只能获得不到一半的票房收入。因此，《综艺》当时为了根据美国和加拿大的租金收入对电影进行排名，构建了Cinerama电影的假设租金数字，以便与其他电影进行比较：就该片而言，全球5000万美元的票房被重新计算为美国租金票房1250万美元，这正是Cinerama报告的金额的25%，因此《综艺》似乎将该数字减半以估算美国份额，再减半得到租金收入的估算值^[63]。五部Cinerama电影总共获得了1.2亿美元的全球票房收入^[64]

^戲王影片发行一年后《综艺》估计《戲中之王》全球租金收入约为1835万美元（其中1280万美元来自美国）^[54]。不过，伯查德将其票房收入数据定为到1962年为止仅有1500多万美元。伯查德的数据可能只是北美租金票房，包括1954年和1960年的重映票房。

^星戰《星際大戰》的“首次上映”票房并不包括1997年特别版上映的收入，但该数字包含了在特别版之前的重映收入。

^哈1Box Office Mojo网站记录的2020年巴西、2021年意大利、荷兰和韩国的《哈利波特：神秘的魔法石》重映票房被从全球总票房中扣除，因为该网站在这些国家对初次上映票房进行了重复计算。

^哈8该片的制作成本与《哈利·波特与死亡圣器（上）》共同分担。

最高票房电影时间轴

自《一個國家的誕生》于1915年成为最高票房电影以来，至少有11部电影曾保持这一纪录。《一個國家的誕生》和《乱世佳人》分别连续保持该纪录长达25年，而斯蒂芬·斯皮尔伯格和詹姆斯·卡梅隆执导的电影各三次夺得最高票房纪录。斯皮尔伯格是第一位打破自己票房纪录的导演，《侏罗纪公园》的票房超越了《E.T.外星人》，而卡梅隆则在《阿凡达》打破《泰坦尼克号》的纪录时实现了相同的成就。2019年，《復仇者聯盟：終局之戰》成为最高票房电影时，也成为首部打破票房纪录的续集电影，同时终结了斯皮尔伯格与卡梅隆长达36年的统治地位，直到2021年《阿凡达》凭借重映重新夺回票房冠军。

一些消息来源称，《大軍啓行》曾超越《一個國家的誕生》成为最高票房电影，随后被《白雪公主》取代，而后者又很快被《乱世佳人》赶超^[65]。《一個國家的誕生》的确切票房数据不详，但1919年的记录显示其全球收入为520万美元^[66]。由于第一次世界大战的影响，该片的国际上映被推迟，直到1920年代才进入许多海外市场；再加上在美国的多次重映，《綜藝》在1932年报告其票房达到1000万美元，这一数据与早期估算一致^[67]。在这一时期，《綜藝》仍然认为《一個國家的誕生》的发行商租金收入超过了《大軍啓行》（640万美元），如果这一估计正确，《白雪公主》（850万美元）^[68]在首轮放映时并未赚取足够票房打破纪录^[69]；不过，它可能成为票房最高的有声电影^[70]，取代了《歌臺憨者》（590万美元）^[71]。虽然普遍认为《一個國家的誕生》不太可能被任何无声电影超越^[72]，但如果其实际票房远低于估计数据，那么1925年的《賓漢》（938.6万美元）可能会取而代之^[73]。此外，除了公共放映的租金收入，《一個國家的誕生》还在大量私人、俱乐部和组织的场合放映，但这些收入数据无法获取^[74]。该片深受三K党欢迎，并被用于招募成员^[75]，《綜藝》一度估算其总收入约为5000万美元^[76]。雖然后来撤回了这一说法，但是这一数字仍被广泛引用，不過从未被证实^[66]。一般认为，《乱世佳人》在首映时成为最高票房电影——至少在公共放映层面上是如此——但很可能直到很久之后才真正超越《一個國家的誕生》的总票房，据报道直到1960年代后者仍然是票房冠军^[74]。《乱世佳人》本身可能曾短暂地被1956年的《十诫》超越，后者在1960年底的全球租金收入达到5800万至6000万美元^[77]^[78]，而《乱世佳人》的同期收入为5900万美元^[79]；《十诫》如果曾登顶，那么统治时间并不长，因为《乱世佳人》在次年重映后，收入增至6700万美元。根据估算数据的准确性，1959年重拍的《賓漢》也可能曾打破《乱世佳人》的纪录：截至1961年底，该片全球收入达4700万美元^[80]，到1963年，其国际票房已达6500万美元，仅落后《乱世佳人》200万美元^[81]，最终其首轮放映收入达到6600万美元^[82]。

另一部被认为曾是最高票房的电影是1972年的色情片《深喉嚨》。1984年，琳達·拉芙蕾絲在美国参议院司法委员会少年司法小组作证称，该片票房收入达6亿美元^[83]；这一数据一直存在争议，因为如果属实，该片的票房将超过《星際大戰》，成为1970年代票房最高的电影。反对这一说法的主要理由是，该片的上映范围并不够广，不足以支撑如此高的票房收入^[84]。具体数据不详，但1976年联邦审判的证词表明，该片上映四年后票房已超过2500万美元^[85]。影评人罗杰·埃伯特推测，该片在账面上可能确实达到了6亿美元，因为当时黑帮控制了大多数成人电影院，透過这些影院洗錢，因此可能人为夸大了票房数据^[86]。

《一個國家的誕生》《乱世佳人》《教父》《大白鲨》《星際大戰》《E.T.外星人》和《阿凡达》都透過重映增加了票房纪录。其原始首轮放映的票房收入与输掉纪录前的重映总收入均包括在统计数据中。因此，《一個國家的誕生》的总收入包括1940年之前的重映收入；《星際大戰》的总收入包括1970年代末和1980年代初的重映收入，但不包括1997年的特别版；《E.T.外星人》的总收入包含1985年的重映收入，但不包括2002年的版本。《阿凡达》首次登顶的总收入包括2010年特别版的票房，而其第二次登顶还包括2020年亚太地区重映以及2021年中国重映的票房。《乱世佳人》则两次出现在榜单上：1940年的数据包括1939年至1942年的分阶段发行（电影路演/全國上映/二輪戲院）^[87]以及1961年重映前的所有收入，在1966年被《音乐之声》超越；其1971年的数据（重夺纪录）包括1967年和1971年重映的收入，但不包括后续发行。《教父》在第45屆奧斯卡金像獎后于1973年重映，《大白鲨》于1976年重映，这些电影的票房统计可能已包含了这些重映的收入。《音乐之声》《教父》《大白鲨》《侏罗纪公园》和《泰坦尼克号》都曾透过重映增加票房，但由于在重映前已输掉最高票房纪录，因此这些额外收入未被计算在内。

最高票房電影紀錄時間表
年份	片名	創紀錄總收入	参考资料
1915^[65]	一個國家的誕生	$5,200,000^租	^{[# 206]}
1940	一個國家的誕生	$15,000,000^租 ^‡	^{[# 445]}
1940^[31]	乱世佳人	$32,000,000^租	^{[# 257]}
1963	乱世佳人	$67,000,000^租 ^‡	^{[# 446]}
1966^[65]	音乐之声	$114,600,000^租	^{[# 331]}
1971^[65]	乱世佳人	$116,000,000^租 ^‡	^{[# 447]}
1972^[65]	教父	$127,600,000–142,000,000^租	^{[# 357]}^{[# 448]}
1976^[88]^[89]	大白鯊	$193,700,000^租	^{[# 372]}
1978^[90]^[91]	星際大戰四部曲：曙光乍現	$410,000,000/$268,500,000^租	^{[# 449]}^{[# 357]}
1982	星際大戰四部曲：曙光乍現	$530,000,000 ^‡	^{[# 378]}
1983^[92]	E.T.外星人	$619,000,000–664,000,000	^{[# 378]}^{[# 390]}
1993	E.T.外星人	$701,000,000 ^‡	^{[# 450]}
1993^[65]	侏羅紀公園	$912,667,947	^{[# 410]}
1998^[93]	泰坦尼克号	$1,843,373,318	^{[# 7]}
2010^[94]^[95]	阿凡达	$2,743,577,587	^{[# 1]}
2010^[94]^[95]	阿凡达	$2,788,416,135 ^‡	^{[# 1]}
2019^[96]^[97]	復仇者聯盟：終局之戰	$2,797,501,328	^{[# 3]}
2021^[98]	阿凡达	$2,847,397,339 ^‡	^{[# 1]}
2022	阿凡达	$2,923,706,026 ^‡	^{[# 1]}

^租发行商租金。

^‡包括重新發行的收入。如果一部電影在保持紀錄的同時透過重新上映增加了票房收入，那麼其創下最高票房收入的年份也會以斜體標註。

票房最高電影系列

在2000年之前，全球票房超过10亿美元的电影系列仅有七个：《詹姆斯·邦德》系列^[99]、《星際大戰》系列^[100]、《夺宝奇兵》系列^[101]、《洛奇》系列^[102]^[103]^[104]、《蝙蝠侠》系列^[105]、《侏羅紀公園》系列^[106] 和《星际旅行》系列^[107]。进入21世纪后，这一数字已超过一百个^[108]。这某種程度上归因于通货膨胀和市场增长，但更重要的原因是好莱坞采用了“特許經銷權”（franchise）模式，即改编自知名文学作品或现成的经典角色等已有品牌认知度的电影。这种方法基于这样一个理念：与观众熟悉的内容相关的电影更容易进行市场推广，因此在业内被称为“预售”（pre-sold）电影^[109]。

通常，特許經銷權至少要有两部来源于相同知识产权的作品。传统上，作品与该知识产权存在自明的关系，但这并非必要条件。在特許經銷權模式中，有个长期存在的特点是“跨界”概念，即“一个故事中有来自两个或多个独立文本或系列的角色或概念”^[110]。跨界的结果是，某个知识产权可能被多个特許經銷權所共享。例如，《蝙蝠俠對超人：正義曙光》不仅属于《蝙蝠俠》和《超人》特許經銷權，还属于共同世界 DC擴展宇宙。共同世界是一种特殊类型的跨界，指多个不同的虚构作品角色共存于同一个虚构世界^[111]。目前，电影领域最成功的共同世界是漫威电影宇宙，将多个漫威漫畫旗下的超级英雄故事整合在一起。漫威电影宇宙同时也是全球票房最高的特許經銷權，总票房超过310亿美元。

单一知识产权改编电影系列中票房最高的是《蜘蛛侠》系列，总票房超过110亿美元（不过如果按当前票价调整，Eon制作的《詹姆斯·邦德》系列票房总收入已超过190亿美元）^[a]。漫威电影宇宙拥有最多的10亿美元票房电影，目前已有11部。此外，只有以下几个特許經銷權的每部作品票房均超过10亿美元：《复仇者联盟》系列（4部）、《冰雪奇緣》系列（2部）、《阿凡達》系列（2部）。同时，《侏罗纪公园》系列、《黑豹》系列和《腦筋急轉彎》系列的单片平均票房也均超过10亿美元。

† 底色表示其中至少有一部电影於2025年2月21日開始的一週内仍在全球影院上映

票房最高電影系列^[§] (点击“展开”可查看每个系列的具体电影列表)

排名	电影系列	全球总票房	电影数量	单片平均票房	最高票房电影

1

漫威电影宇宙^共 †

$31,375,702,700

35

$896,448,649

復仇者聯盟：終局之戰 ($2,797,501,328)

無限傳奇

$22,589,262,908

23

$982,141,866

復仇者聯盟：終局之戰 ($2,797,501,328)

	第三階段	$13,506,562,880	11	$1,227,869,353	復仇者聯盟：終局之戰 ($2,797,501,328)
1	復仇者聯盟：終局之戰 (2019)	$2,797,501,328
2	復仇者聯盟3：無限之戰 (2018)	$2,048,359,754
3	黑豹 (2018)	$1,347,280,838
4	美国队长3 (2016)	$1,153,337,496
5	蜘蛛人：離家日 (2019)	$1,132,679,685
6	驚奇隊長 (2019)	$1,128,274,794
7	蜘蛛人：返校日 (2017)	$880,918,840
8	銀河守護隊2 (2017)	$863,756,051
9	雷神索爾3：諸神黃昏 (2017)	$853,983,879
10	奇異博士 (2016)	$677,796,076
11	蟻人與黃蜂女 (2018)	$622,674,139

	第二階段	$5,269,487,547	6	$878,247,925	復仇者聯盟2：奧創紀元 ($1,402,809,540)
1	復仇者聯盟2：奧創紀元 (2015)	$1,402,809,540
2	鋼鐵人3 (2013)	$1,214,811,252
3	银河护卫队 (2014)	$773,350,147
4	美國隊長2：酷寒戰士 (2014)	$714,421,503
5	雷神2：黑暗世界 (2013)	$644,783,140
6	蟻人 (2015)	$519,311,965

	第一階段	$3,813,212,481	6	$635,535,414	復仇者聯盟 ($1,518,815,515)
1	復仇者聯盟 (2012)	$1,518,815,515
2	鋼鐵人2 (2010)	$623,933,331
3	鐵甲奇俠 (2008)	$585,796,247
4	雷神 (2011)	$449,326,618
5	美國隊長 (2011)	$370,569,774
6	無敵浩克 (2008)	$264,770,996

多元宇宙傳奇 †

$8,786,439,792

12

$732,203,316

蜘蛛人：無家日 ($1,922,598,800)

	第四階段	$5,712,571,367	7	$816,081,624	蜘蛛人：無家日 ($1,922,598,800)
1	蜘蛛人：無家日 (2021)	$1,922,598,800
2	奇異博士2：失控多重宇宙 (2022)	$955,775,804
3	黑豹2：瓦干達萬歲 (2022)	$859,208,836
4	雷神索爾：愛與雷霆 (2022)	$760,928,081
5	尚氣與十環傳奇 (2021)	$432,243,292
6	永恆族 (2021)	$402,064,899
7	黑寡婦 (2021)	$379,751,655

	第五階段 †	$3,073,868,425	5	$614,773,685	死侍與金鋼狼 ($1,338,073,645)
1	死侍與金鋼狼 (2024)	$1,338,073,645
2	星際異攻隊3 (2023)	$845,555,777
3	蟻人與黃蜂女：量子狂熱 (2023)	$476,071,180
4	驚奇隊長2 (2023)	$206,136,825
5	美國隊長：無畏新世界 (2025) †	$208,030,998

2

蜘蛛侠 †

$11,154,001,465

16

$697,125,092

蜘蛛人：無家日 ($1,922,598,800)

	漫威电影宇宙	$3,936,197,325	3	$1,312,065,775	蜘蛛人：無家日 ($1,922,598,800)
1	蜘蛛人：無家日 (2021)	$1,922,598,800
2	蜘蛛人：離家日 (2019)	$1,132,679,685
3	蜘蛛人：返校日 (2017)	$880,918,840

	雷米系列	$2,511,239,929	3	$837,079,976	蜘蛛人3 ($895,735,062)
1	蜘蛛人3 (2007)	$895,735,062
2	蜘蛛人 (2002)	$825,776,725
3	蜘蛛人2 (2004)	$789,728,142

	索尼影業蜘蛛人宇宙 †	$2,171,782,278	6	$361,963,713	猛毒 ($856,085,151)
1	猛毒 (2018)	$856,085,151
2	猛毒2：血蜘蛛 (2021)	$506,863,592
3	猛毒最終章：最後一舞 (2024) †	$478,886,638
4	魔比斯 (2022)	$167,460,961
5	蜘蛛夫人 (2024)	$100,498,764
6	獵人克萊文 (2024) †	$61,987,172

	驚奇蜘蛛人系列	$1,468,416,364	2	$734,208,182	蜘蛛人：驚奇再起 ($758,682,352)
1	蜘蛛人：驚奇再起 (2012)	$758,682,352
2	蜘蛛人驚奇再起2：電光之戰 (2014)	$709,734,012

	蜘蛛宇宙	$1,066,365,569	2	$533,182,785	蜘蛛俠：飛躍蜘蛛宇宙 ($690,824,738)
1	蜘蛛俠：飛躍蜘蛛宇宙 (2023)	$690,824,738
2	蜘蛛人：新宇宙 (2018)	$375,540,831

3

星際大戰

$10,343,937,416

12

$861,994,785

STAR WARS：原力覺醒 ($2,068,223,624)

天行者传奇

$8,825,309,378

9

$980,589,931

STAR WARS：原力覺醒 ($2,068,223,624)

	後傳三部曲	$4,474,907,761	3	$1,491,635,920	STAR WARS：原力覺醒 ($2,068,223,624)
1	STAR WARS：原力覺醒 (2015)	$2,068,223,624
2	STAR WARS：最後的絕地武士 (2017)	$1,332,539,889
3	STAR WARS：天行者的崛起 (2019)	$1,074,144,248

	前傳三部曲	$2,544,668,505	3	$848,222,835	星際大戰首部曲：威脅潛伏 ($1,046,515,409)
1	星際大戰首部曲：威脅潛伏 (1999)	$1,046,515,409
2	星際大戰三部曲：西斯大帝的復仇 (2005)	$848,754,768
3	星際大戰二部曲：複製人全面進攻 (2002)	$649,398,328

	正傳三部曲	$1,805,733,112	3	$601,911,037	星際大戰四部曲：曙光乍現 ($775,398,007)
1	星際大戰四部曲：曙光乍現 (1977)	$775,398,007
2	星際大戰五部曲：帝國大反擊 (1980)	$547,969,004
3	星際大戰六部曲：絕地大反攻 (1983)	$482,366,101

	独立电影	$1,450,345,194	2	$725,172,597	星際大戰外傳：俠盜一號 ($1,057,420,387)
1	星際大戰外傳：俠盜一號 (2016)	$1,057,420,387
2	星際大戰外傳：韓索羅 (2018)	$392,924,807

	星球大戰：複製人之戰 (2008)	$68,282,844

4

魔法世界

$9,656,055,269

11

$877,823,206

哈利·波特与死亡圣器（下） ($1,342,139,727)

	哈利波特系列	$7,780,010,016	8	$972,501,252	哈利·波特与死亡圣器（下） ($1,342,139,727)
1	哈利·波特与死亡圣器（下） (2011)	$1,342,139,727
2	哈利波特：神秘的魔法石 (2001)	$1,009,046,830
3	哈利·波特与死亡圣器（上） (2010)	$977,070,383
4	哈利波特：鳳凰會的密令 (2007)	$942,201,710
5	哈利波特：混血王子的背叛 (2009)	$934,483,039
6	哈利波特：火盃的考驗 (2005)	$896,815,106
7	哈利波特：消失的密室 (2002)	$880,684,614
8	哈利波特：阿茲卡班的逃犯 (2004)	$797,568,607

	怪獸系列	$1,876,045,253	3	$625,348,418	怪獸與牠們的產地 ($814,038,508)
1	怪獸與牠們的產地 (2016)	$814,038,508
2	怪獸與葛林戴華德的罪行 (2018)	$654,855,901
3	怪獸與鄧不利多的秘密 (2022)	$407,150,844

5

詹姆斯·邦德

$7,836,510,562

27

$290,241,132

007：大破天幕杀机 ($1,108,594,137)

Eon系列

$7,634,765,844

25

$305,390,634

007：大破天幕杀机 ($1,108,594,137)

	丹尼尔·克雷格系列	$3,969,538,100	5	$793,907,620	007：大破天幕杀机 ($1,108,594,137)
1	007：大破天幕杀机 (2012)	$1,108,594,137
2	007：惡魔四伏 (2015)	$880,705,312
3	007：生死交戰 (2021)	$774,153,007
4	007大战皇家赌场 (2006)	$616,505,162
5	新鐵金剛之量子殺機 (2008)	$589,580,482

	皮尔斯·布鲁斯南系列	$1,479,008,618	4	$369,752,155	新鐵金剛之不日殺機 ($431,971,116)
1	新鐵金剛之不日殺機 (2002)	$431,971,116
2	新鐵金剛之黑日危機 (1999)	$361,832,400
3	新鐵金剛之金眼睛 (1995)	$352,194,034
4	新鐵金剛之明日帝國 (1997)	$333,011,068

	罗杰·摩尔系列	$1,151,600,000	7	$164,514,286	鐵金剛勇破太空城 ($210,300,000)
1	鐵金剛勇破太空城 (1979)	$210,300,000
2	鐵金剛勇破海龍幫 (1981)	$194,900,000
3	鐵金剛勇破海底城 (1977)	$185,400,000
4	鐵金剛勇破爆炸黨 (1983)	$183,700,000
5	鐵金剛勇戰大狂魔 (1985)	$152,400,000
6	鐵金剛勇破黑魔黨 (1973)	$126,400,000
7	鐵金剛大戰金槍客 (1974)	$98,500,000

	肖恩·康纳利系列	$621,500,000	6	$103,583,333	鐵金剛勇戰魔鬼黨 ($141,200,000)
1	鐵金剛勇戰魔鬼黨 (1965)	$141,200,000
2	鐵金剛大戰金手指 (1964)	$124,900,000
3	鐵金剛勇破鑽石黨 (1971)	$116,000,000
4	鐵金剛勇破火箭嶺 (1967)	$101,000,000
5	鐵金剛勇破間諜網 (1963)	$78,900,000
6	鐵金剛勇破神秘島 (1962)	$59,500,000

	蒂莫西·道尔顿系列	$347,400,000	2	$173,700,000	鐵金剛大戰特務飛龍 ($191,200,000)
1	鐵金剛大戰特務飛龍 (1987)	$191,200,000
2	鐵金剛勇戰殺人狂魔 (1989)	$156,200,000

	佐治·拉辛比系列	$64,600,000	1	$64,600,000	鐵金剛勇破雪山堡 ($64,600,000)
1	鐵金剛勇破雪山堡 (1969)	$64,600,000

	巡弋飛彈 (1983)	$160,000,000

	007：皇家赌场 (1967)	$41,744,718

6	復仇者聯盟	$7,767,486,137	4	$1,941,871,534	復仇者聯盟：終局之戰 ($2,797,501,328)
1	復仇者聯盟：終局之戰 (2019)	$2,797,501,328
2	復仇者聯盟3：無限之戰 (2018)	$2,048,359,754
3	復仇者聯盟 (2012)	$1,518,815,515
4	復仇者聯盟2：奧創紀元 (2015)	$1,402,809,540

7

X戰警

$7,422,190,386

14

$530,156,456

死侍與金鋼狼 ($1,338,073,645)

	正传系列	$3,059,525,837	7	$437,075,120	X戰警：未來昔日 ($746,045,700)
1	X戰警：未來昔日 (2014)	$746,045,700
2	X戰警：天啟 (2016)	$543,934,105
3	X戰警：最後戰役 (2006)	$460,435,291
4	X戰警2 (2003)	$407,711,549
5	X战警：第一战 (2011)	$352,616,690
6	X戰警 (2000)	$296,339,528
7	X戰警：黑鳳凰 (2019)	$252,442,974

	死侍系列	$2,906,582,409	3	$968,860,803	死侍與金鋼狼 ($1,338,073,645)
1	死侍與金鋼狼 (2024)	$1,338,073,645
2	死侍2 (2018)	$785,896,609
3	惡棍英雄：死侍 (2016)	$782,612,155

	金鋼狼系列	$1,406,912,546	3	$468,970,849	羅根 ($619,021,436)
1	羅根 (2017)	$619,021,436
2	金鋼狼：武士之戰 (2013)	$414,828,246
3	X戰警：金鋼狼 (2009)	$373,062,864

	變種人 (2020)	$49,169,594

8

玩命關頭

$7,333,654,169

11

$666,695,834

玩命關頭7 ($1,515,341,399)

	正传系列	$6,572,921,243	10	$657,292,124	玩命關頭7 ($1,515,341,399)
1	玩命關頭7 (2015)	$1,515,341,399
2	玩命關頭8 (2017)^速8	$1,238,764,765
3	玩命關頭6 (2013)	$788,680,968
4	玩命關頭9 (2021)	$726,229,501
5	玩命關頭X (2023)	$714,567,285
6	玩命關頭5 (2011)	$626,137,675
7	玩命關頭4 (2009)	$360,366,870
8	速度与激情2 (2003)	$236,350,661
9	玩命關頭 (2001)	$207,517,509
10	玩命關頭3：東京甩尾 (2006)	$158,964,610

	玩命關頭：特別行動 (2019)	$760,732,926

9	DC擴展宇宙^共	$7,191,680,912	15	$479,445,394	水行俠 ($1,148,528,393)
1	水行俠 (2018)	$1,148,528,393
2	蝙蝠俠對超人：正義曙光 (2016)	$873,637,528
3	神力女超人 (2017)	$822,854,286
4	自殺突擊隊 (2016)	$746,846,894
5	超人：鋼鐵英雄 (2013)	$668,045,518
6	正義聯盟 (2017)	$657,926,987
7	水行俠失落王國 (2023)	$434,381,226
8	黑亞當 (2022)	$393,452,111
9	沙贊！ (2019)	$365,971,656
10	閃電俠 (2023)	$271,433,313
11	猛禽小隊：小丑女大解放 (2020)	$205,358,461
12	神力女超人1984 (2020)	$169,601,036
13	自殺突擊隊：集結 (2021)	$168,717,425
14	沙贊！眾神之怒 (2023)	$134,138,006
15	藍甲蟲 (2023)	$130,788,072

10

蝙蝠侠

$7,051,416,471

18

$391,745,360

黑暗騎士：黎明昇起 ($1,081,169,825)

	黑暗騎士三部曲	$2,462,179,755	3	$820,726,585	黑暗騎士：黎明昇起 ($1,081,169,825)
1	黑暗騎士：黎明昇起 (2012)	$1,081,169,825
2	黑暗騎士 (2008)	$1,007,336,937
3	蝙蝠俠：開戰時刻 (2005)	$373,672,993

	小丑系列	$1,281,958,569	2	$640,979,285	小丑 ($1,074,458,282)
1	小丑 (2019)	$1,074,458,282
2	小丑：雙重瘋狂 (2024)	$207,500,287

	伯顿/舒马赫系列	$1,253,192,682	4	$313,298,171	蝙蝠俠 ($411,556,825)
1	蝙蝠俠 (1989)	$411,556,825
2	永远的蝙蝠侠 (1995)	$336,567,531
3	蝙蝠侠归来 (1992)	$266,832,411
4	蝙蝠侠与罗宾 (1997)	$238,235,915

	蝙蝠俠對超人：正義曙光 (2016)	$873,637,528

	蝙蝠俠 (2022)	$772,319,315

	樂高蝙蝠俠電影 (2017)	$311,950,384

	猫女 (2004)	$82,102,379

	蝙蝠俠：鬼影之戰 (1993)	$5,617,391

	DC宇宙動畫原創電影	$4,501,125	2	$2,250,563	蝙蝠俠：致命玩笑 ($4,462,034)
1	蝙蝠俠：致命玩笑 (2016)	$4,462,034
2	蝙蝠俠與哈莉奎茵 (2017)	$39,091

	1960年代電視劇	$3,957,343	2	$1,978,672	蝙蝠侠 ($3,900,000)
1	蝙蝠侠 (1966)^*^租	$3,900,000
2	蝙蝠俠：披風戰士歸來 (2016)	$57,343

11

侏羅紀公園

$6,008,970,499

6

$1,001,495,083

侏罗纪世界 ($1,671,537,444)

	侏羅紀世界系列	$3,984,015,461	3	$1,328,005,154	侏罗纪世界 ($1,671,537,444)
1	侏罗纪世界 (2015)	$1,671,537,444
2	侏羅紀世界：殞落國度 (2018)	$1,308,473,425
3	侏羅紀世界：統霸天下 (2022)	$1,004,004,592

	侏羅紀公園三部曲	$2,024,955,038	3	$674,985,013	侏羅紀公園 ($1,037,535,230)
1	侏羅紀公園 (1993)	$1,037,535,230
2	侏罗纪公园：失落的世界 (1997)	$618,638,999
3	侏羅紀公園3 (2001)	$368,780,809

12

中土大陸 †

$5,978,700,075

8

$747,337,509

魔戒三部曲：王者再臨 ($1,147,997,407)

杰克逊系列

$5,927,770,083

6

$987,961,681

魔戒三部曲：王者再臨 ($1,147,997,407)

	魔戒	$2,995,691,652	3	$998,563,884	魔戒三部曲：王者再臨 ($1,147,997,407)
1	魔戒三部曲：王者再臨 (2003)	$1,147,997,407
2	指环王：双塔奇兵 (2002)	$948,945,489
3	指环王：护戒使者 (2001)	$898,748,756

	霍比特人	$2,932,078,431	3	$977,359,477	霍比特人：意外之旅 ($1,017,030,651)
1	霍比特人：意外之旅 (2012)	$1,017,030,651
2	霍比特人：史矛革之战 (2013)	$959,027,992
3	哈比人：五軍之戰 (2014)	$956,019,788

	指环王 (1978)	$30,471,420

	魔戒：洛汗人之戰 (2024)	$20,458,572

13

神偷奶爸 †

$5,619,444,992

6

$936,574,165

小小兵 ($1,159,444,662)

	正传系列 †	$3,519,796,565	4	$879,949,141	神偷奶爸3 ($1,034,800,131)
1	神偷奶爸3 (2017)	$1,034,800,131
2	神偷奶爸4 (2024) †	$970,946,614
3	神偷奶爸2 (2013)	$970,766,005
4	神偷奶爸 (2010)	$543,283,815

	小小兵系列	$2,099,648,427	2	$1,049,824,214	小小兵 ($1,159,444,662)
1	小小兵 (2015)	$1,159,444,662
2	小小兵2：格魯的崛起 (2022)	$940,203,765

14

变形金刚

$5,423,926,612

9

$602,658,512

變形金剛3 ($1,123,794,079)

	正传系列	$5,418,066,011	8	$677,258,251	變形金剛3 ($1,123,794,079)
1	變形金剛3 (2011)	$1,123,794,079
2	變形金剛4：絕跡重生 (2014)	$1,104,054,072
3	變形金剛：復仇之戰 (2009)	$836,303,693
4	變形金剛 (2007)	$709,709,780
5	变形金刚5：最后的骑士 (2017)	$605,425,157
6	大黃蜂 (2018)	$467,989,645
7	變形金剛：萬獸崛起 (2023)	$441,381,193
8	變形金剛初始篇 (2024)	$129,408,392

	變形金剛 (1986)	$5,860,601

15	阿凡達	$5,243,956,307	2	$2,621,978,154	阿凡达 ($2,923,706,026)
1	阿凡达 (2009)	$2,923,706,026
2	阿凡達：水之道 (2022)	$2,320,250,281

16	加勒比海盗	$4,522,015,850	5	$904,403,170	加勒比海盗2：聚魂棺 ($1,066,179,747)
1	加勒比海盗2：聚魂棺 (2006)	$1,066,179,747
2	加勒比海盗4：惊涛怪浪 (2011)	$1,045,713,802
3	加勒比海盗3：世界的尽头 (2007)	$960,996,492
4	加勒比海盗5：死无对证 (2017)	$794,861,794
5	加勒比海盗：黑珍珠号的诅咒 (2003)	$654,264,015

17	不可能的任務	$4,142,271,248	7	$591,753,035	不可能的任務：全面瓦解 ($791,657,398)
1	不可能的任務：全面瓦解 (2018)	$791,657,398
2	不可能的任務：鬼影行動 (2011)	$694,713,380
3	不可能的任務：失控國度 (2015)	$682,716,636
4	不可能的任務：致命清算 (2023)	$570,619,838
5	職業特工隊2 (2000)	$546,388,108
6	職業特工隊 (1996)	$457,696,391
7	不可能的任務3 (2006)	$398,479,497

18

史瑞克

$4,023,149,353

6

$670,524,892

史瑞克2 ($932,530,034)

	正传系列	$2,982,907,499	4	$745,726,875	史瑞克2 ($932,530,034)
1	史瑞克2 (2004)	$932,530,034
2	史瑞克三世 (2007)	$813,367,380
3	史瑞克快樂4神仙 (2010)	$752,600,867
4	史瑞克 (2001)	$484,409,218

	穿靴子的猫系列	$1,040,241,854	2	$520,120,927	穿靴子的猫 ($554,987,477)
1	穿靴子的猫 (2011)	$554,987,477
2	鞋貓劍客2 (2022)	$485,254,377

19	暮光之城	$3,359,862,915	5	$671,972,583	吸血新世紀4：破曉傳奇下集 ($829,746,820)
1	吸血新世紀4：破曉傳奇下集 (2012)	$829,746,820
2	吸血新世紀4：破曉傳奇上集 (2011)	$712,205,856
3	暮光之城2：新月 (2009)	$709,827,462
4	暮光之城：蝕 (2010)	$698,509,825
5	暮光之城：無懼的愛 (2008)	$407,187,715
6	暮光之城：無懼的愛/暮光之城：蝕两片联映 (2010)	$2,385,237

20

飢餓遊戲

$3,317,091,853

5

$663,418,371

飢餓遊戲：星火燎原 ($865,011,746)

	正传系列	$2,968,191,834	4	$742,047,959	飢餓遊戲：星火燎原 ($865,011,746)
1	飢餓遊戲：星火燎原 (2013)	$865,011,746
2	飢餓遊戲：自由幻夢Ⅰ (2014)	$755,357,103
3	飢餓遊戲 (2012)	$694,394,724
4	飢餓遊戲：自由幻夢終結戰 (2015)	$653,428,261

	飢餓遊戲：鳴鳥與游蛇之歌 (2023)	$348,900,019

^共某些作品属于共同世界，但也有自己的独立系列。

^*仅统计加拿大和美国的收入。

^租发行商租金。

註釋

^ 2015年《007：惡魔四伏》上映之前，以2015年的價格計算，《詹姆斯·邦德》系列電影的票房收入約為177億美元^[112]；加上《007：惡魔四伏》和《007：生死交戰》超過16億美元的票房收入，經通货膨胀調整後，該系列電影至少賺了193億美元。

參考資料

不考慮通貨膨脹的列表

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^ Black Panther (2018). Box Office Mojo. [2023-07-09]. （原始内容存档于2023-05-01）.
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^ Star Wars:The Last Jedi (2017). Box Office Mojo. [2023-06-19]. （原始内容存档于2017-12-19）.
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^ Frozen (2013). Box Office Mojo. [2023-12-14]. （原始内容存档于2014-08-12）.
^ Iron Man 3 (2013). Box Office Mojo. [2013-05-03]. （原始内容存档于2013-10-28）.
^ Beauty and the Beast (2017). Box Office Mojo. [2017-03-17]. （原始内容存档于2017-11-03）.
^ Incredibles 2 (2018). Box Office Mojo. [2018-06-15]. （原始内容存档于2017-08-12）.
^ The Fate of the Furious (2017). Box Office Mojo. [2017-04-14]. （原始内容存档于2017-06-21）.
^ Minions (2015). Box Office Mojo. [2015-07-10]. （原始内容存档于2017-02-06）.
^ Captain America: Civil War (2016). Box Office Mojo. [2016-05-06]. （原始内容存档于2017-02-25）.
^ Aquaman (2018). Box Office Mojo. [2018-12-21]. （原始内容存档于2018-11-05）.
^ The Lord of the Rings: The Return of the King (2003). Box Office Mojo. [2023-12-14]. （原始内容存档于2009-02-01）.
^ Spider-Man:Far from Home. Box Office Mojo. [2019-07-02]. （原始内容存档于2019-06-09）.
^ Captain Marvel (2019). Box Office Mojo. [2019-03-08]. （原始内容存档于2019-03-20）.
^ Transformers: Dark of the Moon (2011). Box Office Mojo. [2011-06-29]. （原始内容存档于2012-03-02）.
^ The Dark Knight Rises (2012). Box Office Mojo. [2023-12-14]. （原始内容存档于2022-04-02）.
^ Skyfall (2012). Box Office Mojo. [2021-08-30]. （原始内容存档于2022-04-02）.
^ Transformers:Age of Extinction (2014). Box Office Mojo. [2014-06-27]. （原始内容存档于2014-09-16）.
^ Jurassic Park (1993). Box Office Mojo. [2023-12-14]. （原始内容存档于2013-01-19）.
^ Joker (2019). Box Office Mojo. [2023-12-14]. （原始内容存档于2022-04-02）.
^ Star Wars: The Rise Of Skywalker (2019). Box Office Mojo. [2019-12-18]. （原始内容存档于2022-04-03）.
^ Toy Story 4 (2019). Box Office Mojo. [2019-06-21]. （原始内容存档于2019-07-02）.
^ Toy Story 3 (2010). Box Office Mojo. [2010-06-18]. （原始内容存档于2016-08-21）.
^ Pirates of the Caribbean: Dead Man's Chest (2006). Box Office Mojo. [2006-07-07]. （原始内容存档于2009-02-01）.
^ Rogue One:A Star Wars Story (2016). Box Office Mojo. [2016-12-16]. （原始内容存档于2017-01-19）.
^ Aladdin (2019). Box Office Mojo. [2019-05-24]. （原始内容存档于2019-05-26）.
^ Moana 2 (2024). Box Office Mojo. [2025-02-22].
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^ Star Wars Episode I: The Phantom Menace (1999). Box Office Mojo. [2022-07-03]. （原始内容存档于2022-04-02）.
^ Despicable Me 3. Box Office Mojo. [2017-06-30]. （原始内容存档于2016-03-07）.
^ Finding Dory (2016). Box Office Mojo. [2016-07-17]. （原始内容存档于2009-02-15）.
^ Harry Potter and the Philosopher's Stone (2001). Box Office Mojo. [2022-07-03]. （原始内容存档于2022-04-02）.
^ Zootopia (2016). Box Office Mojo. [2016-03-04]. （原始内容存档于2017-05-28）.
^ Alice in Wonderland (2010). Box Office Mojo. [2010-03-05]. （原始内容存档于2009-02-18）.
^ The Hobbit: An Unexpected Journey (2012). Box Office Mojo. [2012-12-14]. （原始内容存档于2012-12-16）.
^ The Dark Knight (2008). Box Office Mojo. [2008-07-18]. （原始内容存档于2017-02-02）.
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^ The Lion King (1994). Box Office Mojo. [2021-08-29]. （原始内容存档于2022-04-02）.
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^ Despicable Me 2 (2013). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
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^ Jumanji: Welcome to the Jungle (2017). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Hobbit: The Battle of the Five Armies (2014). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Pirates of the Caribbean: At World's End (2007). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Hobbit: The Desolation of Smaug (2013). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Doctor Strange in the Multiverse of Madness (2022). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Harry Potter and the Order of the Phoenix (2007). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Finding Nemo (2003). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Harry Potter and the Half-Blood Prince (2009). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Minions: The Rise of Gru (2022). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Lord of the Rings: The Two Towers (2002). Box Office Mojo. [2023-10-22]. （原始内容存档于2022-04-02）.
^ Shrek 2 (2004). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Bohemian Rhapsody (2018). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Battle at Lake Changjin (2021). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Harry Potter and the Goblet of Fire (2005). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Spider-Man 3 (2007). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Lord of the Rings: The Fellowship of the Ring (2001). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Ice Age: Dawn of the Dinosaurs (2009). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Harry Potter and the Chamber of Secrets (2002). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Spider-Man: Homecoming (2017). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Spectre (2015). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Ice Age: Continental Drift (2012). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Secret Life of Pets (2016). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Batman v Superman: Dawn of Justice (2016). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Wolf Warrior 2 (2017). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Hunger Games: Catching Fire (2013). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Guardians of the Galaxy Vol. 2 (2017). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Black Panther: Wakanda Forever (2022). Box Office Mojo. [2023-05-01]. （原始内容存档于2022-04-02）.
^ Inside Out (2015). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Venom (2018). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Thor: Ragnarok (2017). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Star Wars: Episode III - Revenge of the Sith (2005). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Twilight Saga: Breaking Dawn - Part 2 (2012). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Guardians of the Galaxy Vol. 3 (2023). Box Office Mojo. [2023-09-11].
^ Inception (2010). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Transformers: Revenge of the Fallen (2009). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Spider-Man (2002). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Wonder Woman (2017). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Hi, Mom (2021). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Independence Day (1996). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Fantastic Beasts and Where to Find Them (2016). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Coco (2017). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Harry Potter and the Prisoner of Azkaban (2004). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Shrek the Third (2007). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Jumanji: The Next Level (2019). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ E.T. the Extra-Terrestrial (1982). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Pirates of the Caribbean: Dead Men Tell No Tales (2017). Box Office Mojo. [2023-08-01]. （原始内容存档于2022-04-02）.
^ Mission: Impossible - Fallout (2018). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ 2012 (2009). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Fast & Furious 6 (2013). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Indiana Jones and the Kingdom of the Crystal Skull (2008). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Deadpool 2 (2018). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Spider-Man 2 (2004). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Deadpool (2016). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Star Wars: Episode IV - A New Hope (1977). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ No Time to Die (2021). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Guardians of the Galaxy (2014). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Batman (2022). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Thor: Love and Thunder (2022). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Fast & Furious Presents: Hobbs & Shaw (2019). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Da Vinci Code (2006). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Maleficent (2014). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Hunger Games: Mockingjay - Part 1 (2014). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Amazing Spider-Man (2012). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Interstellar (2014). Box Office Mojo. [2025-02-21].
^ Shrek Forever After (2010). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Suicide Squad (2016). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Madagascar 3: Europe's Most Wanted (2012). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ X-Men: Days of Future Past (2014). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ Monsters University (2013). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Matrix Reloaded (2003). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Up (2009). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Wicked. Box Office Mojo. [2025-02-22].
^ F9: The Fast Saga (2021). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Ne Zha (2019). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Gravity (2013). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.
^ The Amazing Spider-Man 2 (2014). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Dune: Part Two (2024). Box Office Mojo. [2024-10-02]. （原始内容存档于2022-04-02）.
^ Captain America: The Winter Soldier (2014). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ The Twilight Saga: Breaking Dawn - Part 1 (2011). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ The Twilight Saga: New Moon (2009). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Dawn of the Planet of the Apes (2014). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Transformers (2007). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Fast X (2023). Box Office Mojo. [2024-02-01]. （原始内容存档于2022-04-02）.
^ It (2017). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ The Wandering Earth (2019). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ The Twilight Saga: Eclipse (2010). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ The Hunger Games (2012). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Mission: Impossible - Ghost Protocol (2011). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Spider-Man: Across the Spider-Verse (2023). Box Office Mojo. [2024-03-20].
^ Mufasa: The Lion King. Box Office Mojo. [2025-02-22].
^ Detective Chinatown 3 (2021). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Mission: Impossible - Rogue Nation (2015). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Forrest Gump (1994). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Doctor Strange (2016). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ The Sixth Sense (1999). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Full River Red (2023). Box Office Mojo. [2024-10-22].
^ Man of Steel (2013). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Ice Age: The Meltdown (2006). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Kung Fu Panda 2 (2011). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ The Hunger Games: Mockingjay - Part 2 (2015). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Justice League (2017). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Big Hero 6 (2014). Box Office Mojo. [2024-02-09]. （原始内容存档于2022-04-02）.
^ Fantastic Beasts: The Crimes of Grindelwald (2018). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Pirates of the Caribbean: The Curse of the Black Pearl (2003). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Men in Black 3 (2012). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Star Wars: Episode II - Attack of the Clones (2002). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Thor: The Dark World (2013). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Moana (2016). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Wonka (2023). Box Office Mojo. [2024-04-05].
^ Sing (2016). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Kung Fu Panda (2008). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ The Incredibles (2004). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ The Martian (2015). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Hancock (2008). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Water Gate Bridge (2022). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Fast Five (2011). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Iron Man 2 (2010). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Ratatouille (2007) Incredibles (2004). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Ant-Man and the Wasp (2018). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ How to Train Your Dragon 2 (2014). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Logan (2017). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ The Lost World: Jurassic Park (1997). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Casino Royale (2006). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ The Wandering Earth II (2023). Box Office Mojo. [2024-11-08].
^ The Passion of the Christ (2004). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.
^ Mamma Mia! (2008). Box Office Mojo. [2024-10-14]. （原始内容存档于2022-04-02）.
^ Life of Pi (2012). Box Office Mojo. [2023-01-06]. （原始内容存档于2025-01-27）.
^ Ready Player One (2018). Box Office Mojo. [2025-01-25]. （原始内容存档于2025-01-27）.
^ Transformers: The Last Knight (2017). Box Office Mojo. [2025-01-25]. （原始内容存档于2025-01-27）.
^ Madagascar: Escape 2 Africa (2008). Box Office Mojo. [2025-01-25]. （原始内容存档于2025-01-27）.
^ War of the Worlds (2005). Box Office Mojo. [2025-01-25]. （原始内容存档于2025-01-27）.
^ Monaco, James. How to Read a Film:Movies, Media, and Beyond. Oxford University Press. 2009: 262. ISBN 978-0-19-975579-0. The Birth of a Nation, costing an unprecedented and, many believed, thoroughly foolhardy $110,000, eventually returned $20 million and more. The actual figure is hard to calculate because the film was distributed on a "states' rights" basis in which licenses to show the film were sold outright. The actual cash generated by The Birth of a Nation may have been as much as $50 million to $100 million, an almost inconceivable amount for such an early film.
^ ^206.0 ^206.1 Wasko, Janet. D.W. Griffiths and the banks: a case study in film financing. Kerr, Paul (编). The Hollywood Film Industry: A Reader. Routledge. 1986: 34. ISBN 978-0-7100-9730-9. Various accounts have cited $15 to $18 million profits during the first few years of release, while in a letter to a potential investor in the proposed sound version, Aitken noted that a $15 to $18 million box-office gross was a 'conservative estimate'. For years Variety has listed The Birth of a Nation's total rental at $50 million. (This reflects the total amount paid to the distributor, not box-office gross.) This 'trade legend' has finally been acknowledged by Variety as a 'whopper myth', and the amount has been revised to $5 million. That figure seems far more feasible, as reports of earnings in the Griffith collection list gross receipts for 1915–1919 at slightly more than $5.2 million (including foreign distribution) and total earnings after deducting general office expenses, but not royalties, at about $2 million.
^ Lang, Robert (编). The Birth of a nation: D.W. Griffith, director. Rutgers University Press. 1994: 30. ISBN 978-0-8135-2027-8. The film eventually cost $110,000 and was twelve reels long.
^
Block & Wilson 2010，第26頁.
- Cleopatra: "Domestic Rentals: $0.5; Production Cost: $0.3 (Unadjusted $s in Millions of $s)."
^ Birchard, Robert S., Intolerance: 45, 2010, Intolerance was the most expensive American film made up until that point, costing a total of $489,653, and its performance at the box ... but it did recoup its cost and end with respectable overall numbers. In: Block & Wilson 2010.
^ Coons, Robin. Hollywood Chatter. The Daytona Beach News-Journal. June 30, 1939: 6.
^ Shipman, David. The great movie stars: the golden years. Crown Publishing Group. 1970: 98. It was a low budgeter—$120,000—but it grossed world-wide over $3 million and made stars of Chaney and his fellow-players, Betty Compson and Thomas Meighan.
^ ^212.0 ^212.1 ^212.2 ^212.3 Biggest Money Pictures. Variety. June 21, 1932: 1 –通过Archive.org. Cited in Biggest Money Pictures. Cinemaweb. [July 14, 2011]. （原始内容存档于July 8, 2011）.
^ ^213.0 ^213.1
Solomon, Aubrey. The Fox Film Corporation, 1915–1935: A History and Filmography. McFarland & Company. 2011. ISBN 978-0-7864-6286-5.
- Way Down East: p. 52 互联网档案馆的存檔，存档日期April 4, 2023，.. "D.W. Griffith's Way Down East (1920) was projected to return rentals of $4,000,000 on an $800,000 negative. This figure was based on the amounts earned from its roadshow run, coupled with its playoff in the rest of the country's theaters. Griffith had originally placed the potential film rental at $3,000,000 but, because of the success of the various roadshows that were running the $4,000,000 total was expected. The film showed a profit of $615,736 after just 23 weeks of release on a gross of $2,179,613."
- What Price Glory?: p. 112 互联网档案馆的存檔，存档日期April 4, 2023，.. "What Price Glory hit the jackpot with massive world rentals of $2,429,000, the highest figure in the history of the company. Since it was also the most expensive production of the year at $817,000 the profit was still a healthy $796,000..."
- Cavalcade: p. 170 互联网档案馆的存檔，存档日期April 4, 2023，.. "The actual cost of Cavalcade was $1,116,000 and it was most definitely not guaranteed a success. In fact, if its foreign grosses followed the usual 40 percent of domestic returns, the film would have lost money. In a turnaround, the foreign gross was almost double the $1,000,000 domestic take to reach total world rentals of $3,000,000 and Fox's largest profit of the year at $664,000."
- State Fair: p. 170 . "State Fair did turn out to be a substantial hit with the help of Janet Gaynor boosting Will Rogers back to the level of money-making star. Its prestige engagements helped raked in a total $1,208,000 in domestic rentals. Surprisingly, in foreign countries unfamiliar with state fairs, it still earned a respectable $429,000. With its total rentals, the film ended up showing a $398,000 profit."
^ Hall & Neale 2010，第53頁. "The Four Forsemen of the Apocalypse was to become Metro's most expensive production and one of the decade's biggest box-office hits. Its production costs have been estimated at "something between $600,000 and $800,000." Variety estimated its worldwide gross at $4 million in 1925 and at $5 million in 1944; in 1991, it estimated its cumulative domestic rentals at $3,800,000."
^ Brownlow, Kevin. The parade's gone by ... University of California Press. 1968: 255. ISBN 978-0-520-03068-8. The negative cost was about $986,000, which did not include Fairbanks' own salary. Once the exploitation and release prints were taken into account, Robin Hood cost about $1,400,000—exceeding both Intolerance ($700,000) and the celebrated "million dollar movie" Foolish Wives. But it earned $2,500,000.
^ Vance, Jeffrey. Douglas Fairbanks. University of California Press. 2008: 146. ISBN 978-0-520-25667-5. The film had a production cost of $930,042.78—more than the cost of D.W. Griffith's Intolerance and nearly as much as Erich von Stroheim's Foolish Wives (1922).
^ ^217.0 ^217.1 Business: Film Exports. Time. July 6, 1925 [July 12, 2011]. （原始内容存档于November 5, 2010）.
^ ^218.0 ^218.1 ^218.2 ^218.3 ^218.4
Birchard, Robert S. Cecil B. DeMille's Hollywood. University Press of Kentucky. 2009. ISBN 978-0-8131-3829-9.
- ch. 45. The Ten Commandments (1923). "Cost: $1,475,836.93; Gross: $4,169,798.38"
- ch. 56. The Sign of the Cross 互联网档案馆的存檔，存档日期April 3, 2023，.. "Cost: $694,064.67; Gross: $2,738,993.35 (to 1937)"
- ch. 68. Samson and Delilah 互联网档案馆的存檔，存档日期April 4, 2023，.. "Cost: $3,097,563.05"
- ch. 69. The Greatest Show on Earth 互联网档案馆的存檔，存档日期April 3, 2023，.. "Cost: $3,873,946.50; Gross receipts: $15,797,396.36 (to December 29, 1962)"
- ch. 70. The Ten Commandments (1956). "Cost: $13,272,381.87; Gross receipts: $90,066,230.00 (to June 23, 1979)"
^ May, Richard P., Restoring The Big Parade, The Moving Image, Fall 2005, 5 (2): 140–146, ISSN 1532-3978, S2CID 192076406, doi:10.1353/mov.2005.0033, ...earning somewhere between $18 and $22 million, depending on the figures consulted
^ Robertson, Patrick. Guinness Book of Movie Facts and Feats 4. Abbeville Publishing Group. 1991: 30. ISBN 978-1-55859-236-0. The top grossing silent film was King Vidor's The Big Parade (US 25), with worldwide rentals of $22 million.
^ Hall & Neale 2010，第58–59頁. "Even then, at a time when the budget for a feature averaged at around $300,000, no more than $382,000 was spent on production...According to the Eddie Mannix Ledger at MGM, it grossed $4,990,000 domestically and $1,141,000 abroad."
^ Ben-Hur (1925) – Notes. Turner Classic Movies. [December 19, 2017]. （原始内容存档于July 24, 2019）.
^ Hall & Neale 2010，第163. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era. (At a negative cost of $3,967,000, it was also the most expensive.)"頁
^ Miller, Frank. For Heaven's Sake (1926) – Articles. Turner Classic Movies. [January 15, 2012]. （原始内容存档于July 24, 2019）.
^ Finler 2003，第188頁. "At a cost of $2 million Wings was the studio's most expensive movie of the decade, and though it did well it was not good enough to earn a profit."
^ ^226.0 ^226.1
The Jazz Singer and The Singing Fool
- Block, Hayley Taylor, The Jazz Singer: 113, 2010, The film brought in $2.6 million in worldwide rentals and made a net profit of $1,196,750. Jolson's follow-up Warner Bros. film, The Singing Fool (1928), brought in over two times as much, with $5.9 in worldwide rentals and a profit of $3,649,000, making them two of the most profitable films in the 1920s. In: Block & Wilson 2010.
^ Crafton, Donald. The Talkies: American Cinema's Transition to Sound, 1926–1931. University of California Press. 1999: 549–552. ISBN 978-0-520-22128-4. The Singing Fool: Negative Cost ($1000s): 388
^ Birchard, Robert S., The Broadway Melody: 121, 2010, It earned $4.4 million in worldwide rentals and was the first movie to spawn sequels (there were several until 1940). In: Block & Wilson 2010.
^
Bradley, Edwin M. The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 Through 1932. McFarland & Company. 2004 [1st. pub. 1996]. ISBN 978-0-7864-2029-2.
- The Singing Fool: p. 12 互联网档案馆的存檔，存档日期April 4, 2023，.. "Ego aside, Jolson was at the top of his powers in The Singing Fool. The $150,000 Warner Bros. paid him to make it, and the $388,000 it took to produce the film, were drops in the hat next to the film's world gross of $5.9 million. Its $3.8-million gross in this country set a box-office record that would not be surpassed until Walt Disney's Snow White and the Seven Dwarfs (1937)."
- The Broadway Melody: p. 24 互联网档案馆的存檔，存档日期April 4, 2023，.. "The Broadway Melody with a negative cost of $379,000, grossed $2.8 million in the United States, $4.8 million worldwide, and made a recorded profit of $1.6 million for MGM."
- Gold Diggers of Broadway: p. 58 互联网档案馆的存檔，存档日期April 4, 2023，.. "It grossed an impressive $2.5 million domestically and nearly $4 million worldwide."
^ ^230.0 ^230.1 ^230.2
Solomon, Aubrey. Twentieth Century-Fox: a corporate and financial history. Filmmakers series 20. Rowman & Littlefield. 2002 [First published 1988]. ISBN 978-0-8108-4244-1.
- Sunny Side Up: p. 10 互联网档案馆的存檔，存档日期February 10, 2024，.. "Sunny Side Up, a musical starring Janet Gaynor and Charles Farrell, showed domestic rentals of $3.5 million, a record for the company."
- Forever Amber: p. 66 互联网档案馆的存檔，存档日期November 7, 2023，.. "On the surface, with world rentals of $8 million, Forever Amber was considered a hit at distribution level."
- The French Connection
p. 167 互联网档案馆的存檔，存档日期November 7, 2023，.. "The Planet of the Apes motion pictures were all moneymakers and Zanuck's record would have immediately improved had he stayed through the release of The French Connection, which took in rentals of approximately $75 million worldwide."

p. 256 互联网档案馆的存檔，存档日期November 7, 2023，.. "$3,300,00".
^ Block & Wilson 2010，第46頁. "Production Cost: $0.6 (Unadjusted $s in Millions of $s)."
^ Cormack, Mike. Ideology and Cinematography in Hollywood, 1930–1939. Palgrave Macmillan. 1993: 28. ISBN 978-0-312-10067-4. Although costing $1250000—a huge sum for any studio in 1929—the film was a financial success. Karl Thiede gives the domestic box-office at $1500000, and the same figure for the foreign gross.
^ ^233.0 ^233.1
Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939. 5 of History of the American Cinema. University of California Press. 1996. ISBN 978-0-520-20334-1.
- Cavalcade: p. 182 互联网档案馆的存檔，存档日期April 4, 2023，.. "Produced by Winfield Sheehan at a cost of $1.25 million, Cavalcade won Academy Awards for best picture, director, art direction and grossed close to $4 million during its first release, much of which came from Great Britain and the Empire."
- Whoopee: p. 212 互联网档案馆的存檔，存档日期April 4, 2023，.. "Produced by Sam Goldwyn at a cost of $1 million, the picture was an adaptation of a smash musical comedy built around Eddie Cantor...A personality-centered musical, Whoopee! made little attempt to integrate the comedy routines, songs, and story. Nonetheless, Cantor's feature-film debut grossed over $2.6 million worldwide and started a popular series that included Palmy Days (1931), The Kid from Spain (1932), and Roman Scandals (1933)."
^
Hell's Angels
- Balio, Tino. United Artists: The Company Built by the Stars. University of Wisconsin Press. 1976: 110. Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.
^ Feaster, Felicia. Frankenstein (1931). Turner Classic Movies. [July 4, 2011]. （原始内容存档于December 21, 2014）.
^ Block & Wilson 2010，第163頁. "It drew $1.4 million in worldwide rentals in its first run versus $1.2 million for Dracula, which had opened in February 1931."
^ Vance, Jeffrey. Chaplin: genius of the cinema. Abrams Books. 2003: 208. Chaplin's negative cost for City Lights was $1,607,351. The film eventually earned him a worldwide profit of $5 million ($2 million domestically and $3 million in foreign distribution), an enormous sum of money for the time.
^ Ramsaye, Terry (编). The All-Time Best Sellers – Motion Pictures. International Motion Picture Almanac 1937–38. 1937: 942–943. Kid from Spain: $2,621,000 (data supplied by Eddie Cantor)
^ ^239.0 ^239.1 ^239.2 ^239.3
Sedgwick, John. Popular Filmgoing In 1930s Britain: A Choice of Pleasures. University of Exeter Press. 2000: 146–148. ISBN 978-0-85989-660-3. Sources: Eddie Mannix Ledger, made available to the author by Mark Glancy...
- Grand Hotel: Production Cost $000s: 700; Distribution Cost $000s: 947; U.S. box-office $000s: 1,235; Foreign box-office $000s: 1,359; Total box-office $000s: 2,594; Profit $000s: 947.
- The Merry Widow: Production Cost $000s: 1,605; Distribution Cost $000s: 1,116; U.S. box-office $000s: 861; Foreign box-office $000s: 1,747; Total box-office $000s: 2,608; Profit $000s: -113.
- Viva Villa: Production Cost $000s: 1,022; Distribution Cost $000s: 766; U.S. box-office $000s: 941; Foreign box-office $000s: 934; Total box-office $000s: 1,875; Profit $000s: 87.
- Mutiny on the Bounty: Production Cost $000s: 1,905; Distribution Cost $000s: 1,646; U.S. box-office $000s: 2,250; Foreign box-office $000s: 2,210; Total box-office $000s: 4,460; Profit $000s: 909.
- San Francisco: Production Cost $000s: 1,300; Distribution Cost $000s: 1,736; U.S. box-office $000s: 2,868; Foreign box-office $000s: 2,405; Total box-office $000s: 5,273; Profit $000s: 2,237.
^
Shanghai Express
- Block & Wilson 2010，第165頁. "Shanghai Express was Dietrich's biggest hit in America, bringing in $1.5 million in worldwide rentals."
^
King Kong
- Jewel, Richard. RKO Film Grosses: 1931–1951. Historical Journal of Film, Radio and Television. 1994, 14 (1): 39. 1933 release: $1,856,000; 1938 release: $306,000; 1944 release: $685,000
- King Kong (1933) – Notes. Turner Classic Movies. [January 7, 2012]. （原始内容存档于November 17, 2015）. 1952 release: $2,500,000; budget: $672,254.75
^ I'm No Angel (1933) – Notes. Turner Classic Movies. [January 7, 2012]. （原始内容存档于December 17, 2019）. According to a modern source, it had a gross earning of $2,250,000 on the North American continent, with over a million more earned internationally.
^ Finler 2003，第188頁. "The studio released its most profitable pictures of the decade in 1933, She Done Him Wrong and I'm No Angel, written by and starring Mae West. Produced at a rock-bottom cost of $200,000 each, they undoubtedly helped Paramount through the worst patch in its history..."
^ Block, Alex Ben, She Done Him Wrong: 173, 2010, The worldwide rentals of over $3 million keep the lights on at Paramount, which did not shy away from selling the movie's sex appeal. In: Block & Wilson 2010.
^ Phillips, Kendall R. Controversial Cinema: The Films That Outraged America. ABC-CLIO. 2008: 26. ISBN 978-1-56720-724-8. The reaction to West's first major film, however, was not exclusively negative. Made for a mere $200,000, the film would rake in a healthy $2 million in the United States and an additional million in overseas markets.
^ Block & Wilson 2010，第135頁. "Total production cost: $274,076 (Unadjusted $s)."
^ ^247.0 ^247.1
Turk, Edward Baron. Hollywood Diva: A Biography of Jeanette MacDonald. University of California Press. 2000 [1st. pub. 1998]. ISBN 978-0-520-22253-3.
- The Merry Widow: p. 361 Cost: $1,605,000. Earnings: domestic $861,000; foreign $1,747,000; total $2,608,000. Loss: $113,000.
- San Francisco: p. 364 Cost: $1,300,000. Earnings: domestic $2,868,000; foreign $2,405,000; total $5,273,000. Profit: $2,237,000. [Reissues in 1938–39 and 1948–49 brought profits of $124,000 and $647,000 respectively.]
^ Wall St. Researchers' Cheery Tone. Variety. November 7, 1962: 7.
^ Dick, Bernard F. Claudette Colbert: She Walked in Beauty. University Press of Mississippi. 2008: 79. ISBN 978-1-60473-087-6. Although Columbia's president, Harry Cohn, had strong reservations about It Happened One Night, he also knew that it would not bankrupt the studio; the rights were only $5,000, and the budget was set at $325,000, including the performers' salaries.
^
Snow White and the Seven Dwarfs
- Monaco, Paul. A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema. Scarecrow Press. 2010: 54. ISBN 978-0-8108-7434-3. Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.
- Wilhelm, Henry Gilmer; Brower, Carol. The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Preservation Pub. 1993: 359. ISBN 978-0-911515-00-8. In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million!
- Snow White and the Seven Dwarfs (1987 Re-issue). Boxoffice. [May 29, 2016]. （原始内容存档于January 8, 2019）. North American box-office: $46,594,719
- Snow White and the Seven Dwarfs (1993 Re-issue). Boxoffice. [May 29, 2016]. （原始内容存档于December 25, 2018）. North American box-office: $41,634,791
^ ^251.0 ^251.1
Snow White and the Seven Dwarfs and Pinocchio
- Block & Wilson 2010
p. 207 互联网档案馆的存檔，存档日期April 4, 2023，.. "When the budget rose from $250,000 to $1,488,423 he even mortgaged his own home and automobile. Disney had bet more than his company on the success of Snow White."

p. 237 互联网档案馆的存檔，存档日期April 4, 2023，.. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur".

p. 255 互联网档案馆的存檔，存档日期April 3, 2023，.. "On its initial release Pinocchio brought in only $1.6 million in domestic rentals (compared with Snow White's $4.2 million) and $1.9 million in foreign rentals (compared with Snow White's $4.3 million)."
^
1938
- You Can't Take It with You:You Can't Take It With You Premieres. Focus Features. （原始内容存档于September 13, 2012）. You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.
- Boys Town: Block, Alex Ben, Boys Town: 215, 2010, The film quickly became a smash nationwide, making a profit of over $2 million on worldwide rentals of $4 million. In: Block & Wilson 2010.
- The Adventures of Robin Hood: Glancy, H. Mark. Warner Bros Film Grosses, 1921–51: the William Schaefer ledger. Historical Journal of Film, Radio and Television. 1995, 1 (15): 55–60. ISSN 0143-9685. doi:10.1080/01439689500260031. $3.981 million.
- Alexander's Ragtime Band: Block, Hayley Taylor, Alexander's Ragtime Band: 213, 2010, Once the confusion cleared, however, the film blossomed into a commercial success, with a profit of $978,000 on worldwide rentals of $3.6 million. In: Block & Wilson 2010.
^ Chartier, Roy. You Can't Take It With You. Variety. September 6, 1938 [September 13, 2011]. （原始内容存档于September 13, 2012）.
^ Gone with the Wind. The Numbers. Nash Information Services. LLC. [February 8, 2013]. （原始内容存档于February 1, 2013）.
^ Gone with the Wind. Boxoffice. [May 29, 2016]. （原始内容存档于December 25, 2018）.
^ Gone with the Wind (1939). Box Office Mojo. [October 1, 2024].
^ ^257.0 ^257.1 Miller, Frank; Stafford, Jeff. Gone With the Wind (1939) – Articles. Turner Classic Movies. January 5, 2007. （原始内容存档于July 28, 2013）.
^ Hall & Neale 2010，第283頁 ."The final negative cost of Gone with the Wind (GWTW) has been variously reported between $3.9 million and $4.25 million."
^ Pinocchio (1940). Boxoffice. [May 29, 2016]. （原始内容存档于May 30, 2016）.
^ Barrier, Michael. Hollywood Cartoons: American Animation in Its Golden Age. New York: Oxford University Press. 2003: 266. ISBN 978-0-19-983922-3. The film's negative cost was $2.6 million, more than $1 million higher than Snow White's.
^ Schatz, Thomas. Boom and Bust: American Cinema in the 1940s. 6 of History of the American Cinema. University of California Press. 1999: 466 [1st. pub. 1997]. ISBN 978-0-520-22130-7. Boom Town ($4.6 million).
^ Block & Wilson 2010，第258–259頁. "Production Cost: $2.1 (Unadjusted $s in Millions of $s) ... Boom Town was the biggest moneymaker of 1940 and one of the top films of the decade."
^ Block & Wilson 2010，第267頁. "With worldwide rentals of $7.8 million in its initial release, the movie made a net profit of over $3 million."
^ Finler 2003，第301頁. "The studio did particularly well with its war-related pictures, such as Sergeant York (1941), which cost $1.6 million but was the studio's biggest hit of the decade aside from This is the Army (1943), the Irving Berlin musical for which the profits were donated to the Army Emergency Relief fund."
^ Bambi. Boxoffice. [May 29, 2016]. （原始内容存档于May 30, 2016）.
^ Block & Wilson 2010，第281頁. "Worldwide rentals of $3,449,353 barely recouped the film's nearly $2 million production cost."
^ ^267.0 ^267.1 ^267.2 ^267.3
Block & Wilson 2010，第712–713頁.
- Bambi: "Worldwide Box Office: $266.8; Production Cost: $1.7 (Millions of $s)"
- 101 Dalmatians: "Worldwide Box Office: $215.0; Production Cost: $3.6 (Millions of $s)"
- The Jungle Book: "Worldwide Box Office: $170.8"; Production Cost: $3.9 (Millions of $s)"
- Aladdin: "Worldwide Box Office: $505.1"; Production Cost: $28.0 (Millions of $s)"
^ Glancy, Mark. When Hollywood Loved Britain: The Hollywood 'British' Film 1939–1945. Manchester University Press. 1999: 94–95. ISBN 978-0-7190-4853-1. Mrs Miniver was a phenomenon. It was the most popular film of the year (from any studio) in both North America and Britain, and its foreign earnings were three times higher than those of any other MGM film released in the 1941–42 season. The production cost ($1,344,000) was one of the highest of the season, indicating the studio never thought of the film as a potential loss-maker. When the film earned a worldwide gross of $8,878,000, MGM had the highest profit ($4,831,000) in its history. Random Harvest nearly matched the success of Mrs Miniver with worldwide earnings of $8,147,000 yielding the second-highest profit in MGM's history ($4,384,000). Random Harvest was also the most popular film of the year in Britain, where it proved to be even more popular than Britain's most acclaimed war film, In Which We Serve.
^
Block & Wilson 2010
- Mrs. Miniver: Burns, Douglas, Mrs. Miniver: 279, 2010, Mrs. Miniver's galvanizing effect on Americans spawned a record-breaking ten-week run at Radio City Music Hall and garnered a $5.4 million take in domestic rentals (making Mrs. Miniver 1942's top grosser), with a $4.8 million profit on worldwide rentals of $8.9 million.
- Yankee Doodle Dandy: p. 275 互联网档案馆的存檔，存档日期April 4, 2023，.. "It became the second biggest box-office hit of 1942 (after Mrs. Miniver) and was praised by critics, making a profit of $3.4 million on worldwide rentals of $6.5 million."
^ McAdams, Frank, For Whom the Bell Tolls: 287, 2010, Despite the early furor over the novel being "pro-red and immoral," the film opened to strong and favorable reviews and brought in $11 million in worldwide rentals in its initial release. In: Block & Wilson 2010.
^ For Whom the Bell Tolls (1943) – Notes. Turner Classic Movies. [June 24, 2012]. （原始内容存档于July 24, 2019）.
^ ^272.0 ^272.1 A Guy Named Joe (1944) – Notes. Turner Classic Movies. [August 29, 2012]. （原始内容存档于December 17, 2019）. According to M-G-M studio records at the AMPAS Library, the film had a negative cost of $2,627,000 and took in $5,363,000 at the box office. When the picture was re-issued for the 1955–56 season, it took in an additional $150,000.
^ Bergreen, Laurence. Irving Berlin: This Is the Army. Prologue. Summer 1996, 28 (2). Part 3 [August 22, 2012]. （原始内容存档于August 11, 2019）.
^ This Is the Army (1943) – Notes. Turner Classic Movies. [July 9, 2011]. （原始内容存档于July 15, 2015）.
^ ^275.0 ^275.1 ^275.2 ^275.3 ^275.4 ^275.5 ^275.6 Finler 2003，第356–363頁
^ Block & Wilson 2010，第420頁. "(Unadjusted $s) in Millions of $s – Production Cost: $1.0"
^ ^277.0 ^277.1
Block & Wilson 2010，第232頁.
- Mrs. Miniver: "Domestic Rentals: $5,358,000; Foreign Rentals: $3,520,000 (Unadjusted $s)"
- Meet Me in St. Louis: "Domestic Rentals: $5,016,000; Foreign Rentals: $1,623,630 (Unadjusted $s)"
- Easter Parade: "Domestic Rentals: $4,144,000; Foreign Rentals: $1,774,134 (Unadjusted $s)"
^ Schaefer, Eric. "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919–1959. Duke University Press. 1999: 197–199. ISBN 978-0-8223-2374-7. Leading the pack of postwar sex hygiene films was Mom and Dad (1944), which would become not only the most successful sex hygiene film in history but the biggest pre-1960 exploitation film of any kind. At the end of 1947, the Los Angeles Times reported that Mom and Dad had grossed $2 million. By 1949 Time had estimated that Mom and Dad had taken in $8 million from twenty million moviegoers. And publicity issuing from Mom and Dad's production company indicated that by the end of 1956 it had grossed over $80 million worldwide. Net rentals of around $22 million by 1956 would easily place it in the top ten films of the late 1940s and early 1950s had it appeared on conventional lists. Some estimates have placed its total gross over the years at up to $100 million, and it was still playing drive-in dates into 1975...The film was made for around $65,000 with a crew of Hollywood veterans including director William "One Shot" Beaudine, cinematographer Marcel LePicard, and a cast that sported old stalwarts Hardie Albright, Francis Ford, and John Hamilton.
^
Block & Wilson 2010
- p. 296 互联网档案馆的存檔，存档日期April 4, 2023，.. "Production Cost: $1.6 (Unadjusted $s in Millions of $s)"
- Wasson, Sam, The Bells of St. Mary's: 297, 2010, This was that rare sequel that did even better at the box office than the original, bringing in a $3.7 million profit on $11.2 million in worldwide rentals.
^ Song of the South. The Numbers. Nash Information Services. LLC. [July 10, 2011]. （原始内容存档于September 3, 2011）.
^ Gabler, Neal. Walt Disney: the biography. Aurum Press. 2007: 438. Still, the film wound up grossing $3.3 million...
^ Song of the South (1946) – Notes. Turner Classic Movies. [July 25, 2012]. （原始内容存档于July 24, 2019）.
^
Hall & Neale 2010
- p. 132 互联网档案馆的存檔，存档日期April 3, 2023，.."Best Years was considerably cheaper, costing only $2.1 million, and therefore vastly more profitable."
- p. 286 互联网档案馆的存檔，存档日期April 3, 2023，. (note 6.70). "Worldwide rentals for The Best Years of Our Lives amounted to $14,750,000."
^ Burns, Douglas, The Best years of Our Lives: 301, 2010, The film made a $5 million profit on worldwide rentals of $14.8 million. In: Block & Wilson 2010.
^ ^285.0 ^285.1 Hall & Neale 2010，第285 (note 6.56)頁. "The cost of Duel in the Sun has been reported as both $5,255,000 (Haver, David O'Selznick's Hollywood, 361) and $6,480,000 (Thomson, Showman: The Life of David O'Selznick, 472); the latter figure may include distribution expenses. Forever Amber cost $6,375,000 (Solomon, Twentieth Century-Fox: A Corporate and Financial History, 243)."
^ Chopra-Gant, Mike. Hollywood Genres and Post-war America: Masculinity, Family and Nation in Popular Movies and Film Noir. I.B. Tauris. 2006: 18. ISBN 978-1-85043-815-1. Forever Amber: $8 million; Unconquered: $7.5 million; Life with Father: $6.25 million
^ Unconquered (1947) – Notes. Turner Classic Movies. [January 10, 2012]. （原始内容存档于July 15, 2015）.
^ Miller, Frank. Easter Parade (1948) – Articles. Turner Classic Movies. [July 19, 2012]. （原始内容存档于July 24, 2019）.
^ Street, Sarah. Transatlantic Crossings: British Feature Films in the United States. Continuum International Publishing Group. 2002: 110. ISBN 978-0-8264-1395-6. Although both films had higher than average budgets (The Red Shoes cost £505,581 and Hamlet cost £572,530, while the average cost of the other thirty films for which Rank supplied information was £233,000), they resulted in high takings at home and abroad.
^ Officer, Lawrence H. Dollar-Pound Exchange Rate From 1791. MeasuringWorth. 2011 [November 18, 2012]. （原始内容存档于November 18, 2012）. 1947–1948: $4.03 (per British pound)
^ The Snake Pit. The Numbers. Nash Information Services. LLC. （原始内容存档于December 28, 2011）.
^ 'Snake Pit' Seen No Problem After All. Variety. January 19, 1949: 7.
^ ^293.0 ^293.1
Hall & Neale 2010，第136–139頁
- Samson and Delilah: "...the film became the highest grosser in the studio's history to date, with domestic rentals of $7,976,730 by 1955 and a further $6,232,520 overseas...For all their spectacle, Samson and David were quite economically produced, costing $3,097,563 and $2,170,000 respectively."
- Quo Vadis: "Production costs totaled a record $7,623,000...Worldwide rentals totaled $21,037,000, almost half of which came from the foreign market."
^ Cinderella (1950). The Numbers. Nash Information Services. [January 2, 2017]. （原始内容存档于June 5, 2019）.
^ Eisner, Michael D.; Schwartz, Tony. Work in Progress. Pennsylvania State University. 2009: 178. ISBN 978-0-7868-8507-7. Cinderella revived its fortunes. Re-released in February 1950, it cost nearly $3 million to make but earned more than $20 million worldwide.
^ Barrier, Michael. Hollywood Cartoons: American Animation in Its Golden Age. Oxford University Press. 2003: 401. ISBN 978-0-19-516729-0. It cost around $2.2 million, little more than each of the two package features, Melody Time and The Adventures of Ichabod and Mr. Toad (as Tluo Fabulous Characters had ultimately been named), that just preceded it, but its gross rentals—an amount shared by Disney and RKO—were $7.8 million, almost twice as much as the two package features combined.
^ The E. J. Mannix ledger. Margaret Herrick Library, Academy of Motion Picture Arts and Sciences: Howard Strickling Collection. 1962.
^ ^298.0 ^298.1
Lev, Peter. Transforming the Screen, 1950–1959. 7 of History of the American Cinema. University of California Press. 2006. ISBN 978-0-520-24966-0.
- Quo Vadis: p. 15 互联网档案馆的存檔，存档日期April 4, 2023，.. "MGM's most expensive film of the period, Quo Vadis (1951) also did extremely well. The cost was $7,623,000, earnings were an estimated $21.2 million (with foreign earnings almost 50 percent of this total), and profit was estimated at $5,562,000."
- Rear Window: pp. 203 互联网档案馆的存檔，存档日期April 4, 2023，.–204 互联网档案馆的存檔，存档日期April 4, 2023，.. "Rear Window (1954) was an excellent commercial success, with a cost of $1 million and North American rentals of $5.3 million."
^ ^299.0 ^299.1
Block & Wilson 2010，第335頁.
- The Robe: "Domestic Rentals: $16.7; Foreign Rentals: $9.4; Production Cost: $4.1 (Unadjusted $s in Millions of $s)."
- Quo Vadis: "Domestic Rentals: $11.1; Foreign Rentals: $15.6; Production Cost: $7.5 (Unadjusted $s in Millions of $s)."
^ Mulligan, Hugh A. Cinerama Pushing Ahead As Biggest Money-Maker. The Register-Guard (Eugene, Oregon). September 23, 1956: 7B.
^ Zone, Ray. 3-D Revolution: The History of Modern Stereoscopic Cinema. University Press of Kentucky. 2012: 71. ISBN 978-0-8131-3611-0. Produced at a cost of $1 million, This is Cinerama ran 122 weeks, earning $4.7 million in its initial New York run alone and eventually grossed over $32 million. It was obvious to Hollywood that the public was ready for a new form of motion picture entertainment. The first five Cinerama feature-length travelogues, though they only played in twenty-two theaters, pulled in a combined gross of $82 million.
^ Burns, Douglas, The Greatest Show on Earth: 354–355, 2010, By May 1953, Variety was reporting that the Best Picture winner had amassed $18.35 million in worldwide rentals. In: Block & Wilson 2010.
^ The Greatest Show on Earth (1952) – Notes. Turner Classic Movies. [January 8, 2012]. （原始内容存档于July 14, 2015）.
^ Peter Pan (1953) – Notes. Turner Classic Movies. [July 24, 2011]. （原始内容存档于September 3, 2015）.
^ Top Grossers of 1953. Variety. January 13, 1954: 10 [September 12, 2019].
^ Hall & Neale 2010，第147–148頁. "To take full advantage of CinemaScope's panoramic possibilities, shooting was delayed for the sets to be redesigned and rebuilt, adding $500,000 to the eventual $4.1 million budget...It ultimately returned domestic rentals of $17.5 million and $25 million worldwide, placing it second only to Gone with the Wind in Variety's annually updated chart."
^ Block & Wilson 2010，第367頁. "It brought in $16.7 million in domestic rentals, $9.4 million in foreign rentals, and made a net profit of $8.1 million."
^ Rear Window. Boxoffice. [May 29, 2016]. （原始内容存档于May 30, 2016）.
^ White Christmas. Boxoffice. [May 29, 2016]. （原始内容存档于May 30, 2016）.
^ Block & Wilson 2010，第420頁. "Domestic Box Office: $19.6 million; Production Cost: $3.8 million."
^ Hall & Neale 2010，第149頁. "VistaVision was first used for the musical White Christmas (1954), which Variety named the top grosser of its year with anticipated domestic rentals of $12 million."
^ 20000 Leagues Under The Sea. Boxoffice. [May 29, 2016]. （原始内容存档于December 25, 2018）.
^ Miller, John M. 20,000 Leagues Under the Sea (1954) – Articles. Turner Classic Movies. [January 9, 2012]. （原始内容存档于December 21, 2014）.
^ Finler 2003，第320頁. "It was up and running in time to handle Disney's most elaborate expensive feature, 20,000 Leagues Under the Sea, based on the book by Jules Verne, starring James Mason and Kirk Douglas and directed by Richard Fleischer at a cost of $4.5 million."
^ ^315.0 ^315.1 ^315.2 D'Alessandro, Anthony. Disney Animated Features at the Worldwide Box Office. Variety. October 27, 2003 [July 4, 2022]. （原始内容存档于November 4, 2020） –通过The Free Library. The Jungle Book $378 million; One Hundred and One Dalmatians $303 million; Lady and the Tramp $187 million
^ Lady and the Tramp (1955) – Notes. Turner Classic Movies. [July 27, 2011]. （原始内容存档于September 28, 2015）.
^ Minego, Pete. Pete's Pungent Patter. Portsmouth Daily Times (Portsmouth, Ohio). May 21, 1956: 19.
^ Cinerama Holiday (1955) – Notes. Turner Classic Movies. [July 7, 2012]. （原始内容存档于July 24, 2019）.
^
Block & Wilson 2010
- p. 382 互联网档案馆的存檔，存档日期April 3, 2023，.. "Production Cost: $2.4 (Unadjusted $s in Millions of $s)"
- Burns, Douglas, Mister Roberts: 383, 2010, Mister Roberts sailed onto movie screens buoyed by enthusiastic reviews and receptive audiences. For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show. It returned a net profit of $4.5 million on worldwide rentals of $9.9 million, putting it in the top 5 domestic films of 1955.
^ Block & Wilson 2010，第327頁. "Production cost: $13.3 million; Domestic Film Rental: $31.3; Foreign Film Rental: $23.9; Worldwide Box office (estimated): $122.7 (Initial Release – Unadjusted $s in Millions of $s)."
^ ^321.0 ^321.1
Hall & Neale 2010，第159–161頁
- The Ten Commandments: "No film did more to entrench roadshow policy than The Ten Commandments. While the success of This Is Cinerama, The Robe, and even Eighty Days could be attributed, at least in part, to their respective photographic and projection formats, that of DeMille's film (which cost a record $13,266,491) could not...General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."
- The Bridge on the River Kwai: Columbia's Anglo-American war film The Bridge on the River Kwai (1957) opened on a roadshow basis in selected U.S. cities (including New York, Chicago, Boston, and Los Angeles) and in London. Costing only $2,840,000 to produce, it grossed $30.6 million worldwide on first release."
^ Hall & Neale 2010，第153頁. "South Pacific also became for a time the most successful film ever released in the United Kingdom, where it earned a box-office gross three times its negative cost of $5,610,000. Anticipated global rentals after three years were $30 million."
^ Ross, Steven J. Hollywood Left and Right: How Movie Stars Shaped American Politics. Oxford University Press. 2011: 278–279. ISBN 978-0-19-991143-1. Costing $15 million to produce, the film earned $47 million by the end of 1961 and $90 million worldwide by January 1989.
^ Block & Wilson 2010，第324頁. "Worldwide box office: $146.9 million; Worldwide rentals: $66.1 million; Production cost: $15.9 million. (Initial Release – Unadjusted $s in Millions of $s)"
^ Reid, John Howard. America's Best, Britain's Finest: A Survey of Mixed Movies. 14 of Hollywood classics. Lulu. 2006: 243–245. ISBN 978-1-4116-7877-4. Negative cost: around $4 million; Worldwide film rentals gross (including 1968 American reissue) to 1970: $30 million.
^ Webster, Patrick. Love and Death in Kubrick: A Critical Study of the Films from Lolita Through Eyes Wide Shut. McFarland & Company. 2010: 298 (note 2.23). ISBN 978-0-7864-5916-2. Spartacus cost $12 million and grossed some $60 million at the box office, figures Kubrick rarely again matched.
^ ^327.0 ^327.1
Hall & Neale 2010，第179頁.
- Spartacus: "In the case of Spartacus, overseas earnings to 1969 amounted to $12,462,044, while U.S. and Canadian rentals (even including a million-dollar TV sale) were only $10,643,181. But the film failed to show a profit on production costs of $10,284,014 because of the distribution charges and expenses amounting to an additional $15,308,083."
- The Bible: "The Bible—In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."
^ Nixon, Rob. Psycho (1960) – Articles. Turner Classic Movies. [January 9, 2012]. （原始内容存档于September 12, 2015）.
^ Tube. One Hundred and One Dalmatians. Daily Variety. January 18, 1961 [August 23, 2011]. （原始内容存档于November 9, 2012）.
^ Block, Hayley Taylor, West Side Story: 449, 2010, With its three rereleases, it took in over $105 million in worldwide box office ($720 million in 2005 dollars). In: Block & Wilson 2010.
^ ^331.0 ^331.1 ^331.2 ^331.3 ^331.4 ^331.5 ^331.6
Block & Wilson 2010，第434頁.
- The Sound of Music: "Domestic Rentals: $68.4; Foreign Rentals: $46.2; Production Cost: $8.0 (Initial Release – Unadjusted $s in Millions of $s)."
- The Dirty Dozen: "Domestic Rentals: $20.1; Foreign Rentals: $11.2; Production Cost: $5.4 (Initial Release – Unadjusted $s in Millions of $s)."
- 2001: A Space Odyssey: "Domestic Rentals: $16.4; Foreign Rentals: $5.5; Production Cost: $10.3 (Initial Release – Unadjusted $s in Millions of $s)."
- Cleopatra: "Domestic Rentals: $22.1; Foreign Rentals: $18.2; Production Cost: $44.0 (Initial Release – Unadjusted $s in Millions of $s)."
- West Side Story: "Domestic Rentals: $16.2; Foreign Rentals: $15.6; Production Cost: $7.0 (Initial Release – Unadjusted $s in Millions of $s)."
- The Longest Day: "Domestic Rentals: $13.9; Foreign Rentals: $19.3; Production Cost: $8.6 (Initial Release – Unadjusted $s in Millions of $s)."
- Butch Cassidy and the Sundance Kid: "Domestic Rentals: $29.2; Foreign Rentals: $7.9; Production Cost: $6.6 (Initial Release – Unadjusted $s in Millions of $s)."
^
Lawrence of Arabia
- 1962 release: Lawrence of Arabia. The Numbers. Nash Information Services. LLC. [August 15, 2011]. （原始内容存档于March 16, 2012）. Worldwide Box Office: $69,995,385; International Box Office: $32,500,000
- U.S. total (including reissues): Lawrence of Arabia. Boxoffice. [May 29, 2016]. （原始内容存档于August 10, 2014）. $44,824,852
^ ^333.0 ^333.1 ^333.2
Hall & Neale 2010，第165–166頁
- Lawrence of Arabia: Columbia released the $13.8 million Lawrence of Arabia (1962), filmed in Super Panavision 70, exclusively on a hard-ticket basis, but opened Barabbas (1962), The Cardinal (1963), and the $12 million Joseph Conrad adaptation Lord Jim (1965) as 70 mm roadshows in selected territories only."
- The Longest Day: "Darryl's most ambitious independent production was The Longest Day (1962), a three-hour reconstruction of D-Day filmed in black-and-white CinemaScope at a cost of $8 million. It grossed over $30 million worldwide as a roadshow followed by general release, thereby helping the studio regain stability during its period of reorganization."
- Cleopatra: "With top tickets set at an all-time high of $5.50,Cleopatra had amassed as much as $20 million in such guarantees from exhibitors even before its premiere. Fox claimed the film had cost in total $44 million, of which $31,115,000 represented the direct negative cost and the rest distribution, print and advertising expenses. (These figures excluded the more than $5 million spent on the production's abortive British shoot in 1960–61, prior to its relocation to Italy.) By 1966 worldwide rentals had reached $38,042,000 including $23.5 million from the United States."
^ Hall & Neale 2010，第164頁. "West cost $14,483,000; although it earned $35 million worldwide in just under three years, with ultimate domestic rentals totaling $20,932,883, high distribution costs severely limited its profitability."
^ ^335.0 ^335.1 ^335.2 ^335.3
Block & Wilson 2010，第428–429頁
- From Russia With Love: "Worldwide Box Office: 78.9; Production Cost: 2.0 (in millions of $s)"
- Goldfinger: "Worldwide Box Office: 124.9; Production Cost: 3.0 (in millions of $s)"
- Diamonds Are Forever: "Worldwide Box Office: 116; Production Cost: 7.2 (in millions of $s)"
- Moonraker: "Worldwide Box Office: 210.3; Production Cost: 34.0 (in millions of $s)"
^ ^336.0 ^336.1
Chapman, James. Licence to thrill: a cultural history of the James Bond films. I.B. Tauris. 2007. ISBN 978-1-84511-515-9.
- From Russia With Love: "The American release of From Russia With Love again followed on some six months after it had been shown in Britain. North American rentals of $9.9 million were an improvement on its predecessor, helped by a slightly wider release, though they were still only half the $19.5 million of foreign rentals... (Online copy 互联网档案馆的存檔，存档日期April 4, 2023，. at Google Books)"
- Diamonds Are Forever: "Diamonds Are Forever marked a return to the box-office heights of the Bond films of the mid-1960s. Its worldwide rentals were $45.7 million..."^{[页码请求]}
- Moonraker: "These figures were surpassed by Moonraker, which earned total worldwide rentals of $87.7 million, of which $33 million came from North America. (Online copy 互联网档案馆的存檔，存档日期April 4, 2023，. at Google Books)"
^ ^337.0 ^337.1
Balio, Tino. United Artists, Volume 2, 1951–1978: the Company that Changed the Film Industry. University of Wisconsin Press. 2009: 261. ISBN 978-0-299-23014-2.
- From Russia With Love: "The picture grossed twice as much as Dr. No, both domestic and foreign—$12.5 million worldwide (Online copy 互联网档案馆的存檔，存档日期April 4, 2023，. at Google Books)"
- Goldfinger: "Produced on a budget of around $3 million, Goldfinger grossed a phenomenal $46 million worldwide the first time around. (Online copy 互联网档案馆的存檔，存档日期April 4, 2023，. at Google Books)"
^ ^338.0 ^338.1
Hall & Neale 2010，第184頁
- My Fair Lady: "My Fair Lady (1964) cost Warners $17 million to make, including a record $5.5 million just for the film rights to the Alan Jay Lerner and Frederick Loewe stage show and a million-dollar fee for star Audrey Hepburn. By 1967 it was reported to have grossed $55 million from roadshowing worldwide."
- Mary Poppins: "Mary Poppins (1964), which cost $5.2 million, was neither a stage adaptation nor a roadshow. But by the end of its first release, it had grossed nearly $50 million worldwide."
^ Burns, Douglas, Mary Poppins: 469, 2010, In its initial run, Poppins garnered an astounding $44 million in worldwide rentals and became the company's first Best Picture Oscar contender. In: Block & Wilson 2010.
^ The Sound of Music. Boxoffice. [May 29, 2016]. （原始内容存档于December 25, 2018）.
^ Silverman, Stephen M. The Fox that got Away: The Last Days of the Zanuck Dynasty at Twentieth Century-Fox. Secaucus, N.J.: L. Stuart. 1988: 325. ISBN 978-0-8184-0485-6.
^ Hawaii. The Numbers. Nash Information Services. LLC. [August 18, 2011]. （原始内容存档于March 16, 2012）.
^ Who's Afraid of Virginia Wolf? (1966). The Numbers. Nash Information Services. LLC. [February 3, 2020]. （原始内容存档于November 12, 2019）.
^ Hall & Neale 2010，第188頁. "The negative cost of Warners' adaptation of Edward Albee's play Who's Afraid of Virginia Woolf? (1966)—filmed in widescreen and black-and-white, largely set in domestic interiors and with a cast of only four principal actors—amounted to $7,613,000, in part because stars Elizabeth Taylor and Richard Burton received up-front fees of $1 million and $750,000 respectively, against 10 percent of the gross apiece. (Their participation was presumably added to the budget)."
^ Animals Portray Parts in Disney's "Robin Hood". Toledo Blade. October 18, 1970. Sec. G, p. 7. "The Jungle Book," in it's（原文如此） initial world-wide release, has grossed $23.8 million to date...
^ Murphy, A.D. The Jungle Book. Variety. October 4, 1967: 6 [March 14, 2018]. （原始内容存档于March 15, 2018）. It was filmed at a declared cost of $4 million over a 42-month period.
^ ^347.0 ^347.1
Denisoff, R. Serge; Romanowski, William D. Risky Business: Rock in Film. Transaction Publishers. 1991. ISBN 978-0-88738-843-9.
- The Graduate: p. 167 互联网档案馆的存檔，存档日期June 5, 2019，.. "World net rental was estimated at more than $85 million by January 1971."
- Grease: p. 236 互联网档案馆的存檔，存档日期April 4, 2023，.. "The film was produced for $6 million and Paramount reportedly spent another $3 million on promotion."
^ ^348.0 ^348.1
Hall & Neale 2010，第191–192頁
- The Graduate: "The Graduate eventually earned U.S. rentals of $44,090,729 on a production cost of $3.1 million to become the most lucrative non-roadshow picture (and independent release) to date."
- Butch Cassidy and the Sundance Kid: "None of these films was roadshown in the United States; most were set in contemporary America or had a contemporary "take" on the past (the casting of genuine teenagers to play Romeo and Juliet, the urbane sophistication of the dialogue in Butch Cassidy, the antiauthoritarianism of Bonnie and Clyde and MASH); most were produced on modest or medium-sized budgets (as low as $450,000 for Easy Rider and no higher than $6,825,000 for Butch Cassidy); and all grossed upward of $10 million domestically."
^
2001: A Space Odyssey
- Total: Miller, Frank. 2001: A Space Odyssey (1968) – Articles. Turner Classic Movies. [August 24, 2011]. （原始内容存档于February 12, 2012）. 2001: A Space Odyssey made $15 million on its initial U.S. release, and currently shows a worldwide gross of over $190 million.
- As of 2006: Palmer, R. Barton. 2001: The Critical Reception and the Generation Gap. Kolker, Robert Phillip (编). Stanley Kubrick's 2001: a Space Odyssey: New Essays. Oxford University Press. 2006: 16. ISBN 978-0-19-517452-6. With its initial and subsequent releases, domestic and worldwide, Kubrick's arty, intellectual film earned nearly $138 million, which was, at that time, an astounding figure.
- 2013 re-release: 2001: A Space Odyssey (2013 re-release). Box Office Mojo. [September 26, 2018]. （原始内容存档于June 15, 2019）. Domestic Total Gross: $214,618; United Kingdom: $568,997
- 2014 re-release: 2001: A Space Odyssey (2014 re-release). Box Office Mojo. [September 26, 2018]. （原始内容存档于June 5, 2019）. Domestic Total Gross: $135,370
- 2018 re-release: 2001: A Space Odyssey (2018 re-release). Box Office Mojo. [September 26, 2018]. （原始内容存档于June 15, 2019）. Domestic Total Gross: $1,283,820; Australia: $192,457; Greece: $27,510; Netherlands: $159,068; New Zealand: $5,046; Russia: $155,841; United Kingdom: $296,525
^ Haber, Joyces. 'Funny Girl' a Box Office Winner. Los Angeles Times. March 27, 1969 [March 29, 2012]. （原始内容存档于July 24, 2012）. ..."Funny Girl" will gross an estimated $80 to $100 million worldwide.
^ Welles, Chris. Behind the Silence at Columbia Pictures—No Moguls, No Minions, Just Profits. New York 3 (36). September 7, 1970: 42–47. While Columbia, battling Ray Stark over every dollar, did Funny Girl for around $8.8 million, a million or so over budget, Fox spent nearly $24 million on Hello, Dolly!, more than twice the initial budget, and the film will thus have to gross three times as much to break even.
^
Butch Cassidy and the Sundance Kid
- United States and Canada: Butch Cassidy and the Sundance Kid. Boxoffice. [May 29, 2016]. （原始内容存档于January 8, 2019）. $102,308,525
- Outside North America: Vanity Fair. 2008: 388. Butch Cassidy went on to be a huge hit—by the spring of 1970 it had taken in $46 million in North America and grossed another $50 million abroad. |issue=被忽略 (帮助)
^ D'Alessandro, Anthony. Top 50 worldwide grossers. Variety. July 15, 2002: 52, Paramount at 90 supplement.
^ 'Love Story' II: Ryan Redux?. New York. Vol. 9. 1976: 389. Bring those handkerchiefs out of retirement. ... After all, the first movie made around $80 million worldwide.
^ Block, Hayley Taylor, Love Story: 545, 2010, The final cost came in at $2,260,000. In: Block & Wilson 2010.
^ Block & Wilson 2010，第549頁. "Fiddler had the highest domestic box office of 1971 (it was second in worldwide box office after Diamonds Are Forever), with more than $100 million in unadjusted worldwide box office on its initial release. The soundtrack album was also a huge seller. The 1979 rerelease was not as successful, with the $3.8 million print and ad costs almost as high as the $4.3 million in worldwide rentals."
^ ^357.0 ^357.1 ^357.2 ^357.3 ^357.4 ^357.5
Block & Wilson 2010，第527頁.
- Star Wars: "Domestic Rentals: $127.0; Foreign Rentals: $141.5; Production Cost: $13.0 (Initial Release – Unadjusted $s in Millions of $s)."
- The Godfather: "Domestic Rentals: $85.6; Foreign Rentals: $42.0; Production Cost: $7.2 (Initial Release – Unadjusted $s in Millions of $s)."
- Fiddler on the Roof: "Domestic Rentals: $34.0; Foreign Rentals: $11.1; Production Cost: $9.0 (Initial Release – Unadjusted $s in Millions of $s)."
- Rocky: "Domestic Rentals: $56.0; Foreign Rentals: $21.1; Production Cost: $1.6 (Initial Release – Unadjusted $s in Millions of $s)."
^
The Godfather
- 1974: Newsweek 84. 1974: 74. The original Godfather has grossed a mind-boggling $285 million... |issue=被忽略 (帮助)
- 1991: Von Gunden, Kenneth. Postmodern auteurs: Coppola, Lucas, De Palma, Spielberg, and Scorsese. McFarland & Company. 1991: 36. ISBN 978-0-89950-618-0. Since The Godfather had earned over $85 million in U.S.-Canada rentals (the worldwide box-office gross was $285 million), a sequel, according to the usual formula, could be expected to earn approximately two-thirds of the original's box-office take (ultimately Godfather II had rentals of $30 million).
- Releases: The Godfather (1972). Box Office Mojo. [January 22, 2020]. （原始内容存档于February 6, 2020）. Original release: $243,862,778; 1997 re-release: $1,267,490; 2009 re-release: $121,323; 2011 re-release: $818,333; 2014 re-release: $29,349; 2018 re-release: $21,701; Budget: $6,000,000
^ Jacobs, Diane. Hollywood Renaissance. Dell Publishing. 1980: 115. ISBN 978-0-440-53382-5. The Godfather catapulted Coppola to overnight celebrity, earning three Academy Awards and a then record-breaking $142 million in worldwide sales.
^ The Godfather (1972) – Notes. Turner Classic Movies. [January 23, 2020]. （原始内容存档于June 15, 2020）.
^ The Exorcist (1973). Box Office Mojo. [September 5, 2024]. （原始内容存档于November 1, 2023）.
^ Stanley, Robert Henry; Steinberg, Charles Side. The media environment: mass communications in American society. Hastings House. 1976: 76. ISBN 978-0-8038-4681-4. ...further reflected by the phenomenal successes of The Sting, Chinatown and The Exorcist. The latter film, which cost about $10 million to produce, has grossed over $110 million worldwide.
^ Big Rental Films of 1974. Variety. January 8, 1975: 24 [July 4, 2022] –通过Archive.org. U.S-Canada market only $66,300,000
^ ^364.0 ^364.1 Pollock, Dale. WB Adds To Its Record Collection. Daily Variety. May 9, 1979: 1. "Towering Inferno" did $56,000,000 overseas in billings while "The Exorcist" totted up $46,000,000
^ New York 8, 1975, ...Jaws should outstrip another MCA hit, The Sting, which had world-wide revenues of $115 million. (Online copy 互联网档案馆的存檔，存档日期April 4, 2023，. at Google Books)
^ Block & Wilson 2010，第560頁. "Production Cost: $5.5 (Unadjusted $s in Millions of $s)."
^ It Towers $203,336,412 (advertisement). Variety. June 2, 1976: 8–9 [October 31, 2020]. （原始内容存档于January 8, 2023）.
^ Hall & Neale 2010，第206–208頁. "The most successful entry in the disaster cycle was the $15 million The Towering Inferno which earned over $48,650,000 in domestic rentals and about $40 million foreign."
^ Klady, Leonard. All-Time Top Film Rentals. Variety. 1998. （原始内容存档于October 7, 1999）. Domestic rentals: $48,838,000
^ Block & Wilson 2010，第568頁. "Production Cost: $14.3 (Unadjusted $s in Millions of $s)."
^ Jaws (1975). Box Office Mojo. [January 4, 2024]. （原始内容存档于April 2, 2020）.
^ ^372.0 ^372.1 Kilday, Gregg. Director of 'Jaws II' Abandons His 'Ship'. The Victoria Advocate. July 5, 1977: 6B.
^ Priggé, Steven. Movie Moguls Speak: Interviews With Top Film Producers. McFarland & Company. 2004: 8. ISBN 978-0-7864-1929-6. The budget for the first Jaws was $4 million and the picture wound up costing $9 million.
^ Rocky (1976) at The Numbers. Nash Information Services, LLC. Retrieved October 2, 2023.
^ Hall & Neale 2010，第214頁. "Rocky was the "sleeper of the decade". Produced by UA and costing just under $1 million, it went on to earn a box-office gross of $117,235,247 in the United States and $225 million worldwide."
^ Block, Alex Ben, Rocky: 583, 2010, The budget was $1,075,000 plus producer's fees of $100,000. In: Block & Wilson 2010.
^ Star Wars (1977). Box Office Mojo. [October 1, 2023]. （原始内容存档于March 5, 2023）.
^ ^378.0 ^378.1 ^378.2 ^378.3 Wuntch, Philip. Return of E.T.. The Dallas Morning News. July 19, 1985 [March 6, 2012]. （原始内容存档于May 17, 2013）. Its worldwide box-office gross was $619 million, toppling the record of $530 million set by Star Wars.
^ Hall & Neale 2010，第218頁. "Eventually costing $11,293,151, Star Wars was previewed at the Northpoint Theatre in San Francisco on May 1, 1977."
^ Grease (1978). Box Office Mojo. [May 14, 2023]. （原始内容存档于May 22, 2023）.
^ Hofler, Robert. Party Animals: A Hollywood Tale of Sex, Drugs, and Rock 'N' Roll Starring the Fabulous Allan Carr. ReadHowYouWant.com. 2010: 145. ISBN 978-1-4596-0007-2. Despite the fact that Grease was well on its way to becoming the highest-grossing movie musical in the world, and eventually grossed over $341 million...
^ Moonraker (1979). Box Office Mojo. [October 2, 2023]. （原始内容存档于January 31, 2023）.
^ ^383.0 ^383.1
Kramer vs. Kramer
- United & Babson Investment Report 72. Babson-United, Inc. 1980: 262. Columbia Pictures Industries is continuing to rake in the box office dollars from its Oscar-winning Kramer vs. Kramer, which has topped $100 million in domestic grosses and $70 million overseas. Kramer, which cost less than $8 million to make, is now the second...
- Prince, Stephen. A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980–1989. University of California Press. 2002: 7. ISBN 978-0-520-23266-2. Much of this was attributable to the performance of its hit film, Kramer vs. Kramer ($94 million worldwide and the number two film in the domestic market).
^ Rocky 2 (1979) at The Numbers. Nash Information Services, LLC. Retrieved October 2, 2023.
^ Kilday, Greg. Rules of the Game. Entertainment Weekly. No. 119. May 22, 1992 [July 4, 2012]. （原始内容存档于December 25, 2018）.
^
The Empire Strikes Back
- Total up to 2014: The Empire Strikes Back (1980). Box Office Mojo. [September 5, 2024]. $538,375,067
- Special edition: The Empire Strikes Back (Special Edition). Box Office Mojo. [October 1, 2023]. North America: $67,597,694; Overseas: $57,214,766
- 2015 re-release: The Empire Strikes Back (2015 Re-release). Box Office Mojo. [October 1, 2023]. United Kingdom: $9,593,937
- 2020 re-release: The Empire Strikes Back (2020 Re-release). Box Office Mojo. [September 5, 2024]. $3,137,879
^ ^387.0 ^387.1 ^387.2
Block & Wilson 2010，第519頁.
- The Empire Strikes Back: "Production Cost: $32.0 (Unadjusted $s in Millions of $s)."
- Return of the Jedi: "Production Cost: $42.7 (Unadjusted $s in Millions of $s)."
- The Phantom Menace: "Production Cost: $127.5 (Unadjusted $s in Millions of $s)."
^
Raiders of the Lost Ark
- Raiders of the Lost Ark (1981). Box Office Mojo. [June 4, 2023]. Total: $389,925,971; North America: $212,222,025 (original run); Overseas: $141,766,000
- Block & Wilson 2010，第625頁. Domestic Box office: $180.1; "Production Cost: $22.8 (Initial Release – Unadjusted $s in Millions of $s)."
^ E.T.: The Extra-Terrestrial (1982). Box Office Mojo. [September 5, 2024].
^ ^390.0 ^390.1 Block & Wilson 2010，第609頁. "Steven Spielberg, by far the most successful director of the decade, had the highest-grossing movie with 1982's E.T.: The Extra-Terrestrial, which grossed over $664 million in worldwide box office on initial release."
^ Block & Wilson 2010，第652頁. "Production Cost: $12.2 (Unadjusted $s in Millions of $s)."
^
Return of the Jedi
- Total: Return of the Jedi (1983). Box Office Mojo. [September 5, 2024]. $482,466,382
- Special edition: Return of the Jedi (Special Edition). Box Office Mojo. [April 28, 2023]. $89,388,357
- 2023 Re-release: Return of the Jedi (2023 Re-release). Box Office Mojo. [May 5, 2023]. $7,259,924
^
Ghostbusters
- US and Canada: Ghostbusters (1984). Box Office Mojo. [December 31, 2024]. Original release: $229,242,989; Lifetime: $243,640,120
- Outside of United States (as of 1999): All-time Boxoffice Champs. The Hollywood Reporter. December 28, 1999. International: $126.0 million
- Outside of United States (since 1999): Ghostbusters (1984). Box Office Mojo. [December 31, 2024]. 2011 re-release (United Kingdom): $161,688; 2019 re-release (Asia-Pacific): $60,823; 2020 re-release (Asia Pacific): $101,133
^ Galloway, Stephen. The Making of a Comedy Classic: Director Ivan Reitman Spills the Secrets Behind the Original Ghostbusters. The Hollywood Reporter. July 15, 2016 [December 18, 2018]. （原始内容存档于December 19, 2018）.
^ Blume, Lesley M. M. The Making of Ghostbusters: How Dan Aykroyd, Harold Ramis, and "The Murricane" Built "The Perfect Comedy". Vanity Fair. June 4, 2014 [December 20, 2018]. （原始内容存档于March 17, 2018）.
^
Back to the Future
- Original release: Back to the Future (1985). Box Office Mojo. [October 2, 2023]. （原始内容存档于August 6, 2020）. Worldwide: $381,109,762; Production Budget: $19 million
- 2014 re-release: Back to the Future (2014 re-release). Box Office Mojo. [October 2, 2023]. $5,641,847
- 2020 re-release: Back to the Future (2020 re-release). Box Office Mojo. [October 2, 2023]. $567,495
- 2021 re-release: Back to the Future (2021 re-release). Box Office Mojo. [October 2, 2023]. $1,430,000
- 2023 re-release: Back to the Future (2023 re-release). Box Office Mojo. [October 25, 2023]. $476,685
^ Finler 2003，第268頁. "The studio had a record operating income of $212 million in 1982, the year of Spielberg's E.T. The Extra-Terrestrial (which had cost only slightly over $10 million) and $150 million in 1985, mainly due to another Spielberg production, the $22 million Back to the Future, which became the top box office hit of the year."
^ Top Gun (1986). Box Office Mojo. [September 17, 2023].
^ McAdams, Frank, Top Gun: 678–679, 2010, Production Cost: $19.0 (Millions of $s) ... Despite mixed reviews, it played in the top 10 for an extended period and was a huge hit, grossing almost $345 million in worldwide box office. In: Block & Wilson 2010.
^ ^400.0 ^400.1 ^400.2 ^400.3 ^400.4 Finler 2003，第190–191頁.
^
Fatal Attraction
- Fatal Attraction (1987). Box Office Mojo. [September 17, 2023].
- Scott, Vernon. 'Three Men and Baby' Sequel Adds Cazenove to Original Cast. The Daily Gazette (New York). Hollywood (UPI). June 15, 1990: 9 (TV Plus – The Daily Gazette Supplement). That legacy is the $167,780,960 domestic box-office and $75 million foreign gross achieved by the original...
^ Rain Man (1988). Box Office Mojo. [September 17, 2023].
^ Finler 2003，第244頁. "Rain Man: 30.0 (cost in million $s)"
^ Indiana Jones and the Last Crusade (1989). Box Office Mojo. [September 17, 2023].
^ Block & Wilson 2010，第694–695頁. "Production Cost: $55.4 (Unadjusted $s in Millions of $s) ... The film went on to haul in over $494 million worldwide."
^ Ghost (1990). Box Office Mojo. [July 12, 2020].
^
Terminator 2
- Original release: Terminator 2: Judgment Day (1991). Box Office Mojo. （原始内容存档于June 26, 2017）. $519,843,345
- 3D re-release: Terminator 2: Judgment Day (1991). Box Office Mojo. [September 20, 2017].
^ Ansen, David. Conan The Humanitarian. Newsweek. July 8, 1991 [September 19, 2013].
^ Aladdin (1992). Box Office Mojo. [September 17, 2023].
^ ^410.0 ^410.1
Jurassic Park
- Pre-2022 releases: Jurassic Park (1993). Box Office Mojo. [March 7, 2022]. （原始内容存档于January 26, 2021）. Worldwide: $1,033,928,303; Original Release: $912,667,947; Production Budget: $63 million
- 2022 re-release: Jurassic Park (2022 Re-release). Box Office Mojo. [July 1, 2022]. Mexico: $270,700
- 2023 re-release: Jurassic Park (2023 Re-release). Box Office Mojo. [September 8, 2023]. $3,336,227
- As of 2010: Block & Wilson 2010，第756–757頁. "Production Cost: $70.0 (Unadjusted $s in Millions of $s) ... Jurassic Park was a smash at the box office, bringing in $920 million in worldwide box office and spawning two sequels."
^
The Lion King
- Total: The Lion King (1994). Box Office Mojo. [July 28, 2024]. Worldwide: $970,707,763; Production Budget: $45 million
- Lifetime grosses (US & Canada): The Lion King (1994) – Release Summary. Box Office Mojo. [May 29, 2016]. Initial: $312,855,561; IMAX: $15,686,215; 3D: $94,242,001
- Lifetime grosses (outside U.S. & Canada): Brevert, Brad. 'X-Men' & 'Alice' Lead Soft Memorial Day Weekend; Disney Tops $4 Billion Worldwide. Box Office Mojo. May 29, 2016 [May 29, 2016]. ...the original release of The Lion King made $450.6 million internationally, an additional $3.8 million with the 2002 IMAX reissue, and another $91.3 million from 2011's 3D reissue for an international total of $545.7 million.
- As of 2010: Block & Wilson 2010，第764頁. "Production Cost: $79.3 (Unadjusted $s in Millions of $s)."
^
Toy Story
- Total: Toy Story (1995). Box Office Mojo. [November 16, 2014]. Worldwide: $373,554,033
- 3D release: Toy Story in 3D (2009). Box Office Mojo. [November 16, 2014]. Foreign Total: $8,680,257
^ Block & Wilson 2010，第776頁. "Production Cost: $30.0 (Unadjusted $s in Millions of $s)"
^ Die Hard with a Vengeance (1995). Box Office Mojo. [September 17, 2023].
^ Finler 2003，第123頁.
^ Independence Day (1996). Box Office Mojo. [September 13, 2009].
^ Armageddon (1998). Box Office Mojo. [January 18, 2023].
^ Block & Wilson 2010，第509頁. "Production Cost: $140.0 (Unadjusted $s in Millions of $s)."
^
Star Wars Episode I: The Phantom Menace
- Total: Star Wars: Episode I – The Phantom Menace (1999). Box Office Mojo. [June 2, 2024]. $1,046,515,409
- Original release: Star Wars: Episode I – The Phantom Menace (1999). Box Office Mojo. [November 8, 2012]. （原始内容存档于July 19, 2011）. $924,317,558
^ Mission: Impossible II. Box Office Mojo. [September 17, 2023].
^
Harry Potter and the Philosopher's Stone
- Total: Harry Potter and the Sorcerer's Stone (2001). Box Office Mojo. [January 20, 2021].
^ The Lord of the Rings: The Two Towers. Box Office Mojo. [December 20, 2023]. Worldwide: $948,945,489; Original Release: $936,689,735
^ The Lord of the Rings: The Return of the King. Box Office Mojo. Worldwide: ; Original Release: 缺少或|url=为空 (帮助)
^ Shrek 2 (2002). Box Office Mojo. [February 4, 2025].
^
Harry Potter and the Goblet of Fire
- Total: Harry Potter and the Goblet of Fire (2005). Box Office Mojo. [June 15, 2020].
^ Pirates of the Caribbean: Dead Man's Chest (2006). Box Office Mojo. [January 18, 2023].
^ Pirates of the Caribbean: At World's End (2007). Box Office Mojo. [January 18, 2023].
^
The Dark Knight
- Total: The Dark Knight (2008). Box Office Mojo. [November 29, 2023]. （原始内容存档于November 14, 2023）.
- Original release (excluding 2009 IMAX reissue): The Dark Knight. The Numbers. Nash Information Services. LLC. [October 28, 2012]. （原始内容存档于February 8, 2009）. North America: $531,039,412 (as of January 22, 2009); Overseas: $466,000,000; IMAX re-release: January 23, 2009
- 2009 IMAX re-release: Warner Bros. Entertainment Wraps Record-Breaking Year. Warner Bros. January 8, 2009 [April 22, 2016]. With worldwide receipts of $997 million, "The Dark Knight" is currently fourth on the all-time box office gross list, and the film is being re-released theatrically on January 23.
- First-run gross and IMAX reissue: Gray, Brandon. Billion Dollar Batman. Box Office Mojo. February 20, 2009 [June 7, 2014]. The Dark Knight had been hovering just shy of $1 billion for several months and reportedly sat at $997 million when Warner Bros. modestly relaunched it on Jan. 23, timed to take advantage of the announcement of the Academy Awards nominations on Jan. 22.
^ Toy Story 3 (2010). Box Office Mojo. [January 18, 2023]. （原始内容存档于January 6, 2023）.
^
Harry Potter and the Deathly Hallows – Part 2
- Total: Harry Potter and the Deathly Hallows Part 2 (2011). Box Office Mojo. [November 29, 2023].
- Production cost: Frankel, Daniel. Get Ready for the Biggest 'Potter' Opening Yet. The Wrap. November 17, 2010 [August 27, 2011]. （原始内容存档于November 20, 2010）.
^ 引证警告：name（名称）为avengers的<ref>标签无法预览，因为它定义在当前章节之外，或根本没有定义。
^
Frozen
- Frozen (2013) – International Box Office Results. Box Office Mojo. （原始内容存档于August 9, 2014）. Worldwide – $1,274,219,009 (total as of August 8, 2014; including Japanese gross up to August 3, Spanish gross up to July 27, UK gross up to June 8, German gross up to March 30, and omitting Nigerian gross)
- Frozen (2013) – International Box Office Results: Japan. Box Office Mojo. [September 3, 2014].
Total as of August 3, 2014: $247,650,477

Total as of August 31, 2014: $249,036,646
- Frozen (2013) – International Box Office Results: Nigeria. Box Office Mojo. [September 3, 2014].
Total as of August 17, 2014: $167,333
- Frozen (2013) – International Box Office Results: Spain. Box Office Mojo. [November 6, 2014].
Total as of July 27, 2014: $21,668,593

Total as of November 2, 2014: $22,492,845
- Frozen (2013) – International Box Office Results: United Kingdom. Box Office Mojo. [March 30, 2016].
Total as of June 8, 2014: £39,090,985

Total as of November 30, 2014: £40,960,083 ($1 = £0.63866)

Total as of December 7, 2014: £41,087,765 ($1 = £0.64136)

Total as of December 14, 2014: £41,170,608 ($1 = £0.636)

Total as of November 26, 2017: £42,840,559 ($1 = £0.7497)

Total as of December 3, 2017: £42,976,318 ($1 = £0.742)
- Frozen (2013) – International Box Office Results: Germany. Box Office Mojo. [March 30, 2016].
Total as of March 30, 2014: €35,098,170

Total as of October 18, 2015: €42,526,744
nb. the exact euro to dollar conversion rate is unknown for earnings since April 2014, but the euro never fell below parity with the dollar during 2014 and 2015 (as can be verified by comparing the exchange rate on the individual date entries at the provided reference) so an approximate conversion rate of €1: $1 is used here to give a lower-bound.
^ 引证警告：name（名称）为transformers的<ref>标签无法预览，因为它定义在当前章节之外，或根本没有定义。
^ 引证警告：name（名称）为civil war的<ref>标签无法预览，因为它定义在当前章节之外，或根本没有定义。
^ 引证警告：name（名称）为sw8的<ref>标签无法预览，因为它定义在当前章节之外，或根本没有定义。
^ Rubin, Rebecca. 'Avengers: Infinity War' Officially Lands Biggest Box Office Opening of All Time. Variety. April 30, 2018 [May 14, 2018]. （原始内容存档于May 2, 2018）.
^ Kimetsu no Yaiba: Mugen Ressha-Hen (2020) at The Numbers. Nash Information Services, LLC. Retrieved November 13, 2023.
^ Rubin, Rebecca. Box Office Preview: Spider-Man: No Way Home Eyes Mighty, Massive, Marvelous $150 Million-Plus Debut. Variety. December 14, 2021 [December 14, 2021]. （原始内容存档于December 14, 2021）.
^ McClintock, Pamela. Box Office: 'Avatar: The Way of Water' Lands Coveted China Release. The Hollywood Reporter. November 22, 2022 [January 10, 2023].
^ Anthony D'Alessandro. 'Avatar: The Way Of Water' Opens To $134M; Why Pic's Box Office Fate Will Be Determined Through The Holidays – Sunday AM Update. Deadline. December 18, 2022 [January 10, 2023].
^ 引证警告：name（名称）为Barbie的<ref>标签无法预览，因为它定义在当前章节之外，或根本没有定义。
^ D'Alessandro, Anthony. Box Office: Barbie Still Gorgeous With Best YTD $155M Opening; 'Oppenheimer' Ticking To $80M+ In Incredible $300M+ U.S. Box Office Weekend – Sunday AM Update. Deadline Hollywood. July 23, 2023 [July 23, 2023]. （原始内容存档于July 21, 2023）.
^ Paskin, Willa. Greta Gerwig's 'Barbie' Dream Job. The New York Times Magazine. July 11, 2023 [July 11, 2023]. （原始内容存档于July 11, 2023）.
^ Rubin, Rebecca. Box Office: Inside Out 2 Aims to Reverse Pixar's Woes With $85 Million Debut. Variety. June 11, 2024 [June 23, 2024].
^ Show Business: Record Wind. Time. February 19, 1940 [January 19, 2013]. （原始内容存档于February 2, 2010）.
^ Thomas, Bob. Movie Finances Are No Longer Hidden From Scrutiny. The Robesonian. Associated Press. August 1, 1963: 10.
^ The Atlantic Monthly 231. 1973: 2. As of the end of 1971, GWTW stood as the all-time money-drawing movie, with a take of $116 million, and, with this year's reissues, it should continue to run ahead of the second place contender and all-time kaffee-mit-schlag spectacle.
^ New Times 2. 1974. Coppola is King Midas, the most individually powerful U.S. filmmaker ." His credits include directing the first Godfather (worldwide earnings: $142 million, ahead of Gone with the Wind, The Sound of Music and The Exorcist)... (Online copy at Google Books)
^ Harmetz, Aljean. The Saga Beyond 'Star Wars'. New York Times. May 18, 1980 [January 30, 2012]. （原始内容存档于May 20, 2013）. "Star Wars" has brought 20th Century-Fox approximately $250 million in film rentals ... "Star Wars" grossed $410 million, and his share was enough to allow him to finance its sequel, "The Empire Strikes Back," himself.
^ Jurassic Park (1993) – Miscellaneous notes. Turner Classic Movies. [July 9, 2011].

考慮通貨膨脹的列表、年度最高票房紀錄列表

^ ^1.0 ^1.1 ^1.2 Pincus-Roth, Zachary. Movies aren't the only B.O. monsters. Variety. 2006-01-08 [2014-02-02]. （原始内容存档于2021-04-20）.
^ Avatar – Video Sales. The Numbers. Nash Information Services. [2013-11-12]. （原始内容存档于2018-11-25）.
^ Unkind unwind. The Economist. 2011-03-17 [2022-04-06]. （原始内容存档于2017-09-04）.
^ Vogel, Harold L. Entertainment Industry Economics: A Guide for Financial Analysis. Cambridge University Press. 2010: 224. ISBN 978-1-107-00309-5. Most pictures would likely receive 20% to 25% of theatrical box office gross for two prime-time network runs.
^ Clark, Emma. How films make money. BBC News. 2001-11-12 [2012-04-12]. （原始内容存档于2017-09-08）.
^ Seymour, Lee. Over The Last 20 Years, Broadway's 'Lion King' Has Made More Money For Disney Than 'Star Wars'. Forbes. 2017-12-18 [2019-07-28]. （原始内容存档于2023-06-10）.
^ The Entertainment Glut. Bloomberg. 1998-02-15 [2022-04-06]. （原始内容存档于2017-10-12）.
^ Pixar – Worldwide (Unadjusted). Box Office Mojo. [2012-04-12]. （原始内容存档于2019-08-29）.
^ Szalai, Georg. Disney: 'Cars' Has Crossed $8 Billion in Global Retail Sales. The Hollywood Reporter. 2011-02-14 [2022-04-06]. （原始内容存档于2011-03-19）.
^ Chmielewski, Dawn C.; Keegan, Rebecca. Merchandise sales drive Pixar's 'Cars' franchise. Los Angeles Times. 2011-06-21 [2012-04-12]. （原始内容存档于2013-07-09）.
^ Palmeri, Christopher; Sakoui, Anousha. More Disney Fun and Games With 'Toy Story 4' in 2017. Bloomberg News. 2014-11-07 [2015-06-30]. （原始内容存档于2015-07-05）.
^ Titanic (1997). Box Office Mojo. [October 27, 2019] –通过Wayback Machine.
^ Titanic (1997). Box Office Mojo. [October 30, 2020] –通过Wayback Machine.
^ Titanic (1997). Box Office Mojo. [October 26, 2021] –通过Wayback Machine.
^ Titanic (1997). Box Office Mojo. [February 5, 2023] –通过Wayback Machine.
^ Titanic. The Numbers. [September 2, 2014] –通过Wayback Machine.
^ Titanic. The Numbers. [September 13, 2014] –通过Wayback Machine.
^ The Fate of the Furious (2017) – International Box Office Results: Argentina. Box Office Mojo. [January 11, 2018].
^ Pixar Movies at the Box Office. Box Office Mojo. （原始内容存档于August 16, 2016）.
^ Pixar Movies at the Box Office. Box Office Mojo. （原始内容存档于August 20, 2016）.
^ ^21.0 ^21.1 Bialik, Carl. How Hollywood Box-Office Records Are Made. The Wall Street Journal. January 29, 2010 [August 9, 2011]. （原始内容存档于November 1, 2011）.
^ ^22.0 ^22.1 Pincus-Roth, Zachary. Best Weekend Never. Slate. July 6, 2009 [April 6, 2022]. （原始内容存档于April 6, 2022）.
^ ^23.0 ^23.1 Anderson, S. Eric; Albertson, Stewart; Shavlick, David. How the motion picture industry miscalculates box office receipts. Proceedings of the Midwest Business Economics Association. Loma Linda University. March 2004 [April 8, 2013]. （原始内容 (DOC)存档于October 29, 2013）.
^ Gray, Brandon. 'Avatar' Claims Highest Gross of All Time. Box Office Mojo. [April 6, 2022]. （原始内容存档于February 7, 2010）.
^ ^25.0 ^25.1 Bialik, Carl. What It Takes for a Movie to Be No. 1. The Wall Street Journal. January 30, 2010 [August 9, 2011]. （原始内容存档于December 18, 2018）.
^ Kolesnikov-Jessop, Sonia. Hollywood Presses Its Global Agenda. The New York Times. May 22, 2011 [January 4, 2012]. （原始内容存档于December 18, 2018）.
^ Hoad, Phil. The rise of the international box office. The Guardian. August 11, 2011 [January 4, 2012]. （原始内容存档于June 29, 2023）.
^ Frankel, Daniel. Why the Foreign Box Office Leads: 'Fast Five,' 'Thor' Open Overseas First. The Wrap. May 1, 2011 [April 6, 2022]. （原始内容存档于January 9, 2019）.
^ ^29.0 ^29.1 Bialik, Carl. Box-Office Records Are the Stuff of 'Legend'. The Wall Street Journal. December 17, 2007 [August 10, 2011]. （原始内容存档于October 29, 2013）.
^ ^30.0 ^30.1 Leonhardt, David. Why 'Avatar' Is Not the Top-Grossing Film. The New York Times. March 1, 2010 [April 7, 2013]. （原始内容存档于October 16, 2021）.
^ ^31.0 ^31.1 Miller, Frank; Stafford, Jeff. Gone With the Wind (1939) – Articles. Turner Classic Movies. January 5, 2007. （原始内容存档于September 26, 2013）.
^ ^32.0 ^32.1 Shone, Tom. Oscars 2010: How James Cameron took on the world. The Daily Telegraph. February 3, 2010 [March 22, 2012]. （原始内容存档于January 10, 2022）.
^ Hill, George F. Gone With The Wind, Indeed. The Washington Post. June 25, 2006. （原始内容存档于December 27, 2018）.
^ ^34.0 ^34.1 Guinness World Records 60 2015. Guinness World Records. 2014: 160–161. ISBN 978-1-908843-70-8.
^ World Economic Outlook: Inflation rate, end of period consumer prices. International Monetary Fund. [June 16, 2024]. （原始内容存档于May 10, 2019）.
^ Gone with the Wind (2019 Re-release). Box Office Mojo. [June 16, 2024]. Gross: $2,176,120
^ Avatar (2009). Box Office Mojo. [September 10, 2022]. （原始内容存档于May 3, 2021）. 2020 Re-release: $1,281,204; 2021 Re-release: $57,995,770; 2022 Re-release: $76,012,917
^ Glenday, Craig (编). Гиннесс. Мировые рекорды [Guinness World Records]. 由Andrianov, P.I.; Palova, I.V.翻译 2012. Moscow: Astrel. 2011: 211. ISBN 978-5-271-36423-5 （俄语）.
^ Titanic 3D (2012) – International Box Office results. Box Office Mojo. [November 25, 2012]. （原始内容存档于October 27, 2019）. $343,550,770
^ Titanic (1997). Box Office Mojo. [November 25, 2012]. 2017 Re-release: $691,642; 2020 Re-release: $71,352; 25 Year Anniversary: $70,157,472
^ E.T. the Extra-Terrestrial (1982). Box Office Mojo. [June 16, 2024]. 2020 Re-release: $516,969; 2022 Re-release: $2,834,590
^ ^42.0 ^42.1 Cones, John W. The feature film distribution deal: a critical analysis of the single most important film industry agreement. Southern Illinois University Press. 1997: 41. ISBN 978-0-8093-2082-0. Distributor rentals: It is also important to know and recognize the difference between the distributor's gross receipts and the gross rentals. The term "rentals" refers to the aggregate amount of the film distributor's share of monies paid at theatre box offices computed on the basis of negotiated agreements between the distributor and the exhibitor. Note that gross receipts refers to amounts actually received and from all markets and media, whereas gross rentals refers to amounts earned from theatrical exhibition only, regardless of whether received by the distributor. Thus, gross receipts is the much broader term and includes distributor rentals. The issue of film rentals (i.e., what percentage of a film's box office gross comes back to the distributor) is of key importance...More current numbers suggest that distributor rentals for the major studio/distributor released films average in the neighborhood of 43% of box office gross. Again, however, such an average is based on widely divergent distributor rental ratios on individual films.
^ Marich, Robert. Marketing to moviegoers: a handbook of strategies used by major studios and independents 2. Southern Illinois University Press. 2009: 252 [1st. pub. Focal Press:2005]. ISBN 978-0-8093-2884-0. Rentals are the distributors' share of the box office gross and typically set by a complex, two-part contract.
^ Balio, Tino. The American film industry. University of Wisconsin Press. 2005: 296. ISBN 978-0-299-09874-2. Film Rentals as Percent of Volume of Business (1939): 36.4
^ Balio, Tino. United Artists: the Company that Changed the Film Industry. University of Wisconsin Press. 1987: 124–125. ISBN 978-0-299-11440-4. To rekindle interest in the movies, Hollywood not only had to compete with television but also with other leisure-time activities...Movies made a comeback by 1955, but audiences had changed. Moviegoing became a special event for most people, creating the phenomenon of the big picture.
^ Hall & Neale 2010，第179. "Later epics proved far more disastrous for the backers. Samuel Bronston's The Fall of the Roman Empire, filmed in Spain, cost $17,816,876 and grossed only $1.9 million in America. George Stevens's long-gestating life of Christ, The Greatest Story Ever Told (1965), which had been in planning since 1954 and in production since 1962, earned domestic rentals of $6,962,715 on a $21,481,745 negative cost, the largest amount yet spent on a production made entirely within the United States. The Bible: In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."頁
^ Williams, Trey. Ridley Scott's latest 'Alien' announcement drives Hollywood's sequel problem. MarketWatch. September 25, 2015 [May 12, 2016]. （原始内容存档于June 8, 2016）.
^ Yearly Box Office. Box Office Mojo. [January 6, 2012]. （原始内容存档于July 29, 2015）.
^ Movie Index By Year. The Numbers. Nash Information Services. LLC. [January 6, 2012]. （原始内容存档于December 21, 2011）.
^ Dirks, Tim. All-Time Box-Office Hits By Decade and Year. Filmsite.org. American Movie Classics. [January 5, 2012].
^ Griffith's 20 Year Record. Variety. September 5, 1928: 12 [March 21, 2023].
^ Schickel, Richard. D. W. Griffith: An American Life. Limelight Series. Hal Leonard Corporation. 1996: 326. ISBN 978-0-87910-080-3. ...there exists a very precise production accountant's statement, drawn up some time after the picture was finished, previews had been held and release prints struck. This document shows that the negative cost of the picture was precisely $385,906.77...
^ 20,000 Leagues Under the Sea. The Numbers. Nash Information Services. [January 5, 2012].
^ ^54.0 ^54.1 Finler 2003，第358頁
^ Milwaukee Magazine 32. 2007. The year's top–grossing movie, Aloma made $3 million in the first three months and brought Gray back to Milwaukee for its opening at the Wisconsin Theatre. |issue=被忽略 (帮助)
^ Parkinson, David. The Rough Guide to Film Musicals. Dorling Kindersley. 2007: 28. ISBN 978-1-84353-650-5. But they had previously succeeded in showing how musicals could centre on ordinary people with Sunny Side Up (1929), which had grossed $2 million at the box office and demonstrated a new maturity and ingenuity in the staging of story and dance.
^ ^57.0 ^57.1 Hall & Neale 2010，第6–7頁. "For similar reasons of accountability, Variety has typically used figures for domestic (U.S. and Canadian) rather than worldwide revenue. This became its standard policy in 1940, when the advent of war in Europe persuaded the American film industry (temporarily, as it turned out) that it should be wholly reliant on the home market for profitability. Where specific rentals data are reported in Variety before this (which tended to be only sporadically) they were often for worldwide rather domestic performance. This was also the case with other trade sources, such as Quigley's annual Motion Picture Almanac, which published its own all-time hits lists from the early 1930s onward. The subsequent confusion of domestic and worldwide figures, and of rental and box-office figures, has plagued many published accounts of Hollywood history (sometimes including those in Variety itself), and we have attempted to be diligant in clarifying the differences between them."
^ McBride, Joseph. Frank Capra: The Catastrophe of Success. University Press of Mississippi. 2011: 309. ISBN 978-1-60473-838-4. According to the studio's books It Happened One Night brought in $1 million in film rentals during its initial release, but as Joe Walker pointed out, the figure would have been much larger if the film had not been sold to theaters on a block-booking basis in a package with more than two dozen lesser Columbia films, and the total rentals of the package spread among them all, as was customary in that era, since it minimized the risk and allowed the major studios to dominate the marketplace.
^ Shearer, Lloyd. GWTW: Supercolossal Saga of an Epic. The New York Times. October 26, 1947 [July 14, 2012].
^ Cinema: The Big Grossers. Time. February 2, 1953 [September 15, 2012]. （原始内容存档于December 22, 2008）.
^ Block & Wilson 2010，第129頁. "Domestic Rentals: $30,015,000 (61%); Foreign Rentals: $18,964,000 (39%)...Gone with the Wind includes initial release plus four rereleases (1941,1942,1947 and 1954) since foreign rental revenues were available only cumulative through 1956."
^ McDermott, Christine, Life with Father: 307, 2010, No matter what the billing, the movie became a worldwide hit with $6.5 million in worldwide rentals, from Pappa och vi in Sweden to Vita col padre in Italy, although it booked a net loss of $350,000. In: Block & Wilson 2010.
^ Mulligan, Hugh A. Cinerama Pushing Ahead As Biggest Money-Maker. The Register-Guard（英语：The Register-Guard） (Eugene, Oregon). September 23, 1956: 7B.
^ Hall & Neale 2010，第145頁. "The commercial success of the five Cinerama travelogues, which earned an aggregate worldwide box-office gross of $120 million by 1962 (including $82 million in the United States and Canada), nevertheless demonstrated to the mainstream industry the market value of special screen formats."
^ ^65.0 ^65.1 ^65.2 ^65.3 ^65.4 ^65.5 Dirks, Tim. Top Films of All-Time: Part 1 – Box-Office Blockbusters. Filmsite.org. [August 11, 2010].
^ ^66.0 ^66.1 Wasko, Janet. D.W. Griffiths and the banks: a case study in film financing. Kerr, Paul (编). The Hollywood Film Industry: A Reader. Routledge. 1986: 34. ISBN 978-0-7100-9730-9. Various accounts have cited $15 to $18 million profits during the first few years of release, while in a letter to a potential investor in the proposed sound version, Aitken noted that a $15 to $18 million box-office gross was a 'conservative estimate'. For years Variety has listed The Birth of a Nation's total rental at $50 million. (This reflects the total amount paid to the distributor, not box-office gross.) This 'trade legend' has finally been acknowledged by Variety as a 'whopper myth', and the amount has been revised to $5 million. That figure seems far more feasible, as reports of earnings in the Griffith collection list gross receipts for 1915–1919 at slightly more than $5.2 million (including foreign distribution) and total earnings after deducting general office expenses, but not royalties, at about $2 million.
^ Biggest Money Pictures. Variety. June 21, 1932: 1 –通过Archive.org. Cited in Biggest Money Pictures. Cinemaweb. [June 25, 2015]. （原始内容存档于November 5, 2011）.
^ 'Peter Pan' flies again. Daily Record (Ellensburg, Washington). United Press International. July 21, 1989: 16.
^ Block & Wilson 2010，第237頁. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur".
^ Finler 2003，第47頁. "Walt Disney took a big risk when he decided to invest $1.5 million in his first feature-length animated film, Snow White and the Seven Dwarfs. It became the biggest hit of the sound era and the largest-grossing movie since The Birth of a Nation – until the release of independent producer David O. Selznick's Gone with the Wind just two years later."
^ Barrios, Richard. A Song in the Dark: The Birth of the Musical Film. Oxford University Press. 1995: 49. ISBN 978-0-19-508811-3. Since it's rarely seen today, The Singing Fool is frequently confused with The Jazz Singer; although besides Jolson and a pervasively maudlin air the two have little in common. In the earlier film Jolson was inordinately attached to his mother and sang "Mammy"; here the fixation was on his young son, and "Sonny Boy" became an enormous hit. So did the film, which amassed a stunning world-wide gross of $5.9 million...Some sources give it as the highest gross of any film in its initial release prior to Gone with the Wind. This is probably overstating it—MGM's records show that Ben-Hur and The Big Parade grossed more, and no one knows just how much The Birth of a Nation brought in. Still, by the standards of the time it's an amazing amount.
^ Everson, William K. American silent film. Da Capo Press. 1998: 374 [First published 1978]. ISBN 978-0-306-80876-0. Putting The Birth of a Nation in fifth place is open to question, since it is generally conceded to be the top-grossing film of all time. However, it has always been difficult to obtain reliable box-office figures for this film, and it may have been even more difficult in the mid-1930s. After listing it until the mid-1970s as the top-grosser, though finding it impossible to quote exact figures, Variety, the trade journal, suddenly repudiated the claim but without giving specific details or reasons. On the basis of the number of paid admissions, and continuous exhibition, its number one position seems justified.
^ Hall & Neale 2010，第163頁. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era."
^ ^74.0 ^74.1 du Brow, Rick. Documentary On The Klan Made Quite An Impact On Du Brow. The Columbus Dispatch. September 22, 1965: 12.
^ Hodgkinson, Will. Culture quake: The Birth of a Nation. The Daily Telegraph. April 12, 2004 [January 31, 2012]. （原始内容存档于January 10, 2022）.
^ Thomas, Bob. 'West Side Story' Earned $19 Million Last Year. Reading Eagle. Associated Press. January 18, 1963: 20.
^ Klopsch, Louis; Sandison, George Henry; Talmage, Thomas De Witt. Christian Herald 88. 1965: 68. Yet "The Ten Commandments" has earned 58 million dollars in film rentals and is expected to bring in 10 to 15 million each year it is reissued.
^ Hall & Neale 2010，第160–161頁. "General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."
^ Oviatt, Ray. The Memory Isn't Gone With The Wind. Toledo Blade. April 16, 1961: 67–68.
^ Ben-Hur (1959) – Notes. Turner Classic Movies. [November 17, 2012].
^ Thomas, Bob. Movie Finances Are No Longer Hidden From Scrutiny. The Robesonian. Associated Press. August 1, 1963: 10.
^ Block & Wilson 2010，第324頁. "Worldwide rentals: $66.1 million (initial release)"
^ Washington (AP). 'Deep Throat' star against pornography. The Free Lance–Star. September 13, 1984: 12.
^ Hiltzik, Michael. 'Deep Throat' Numbers Just Don't Add Up. Los Angeles Times. February 24, 2005 [February 2, 2012].
^ Memphis (UPI). 'Deep Throat' Defendant Found Guilty of Conspiring. The Palm Beach Post. May 1, 1976: A2.
^ Ebert, Roger. Inside Deep Throat. rogerebert.com. Chicago Sun-Times. February 11, 2005 [February 2, 2012]. （原始内容存档于June 6, 2011）.
^ Bartel, Pauline. The Complete Gone with the Wind Trivia Book: The Movie and More. Taylor Trade Publishing. 1989: 127. ISBN 978-0-87833-619-7. At the end of the 1941 general release, MGM decided to withdraw GWTW again. The prints were battered, but the studio believed one final fling for GWTW was possible. The film returned to movie theaters for the third time in the spring of 1942 and stayed in release until late 1943 ... When MGM finally pulled the film from exhibition, all worn-out prints were destroyed, and GWTW was at last declared out of circulation. MGM, which by then had sole ownership of the film, announced that GWTW had grossed over $32 million.
^ Dick, Bernard F. City of Dreams: The Making and Remaking of Universal Pictures. University Press of Kentucky. 1997: 168. ISBN 978-0-8131-2016-4. Jaws (1975) saved the day, grossing $104 million domestically and $132 million worldwide by January 1976.
^ Kilday, Gregg. Director of 'Jaws II' Abandons His 'Ship'. The Victoria Advocate. July 5, 1977: 6B.
^ New York (AP). Scariness of Jaws 2 unknown quantity. The StarPhoenix. May 26, 1978: 21.
^ Fenner, Pat C. Independent Action. {Evening Independent. January 16, 1978: 11-A.
^ Cook, David A. Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970–1979. 9 of History of the American Cinema, Charles Harpole. University of California Press. 2002: 50. ISBN 978-0-520-23265-5. The industry was stunned when Star Wars earned nearly $3 million in its first week and by the end of August had grossed $100 million; it played continuously throughout 1977–1978, and was officially re-released in 1978 and 1979, by the end of which it had earned $262 million in rentals worldwide to become the top-grossing film of all time – a position it would maintain until surpassed by Universal's E.T.: The Extra-Terrestrial in January 1983.
^ Titanic sinks competitors without a trace. BBC News (BBC). February 25, 1998 [August 13, 2010].
^ Cieply, Michael. He Doth Surpass Himself: 'Avatar' Outperforms 'Titanic'. The New York Times. January 26, 2010 [January 27, 2010].
^ Segers, Frank. 'Avatar' breaks 'Titanic' worldwide record. The Hollywood Reporter. January 25, 2010 [December 4, 2010].
^ Whitten, Sarah. 'Avengers: Endgame' is now the highest-grossing film of all time, dethroning 'Avatar'. CNBC. July 21, 2019 [July 21, 2019]. （原始内容存档于July 21, 2019）.
^ Robbins, Shawn. Avengers: Endgame Surpasses Avatar As #1 Global Release of All Time on Saturday. BoxOffice. July 20, 2019 [July 24, 2019]. （原始内容存档于July 24, 2019）.
^ Tartaglione, Nancy. 'Avatar' Overtakes 'Avengers: Endgame' As All-Time Highest-Grossing Film At Global Box Office; China Reissue Growing. Deadline Hollywood. March 13, 2021 [March 13, 2021].
^ Box Office History for James Bond Movies. The Numbers. Nash Information Services. [January 4, 2012].
^ Box Office History for Star Wars Movies. The Numbers. Nash Information Services. [January 4, 2012].
^ Indiana Jones – Worldwide (Unadjusted). Box Office Mojo. [January 6, 2012].
^ Anderson, Dave. Bayonne Bleeder Throws a Punch at the Italian Stallion. The New York Times. November 16, 2003 [January 4, 2012].
^ Schneiderman, R. M. Stallone Settles With The 'Real' Rocky. Forbes. August 10, 2006 [January 4, 2012].
^ Poller, Kenneth G. Charles Wepner v. Sylvester Stallone (PDF). Mango & Iacoviello. November 12, 2003 [January 4, 2012]. （原始内容 (PDF)存档于October 29, 2013）.
^ Batman – Worldwide (Unadjusted) & Batman: Mask of the Phantasm. Box Office Mojo. [January 6, 2012].
^ Jurassic Park – Worldwide (Unadjusted). Box Office Mojo. [January 6, 2012].
^ Box Office History for Star Trek Movies. The Numbers. Nash Information Services. [January 4, 2012].
^ Movie Franchises. The Numbers. Nash Information Services. [December 11, 2024].
^ The Economist online. Pottering on, and on. The Economist. July 11, 2011. （原始内容存档于July 11, 2011）.
^ Nevins, Jess. A Brief History of the Crossover. io9. August 23, 2011 [July 19, 2018].
^ Nevins, Jess. The First Shared Universes. io9. September 9, 2011 [July 19, 2018].
^ How 'Spectre' May Stack Up With 'Thunderball' as a James Bond Blockbuster. The New York Times. November 6, 2015 [January 7, 2018].

電影系列

^§ Franchise Index. Box Office Mojo. [April 23, 2015].
復仇者聯盟
- Avengers – Worldwide (Unadjusted). Box Office Mojo. [October 12, 2015].
蝙蝠侠
- Batman – Worldwide (Unadjusted) & Batman: Mask of the Phantasm. Box Office Mojo. [July 26, 2016].
- Fathom events
  - 蝙蝠侠（英国）：Batman (1989) 30th Anniversary. Box Office Mojo. [May 25, 2019]. UK: $48,482
  - 蝙蝠侠归来（英国）：Batman Returns (Event). Box Office Mojo. [May 25, 2019]. UK: $10,057
  - 永远的蝙蝠侠：Batman Forever (Fathom Event). Box Office Mojo. [May 25, 2019]. US: $38,014; UK: $373
  - 蝙蝠侠与罗宾：Batman and Robin (Fathom Event). Box Office Mojo. [May 25, 2019]. US: $28,597; UK: $196
- 蝙蝠侠（1966）– Silverman, Stephen M. Breakeven for Feature Productions: 1966 Releases. The Fox That Got Away: The Last Days of the Zanuck Dynasty at Twentieth Century-Fox. L. Stuart. 1988: 325. ISBN 978-0-8184-0485-6.
- Catwoman (2004). Box Office Mojo. [July 22, 2012].
- Batman: Return of the Caped Crusaders. The Numbers. [December 17, 2016].
- Batman and Harley Quinn (2017). The Numbers. [August 22, 2017].
- Joker (2019). Box Office Mojo. [November 11, 2019].
DC擴展宇宙
- DC Extended Universe – Worldwide (Unadjusted). Box Office Mojo. [May 8, 2019].
神偷奶爸
- Despicable Me (Unadjusted). Box Office Mojo. [November 4, 2015].
玩命關頭
- The Fast and the Furious – Worldwide (Unadjusted). Box Office Mojo. [October 23, 2019].
- The Fate of the Furious (2017). Box Office Mojo. （原始内容存档于August 22, 2017）.
魔法世界
- J.K. Rowling's Wizarding World – Worldwide (Unadjusted). Box Office Mojo. [November 17, 2016].
詹姆斯·邦德
- James Bond – Worldwide (Unadjusted). Box Office Mojo. [April 17, 2016]. （布鲁斯南和克雷格）
- Block & Wilson 2010，第428–429頁. "James Bond Franchise Films: All-Release Worldwide Box Office."（康纳利、拉辛比、摩尔和道尔顿）
- Never Say Never Again (1983). The Numbers. Nash Information Services. [November 25, 2012].
- Casino Royale (1967). The Numbers. Nash Information Services. [January 6, 2012].
- Casino Royale (Secret Cinema 2019). Box Office Mojo. [June 16, 2019].
侏羅紀公園
- Jurassic Park – Worldwide (Unadjusted). Box Office Mojo. [November 25, 2018].
- Jurassic Park (2011 re-release). Box Office Mojo. [January 17, 2015]. United Kingdom: $786,021
漫威电影宇宙
- Marvel Cinematic Universe – Worldwide (Unadjusted). Box Office Mojo. [June 19, 2016].
中土大陸
- Middle Earth – Worldwide (Unadjusted). Box Office Mojo. [November 18, 2016].
- The Lord of the Rings: The Fellowship of the Ring (2017 re-release). Box Office Mojo. [February 6, 2017].
- The Lord of the Rings: The Two Towers (2017 re-release). Box Office Mojo. [February 6, 2017].
- The Lord of the Rings: The Return of the King (2017 re-release). Box Office Mojo. [February 6, 2017].
- The Lord of the Rings – Worldwide (Unadjusted) & The Lord of the Rings (1978). Box Office Mojo. [April 23, 2015].
不可能的任務
- Mission: Impossible – Worldwide (Unadjusted). Box Office Mojo. [November 4, 2015].
加勒比海盗
- Pirates of the Caribbean – Worldwide (Unadjusted). Box Office Mojo. [January 6, 2012].
史瑞克
- Shrek – Worldwide (Unadjusted). Box Office Mojo. [December 14, 2012].
蜘蛛侠
- Spider-Man – Worldwide (Unadjusted). Box Office Mojo. [December 15, 2014].
- Spider-Man / Men in Black II. Box Office Mojo. [May 31, 2018].
- Columbia 100th Anniversary Series. Box Office Mojo. [May 5, 2024].
星際大戰
- Star Wars (1977). Box Office Mojo. [January 6, 2012].
- The Empire Strikes Back. Box Office Mojo. [October 8, 2015].
- Return of the Jedi. Box Office Mojo. [January 6, 2012].
- The Phantom Menace. Box Office Mojo. [November 25, 2012].
- Attack of the Clones. Box Office Mojo. [January 6, 2012].
- Revenge of the Sith. Box Office Mojo. [January 6, 2012].
- The Clone Wars. Box Office Mojo. [January 6, 2012].
- 迪士尼發行（2015年至今）：Star Wars – Worldwide (Unadjusted). Box Office Mojo. [October 9, 2018].
变形金刚
- Transformers – Worldwide (Unadjusted). Box Office Mojo. [May 17, 2015].
暮光之城
- Twilight – Worldwide (Unadjusted). Box Office Mojo. [May 1, 2013].
- Twilight/New Moon Combo (one-night-only). Box Office Mojo. [September 25, 2011].
X戰警
- X-Men – Worldwide (Unadjusted). Box Office Mojo. [March 12, 2017].

参考书目

Block, Alex Ben; Wilson, Lucy Autrey (编). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. 2010. ISBN 978-0-06-177889-6.
Finler, Joel Waldo. The Hollywood Story. Wallflower Press. 2003. ISBN 978-1-903364-66-6.
Hall, Sheldon; Neale, Stephen. Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. 2010. ISBN 978-0-8143-3008-1.

外部連結

不考慮通貨膨脹
1. （英文）Box Office Mojo－史上全球票房榜（页面存档备份，存于互联网档案馆）
2. （英文）The Numbers－史上全球票房排名欄（页面存档备份，存于互联网档案馆）
3. （英文）Filmsite.org（英语：Filmsite.org）－史上票房總排行百名榜（页面存档备份，存于互联网档案馆）

[563] 2015年《007：惡魔四伏》上映之前，以2015年的價格計算，《詹姆斯·邦德》系列電影的票房收入約為177億美元^[112]；加上《007：惡魔四伏》和《007：生死交戰》超過16億美元的票房收入，經通货膨胀調整後，該系列電影至少賺了193億美元。

[avatar-12] 1.0 ^1.1 ^1.2 ^1.3 Avatar (2009). Box Office Mojo. [2023-02-03]. （原始内容存档于2021-05-03）.

[avatar_peak-13] All Time Worldwide Box Office. Box Office Mojo. （原始内容存档于2010-11-03）.

[endgame-14] 3.0 ^3.1 ^3.2 Avengers:Endgame (2019). Box Office Mojo. [2019-04-26]. （原始内容存档于2019-06-30）.

[endgame_peak-15] 4.0 ^4.1 All Time Worldwide Box Office. Box Office Mojo. （原始内容存档于2019-10-23）.

[avatar2-16] 5.0 ^5.1 Avatar: The Way of Water (2022). Box Office Mojo. [2023-05-28].

[avatar_2_peak-17] All Time Worldwide Box Office. Box Office Mojo. （原始内容存档于2023-06-07）.

[titanic-18] 7.0 ^7.1 ^7.2 Titanic (1997). Box Office Mojo. [2023-05-22].

[titanic_peak-19] All Time Worldwide Box Office. Box Office Mojo. （原始内容存档于2001-07-16）.

[sw7-20] 9.0 ^9.1 Star Wars: The Force Awakens (2015). Box Office Mojo. [2023-02-03].

[sw7_peak-21] All Time Worldwide Box Office. Box Office Mojo. （原始内容存档于2016-04-05）.

[infinity_war-22] 11.0 ^11.1 Avengers: Infinity War (2018). Box Office Mojo. [2023-02-03].

[infinity_war_peak-23] All Time Worldwide Box Office. Box Office Mojo. （原始内容存档于2019-04-01）.

[nwh-24] 13.0 ^13.1 Spider-Man: No Way Home (2021). Box Office Mojo. [2023-01-17].

[No_Way_Home_peak-25] All Time Worldwide Box Office. Box Office Mojo. （原始内容存档于2022-07-29）.

[Ne_Zha_2-26] Ne Zha 2 (2025). The Numbers. [2025-02-22].

[Inside_Out_2-27] 16.0 ^16.1 Inside Out 2 (2024). Box Office Mojo. [2025-01-14].

[inside_out_2_peak-28] All Time Worldwide Box Office. Box Office Mojo. （原始内容存档于2024-10-10）.

[jurassic_world-29] Jurassic World (2015). Box Office Mojo. [2025-02-15].

[jurassic_world_peak-30] All Time Worldwide Box Office. Box Office Mojo. （原始内容存档于2015-11-26）.

[31] The Lion King (2019). Box Office Mojo. [2025-02-15].

[32] Marvel's The Avengers (2012). Box Office Mojo. [2021-08-30]. （原始内容存档于2022-04-02）.

[fast7-33] Furious 7 (2015). Box Office Mojo. [2023-07-31]. （原始内容存档于2022-04-02）.

[34] Top Gun: Maverick. Box Office Mojo. [2023-07-31]. （原始内容存档于2022-07-06）.

[35] Frozen II (2019). Box Office Mojo. [2023-07-31]. （原始内容存档于2022-04-02）.

[36] Barbie (2023). Box Office Mojo. [2024-07-01]. （原始内容存档于2024-11-27）.

[37] Avengers:Age of Ultron (2015). Box Office Mojo. [2023-07-31]. （原始内容存档于2017-03-14）.

[38] The Super Mario Bros. Movie (2023). Box Office Mojo. [2024-11-22]. （原始内容存档于2024-07-01）.

[39] Black Panther (2018). Box Office Mojo. [2023-07-09]. （原始内容存档于2023-05-01）.

[40] Harry Potter and the Deathly Hallows Part 2 (2011). Box Office Mojo. [2023-12-14]. （原始内容存档于2017-06-26）.

[41] Deadpool & Wolverine (2024). Box Office Mojo. [2024-12-16].

[42] Star Wars:The Last Jedi (2017). Box Office Mojo. [2023-06-19]. （原始内容存档于2017-12-19）.

[43] Jurassic World: Fallen Kingdom (2018). Box Office Mojo. [2018-06-22]. （原始内容存档于2018-06-07）.

[44] Frozen (2013). Box Office Mojo. [2023-12-14]. （原始内容存档于2014-08-12）.

[45] Iron Man 3 (2013). Box Office Mojo. [2013-05-03]. （原始内容存档于2013-10-28）.

[46] Beauty and the Beast (2017). Box Office Mojo. [2017-03-17]. （原始内容存档于2017-11-03）.

[47] Incredibles 2 (2018). Box Office Mojo. [2018-06-15]. （原始内容存档于2017-08-12）.

[48] The Fate of the Furious (2017). Box Office Mojo. [2017-04-14]. （原始内容存档于2017-06-21）.

[#-49] Minions (2015). Box Office Mojo. [2015-07-10]. （原始内容存档于2017-02-06）.

[50] Captain America: Civil War (2016). Box Office Mojo. [2016-05-06]. （原始内容存档于2017-02-25）.

[51] Aquaman (2018). Box Office Mojo. [2018-12-21]. （原始内容存档于2018-11-05）.

[52] The Lord of the Rings: The Return of the King (2003). Box Office Mojo. [2023-12-14]. （原始内容存档于2009-02-01）.

[53] Spider-Man:Far from Home. Box Office Mojo. [2019-07-02]. （原始内容存档于2019-06-09）.

[54] Captain Marvel (2019). Box Office Mojo. [2019-03-08]. （原始内容存档于2019-03-20）.

[55] Transformers: Dark of the Moon (2011). Box Office Mojo. [2011-06-29]. （原始内容存档于2012-03-02）.

[56] The Dark Knight Rises (2012). Box Office Mojo. [2023-12-14]. （原始内容存档于2022-04-02）.

[57] Skyfall (2012). Box Office Mojo. [2021-08-30]. （原始内容存档于2022-04-02）.

[58] Transformers:Age of Extinction (2014). Box Office Mojo. [2014-06-27]. （原始内容存档于2014-09-16）.

[59] Jurassic Park (1993). Box Office Mojo. [2023-12-14]. （原始内容存档于2013-01-19）.

[60] Joker (2019). Box Office Mojo. [2023-12-14]. （原始内容存档于2022-04-02）.

[61] Star Wars: The Rise Of Skywalker (2019). Box Office Mojo. [2019-12-18]. （原始内容存档于2022-04-03）.

[62] Toy Story 4 (2019). Box Office Mojo. [2019-06-21]. （原始内容存档于2019-07-02）.

[63] Toy Story 3 (2010). Box Office Mojo. [2010-06-18]. （原始内容存档于2016-08-21）.

[64] Pirates of the Caribbean: Dead Man's Chest (2006). Box Office Mojo. [2006-07-07]. （原始内容存档于2009-02-01）.

[65] Rogue One:A Star Wars Story (2016). Box Office Mojo. [2016-12-16]. （原始内容存档于2017-01-19）.

[66] Aladdin (2019). Box Office Mojo. [2019-05-24]. （原始内容存档于2019-05-26）.

[67] Moana 2 (2024). Box Office Mojo. [2025-02-22].

[68] Pirates of the Caribbean: On Stranger Tides (2011). Box Office Mojo. [2011-05-20]. （原始内容存档于2013-07-09）.

[69] Star Wars Episode I: The Phantom Menace (1999). Box Office Mojo. [2022-07-03]. （原始内容存档于2022-04-02）.

[70] Despicable Me 3. Box Office Mojo. [2017-06-30]. （原始内容存档于2016-03-07）.

[71] Finding Dory (2016). Box Office Mojo. [2016-07-17]. （原始内容存档于2009-02-15）.

[72] Harry Potter and the Philosopher's Stone (2001). Box Office Mojo. [2022-07-03]. （原始内容存档于2022-04-02）.

[73] Zootopia (2016). Box Office Mojo. [2016-03-04]. （原始内容存档于2017-05-28）.

[74] Alice in Wonderland (2010). Box Office Mojo. [2010-03-05]. （原始内容存档于2009-02-18）.

[75] The Hobbit: An Unexpected Journey (2012). Box Office Mojo. [2012-12-14]. （原始内容存档于2012-12-16）.

[76] The Dark Knight (2008). Box Office Mojo. [2008-07-18]. （原始内容存档于2017-02-02）.

[77] Jurassic World Dominion (2022). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[87] The Lion King (1994). Box Office Mojo. [2021-08-29]. （原始内容存档于2022-04-02）.

[88] Oppenheimer (2023). Box Office Mojo. [2024-11-22].

[89] Harry Potter and the Deathly Hallows: Part 1 (2010). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[90] Despicable Me 2 (2013). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[91] Despicable Me 4 (2024). Box Office Mojo. [2024-12-24].

[92] The Jungle Book (2016). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[93] Jumanji: Welcome to the Jungle (2017). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[94] The Hobbit: The Battle of the Five Armies (2014). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[95] Pirates of the Caribbean: At World's End (2007). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[96] The Hobbit: The Desolation of Smaug (2013). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[97] Doctor Strange in the Multiverse of Madness (2022). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[98] Harry Potter and the Order of the Phoenix (2007). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[99] Finding Nemo (2003). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[100] Harry Potter and the Half-Blood Prince (2009). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[101] Minions: The Rise of Gru (2022). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[102] The Lord of the Rings: The Two Towers (2002). Box Office Mojo. [2023-10-22]. （原始内容存档于2022-04-02）.

[103] Shrek 2 (2004). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[104] Bohemian Rhapsody (2018). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[105] The Battle at Lake Changjin (2021). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[106] Harry Potter and the Goblet of Fire (2005). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[107] Spider-Man 3 (2007). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[108] The Lord of the Rings: The Fellowship of the Ring (2001). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[109] Ice Age: Dawn of the Dinosaurs (2009). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[110] Harry Potter and the Chamber of Secrets (2002). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[111] Spider-Man: Homecoming (2017). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[112] Spectre (2015). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[113] Ice Age: Continental Drift (2012). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[114] The Secret Life of Pets (2016). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[115] Batman v Superman: Dawn of Justice (2016). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[116] Wolf Warrior 2 (2017). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[117] The Hunger Games: Catching Fire (2013). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[118] Guardians of the Galaxy Vol. 2 (2017). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[119] Black Panther: Wakanda Forever (2022). Box Office Mojo. [2023-05-01]. （原始内容存档于2022-04-02）.

[120] Inside Out (2015). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[121] Venom (2018). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[122] Thor: Ragnarok (2017). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[123] Star Wars: Episode III - Revenge of the Sith (2005). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[124] The Twilight Saga: Breaking Dawn - Part 2 (2012). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[125] Guardians of the Galaxy Vol. 3 (2023). Box Office Mojo. [2023-09-11].

[126] Inception (2010). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[127] Transformers: Revenge of the Fallen (2009). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[128] Spider-Man (2002). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[129] Wonder Woman (2017). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[130] Hi, Mom (2021). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[131] Independence Day (1996). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[132] Fantastic Beasts and Where to Find Them (2016). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[133] Coco (2017). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[134] Harry Potter and the Prisoner of Azkaban (2004). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[135] Shrek the Third (2007). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[136] Jumanji: The Next Level (2019). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[137] E.T. the Extra-Terrestrial (1982). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[138] Pirates of the Caribbean: Dead Men Tell No Tales (2017). Box Office Mojo. [2023-08-01]. （原始内容存档于2022-04-02）.

[139] Mission: Impossible - Fallout (2018). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[140] 2012 (2009). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[141] Fast & Furious 6 (2013). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[142] Indiana Jones and the Kingdom of the Crystal Skull (2008). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[143] Deadpool 2 (2018). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[144] Spider-Man 2 (2004). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[145] Deadpool (2016). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[146] Star Wars: Episode IV - A New Hope (1977). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[147] No Time to Die (2021). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[148] Guardians of the Galaxy (2014). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[149] The Batman (2022). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[150] Thor: Love and Thunder (2022). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[151] Fast & Furious Presents: Hobbs & Shaw (2019). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[152] The Da Vinci Code (2006). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[153] Maleficent (2014). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[154] The Hunger Games: Mockingjay - Part 1 (2014). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[155] The Amazing Spider-Man (2012). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[156] Interstellar (2014). Box Office Mojo. [2025-02-21].

[157] Shrek Forever After (2010). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[158] Suicide Squad (2016). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[159] Madagascar 3: Europe's Most Wanted (2012). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[160] X-Men: Days of Future Past (2014). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[161] The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[162] Monsters University (2013). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[163] The Matrix Reloaded (2003). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[164] Up (2009). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[165] Wicked. Box Office Mojo. [2025-02-22].

[166] F9: The Fast Saga (2021). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[167] Ne Zha (2019). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[168] Gravity (2013). Box Office Mojo. [2023-01-05]. （原始内容存档于2022-04-02）.

[169] The Amazing Spider-Man 2 (2014). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[170] Dune: Part Two (2024). Box Office Mojo. [2024-10-02]. （原始内容存档于2022-04-02）.

[171] Captain America: The Winter Soldier (2014). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[172] The Twilight Saga: Breaking Dawn - Part 1 (2011). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[173] The Twilight Saga: New Moon (2009). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[174] Dawn of the Planet of the Apes (2014). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[175] Transformers (2007). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[176] Fast X (2023). Box Office Mojo. [2024-02-01]. （原始内容存档于2022-04-02）.

[177] It (2017). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[178] The Wandering Earth (2019). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[179] The Twilight Saga: Eclipse (2010). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[180] The Hunger Games (2012). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[181] Mission: Impossible - Ghost Protocol (2011). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[182] Spider-Man: Across the Spider-Verse (2023). Box Office Mojo. [2024-03-20].

[183] Mufasa: The Lion King. Box Office Mojo. [2025-02-22].

[184] Detective Chinatown 3 (2021). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[185] Mission: Impossible - Rogue Nation (2015). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[186] Forrest Gump (1994). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[187] Doctor Strange (2016). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[188] The Sixth Sense (1999). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[189] Full River Red (2023). Box Office Mojo. [2024-10-22].

[190] Man of Steel (2013). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[191] Ice Age: The Meltdown (2006). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[192] Kung Fu Panda 2 (2011). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[193] The Hunger Games: Mockingjay - Part 2 (2015). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[194] Justice League (2017). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[195] Big Hero 6 (2014). Box Office Mojo. [2024-02-09]. （原始内容存档于2022-04-02）.

[196] Fantastic Beasts: The Crimes of Grindelwald (2018). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[197] Pirates of the Caribbean: The Curse of the Black Pearl (2003). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[198] Men in Black 3 (2012). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[199] Star Wars: Episode II - Attack of the Clones (2002). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[200] Thor: The Dark World (2013). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[201] Moana (2016). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[202] Wonka (2023). Box Office Mojo. [2024-04-05].

[203] Sing (2016). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[204] Kung Fu Panda (2008). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[205] The Incredibles (2004). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[206] The Martian (2015). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[207] Hancock (2008). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[208] Water Gate Bridge (2022). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[209] Fast Five (2011). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[210] Iron Man 2 (2010). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[211] Ratatouille (2007) Incredibles (2004). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[212] Ant-Man and the Wasp (2018). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[213] How to Train Your Dragon 2 (2014). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[214] Logan (2017). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[215] The Lost World: Jurassic Park (1997). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[216] Casino Royale (2006). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[217] The Wandering Earth II (2023). Box Office Mojo. [2024-11-08].

[218] The Passion of the Christ (2004). Box Office Mojo. [2023-01-06]. （原始内容存档于2022-04-02）.

[219] Mamma Mia! (2008). Box Office Mojo. [2024-10-14]. （原始内容存档于2022-04-02）.

[220] Life of Pi (2012). Box Office Mojo. [2023-01-06]. （原始内容存档于2025-01-27）.

[221] Ready Player One (2018). Box Office Mojo. [2025-01-25]. （原始内容存档于2025-01-27）.

[222] Transformers: The Last Knight (2017). Box Office Mojo. [2025-01-25]. （原始内容存档于2025-01-27）.

[223] Madagascar: Escape 2 Africa (2008). Box Office Mojo. [2025-01-25]. （原始内容存档于2025-01-27）.

[224] War of the Worlds (2005). Box Office Mojo. [2025-01-25]. （原始内容存档于2025-01-27）.

[255] Monaco, James. How to Read a Film:Movies, Media, and Beyond. Oxford University Press. 2009: 262. ISBN 978-0-19-975579-0. The Birth of a Nation, costing an unprecedented and, many believed, thoroughly foolhardy $110,000, eventually returned $20 million and more. The actual figure is hard to calculate because the film was distributed on a "states' rights" basis in which licenses to show the film were sold outright. The actual cash generated by The Birth of a Nation may have been as much as $50 million to $100 million, an almost inconceivable amount for such an early film.

[Wasko-256] 206.0 ^206.1 Wasko, Janet. D.W. Griffiths and the banks: a case study in film financing. Kerr, Paul (编). The Hollywood Film Industry: A Reader. Routledge. 1986: 34. ISBN 978-0-7100-9730-9. Various accounts have cited $15 to $18 million profits during the first few years of release, while in a letter to a potential investor in the proposed sound version, Aitken noted that a $15 to $18 million box-office gross was a 'conservative estimate'. For years Variety has listed The Birth of a Nation's total rental at $50 million. (This reflects the total amount paid to the distributor, not box-office gross.) This 'trade legend' has finally been acknowledged by Variety as a 'whopper myth', and the amount has been revised to $5 million. That figure seems far more feasible, as reports of earnings in the Griffith collection list gross receipts for 1915–1919 at slightly more than $5.2 million (including foreign distribution) and total earnings after deducting general office expenses, but not royalties, at about $2 million.

[257] Lang, Robert (编). The Birth of a nation: D.W. Griffith, director. Rutgers University Press. 1994: 30. ISBN 978-0-8135-2027-8. The film eventually cost $110,000 and was twelve reels long.

[BlockWilson26-260] Block & Wilson 2010，第26頁.
Cleopatra: "Domestic Rentals: $0.5; Production Cost: $0.3 (Unadjusted $s in Millions of $s)."

[210] Cleopatra: "Domestic Rentals: $0.5; Production Cost: $0.3 (Unadjusted $s in Millions of $s)."

[261] Birchard, Robert S., Intolerance: 45, 2010, Intolerance was the most expensive American film made up until that point, costing a total of $489,653, and its performance at the box ... but it did recoup its cost and end with respectable overall numbers. In: Block & Wilson 2010.

[mickey-262] Coons, Robin. Hollywood Chatter. The Daytona Beach News-Journal. June 30, 1939: 6.

[263] Shipman, David. The great movie stars: the golden years. Crown Publishing Group. 1970: 98. It was a low budgeter—$120,000—but it grossed world-wide over $3 million and made stars of Chaney and his fellow-players, Betty Compson and Thomas Meighan.

[Variety_(1932)-264] 212.0 ^212.1 ^212.2 ^212.3 Biggest Money Pictures. Variety. June 21, 1932: 1 –通过Archive.org. Cited in Biggest Money Pictures. Cinemaweb. [July 14, 2011]. （原始内容存档于July 8, 2011）.

[Solomon_(2011)-265] 213.0 ^213.1 Solomon, Aubrey. The Fox Film Corporation, 1915–1935: A History and Filmography. McFarland & Company. 2011. ISBN 978-0-7864-6286-5.
Way Down East: p. 52 互联网档案馆的存檔，存档日期April 4, 2023，.. "D.W. Griffith's Way Down East (1920) was projected to return rentals of $4,000,000 on an $800,000 negative. This figure was based on the amounts earned from its roadshow run, coupled with its playoff in the rest of the country's theaters. Griffith had originally placed the potential film rental at $3,000,000 but, because of the success of the various roadshows that were running the $4,000,000 total was expected. The film showed a profit of $615,736 after just 23 weeks of release on a gross of $2,179,613."

What Price Glory?: p. 112 互联网档案馆的存檔，存档日期April 4, 2023，.. "What Price Glory hit the jackpot with massive world rentals of $2,429,000, the highest figure in the history of the company. Since it was also the most expensive production of the year at $817,000 the profit was still a healthy $796,000..."

Cavalcade: p. 170 互联网档案馆的存檔，存档日期April 4, 2023，.. "The actual cost of Cavalcade was $1,116,000 and it was most definitely not guaranteed a success. In fact, if its foreign grosses followed the usual 40 percent of domestic returns, the film would have lost money. In a turnaround, the foreign gross was almost double the $1,000,000 domestic take to reach total world rentals of $3,000,000 and Fox's largest profit of the year at $664,000."

State Fair: p. 170 . "State Fair did turn out to be a substantial hit with the help of Janet Gaynor boosting Will Rogers back to the level of money-making star. Its prestige engagements helped raked in a total $1,208,000 in domestic rentals. Surprisingly, in foreign countries unfamiliar with state fairs, it still earned a respectable $429,000. With its total rentals, the film ended up showing a $398,000 profit."

[216] Way Down East: p. 52 互联网档案馆的存檔，存档日期April 4, 2023，.. "D.W. Griffith's Way Down East (1920) was projected to return rentals of $4,000,000 on an $800,000 negative. This figure was based on the amounts earned from its roadshow run, coupled with its playoff in the rest of the country's theaters. Griffith had originally placed the potential film rental at $3,000,000 but, because of the success of the various roadshows that were running the $4,000,000 total was expected. The film showed a profit of $615,736 after just 23 weeks of release on a gross of $2,179,613."

[217] What Price Glory?: p. 112 互联网档案馆的存檔，存档日期April 4, 2023，.. "What Price Glory hit the jackpot with massive world rentals of $2,429,000, the highest figure in the history of the company. Since it was also the most expensive production of the year at $817,000 the profit was still a healthy $796,000..."

[218] Cavalcade: p. 170 互联网档案馆的存檔，存档日期April 4, 2023，.. "The actual cost of Cavalcade was $1,116,000 and it was most definitely not guaranteed a success. In fact, if its foreign grosses followed the usual 40 percent of domestic returns, the film would have lost money. In a turnaround, the foreign gross was almost double the $1,000,000 domestic take to reach total world rentals of $3,000,000 and Fox's largest profit of the year at $664,000."

[219] State Fair: p. 170 . "State Fair did turn out to be a substantial hit with the help of Janet Gaynor boosting Will Rogers back to the level of money-making star. Its prestige engagements helped raked in a total $1,208,000 in domestic rentals. Surprisingly, in foreign countries unfamiliar with state fairs, it still earned a respectable $429,000. With its total rentals, the film ended up showing a $398,000 profit."

[266] Hall & Neale 2010，第53頁. "The Four Forsemen of the Apocalypse was to become Metro's most expensive production and one of the decade's biggest box-office hits. Its production costs have been estimated at "something between $600,000 and $800,000." Variety estimated its worldwide gross at $4 million in 1925 and at $5 million in 1944; in 1991, it estimated its cumulative domestic rentals at $3,800,000."

[267] Brownlow, Kevin. The parade's gone by ... University of California Press. 1968: 255. ISBN 978-0-520-03068-8. The negative cost was about $986,000, which did not include Fairbanks' own salary. Once the exploitation and release prints were taken into account, Robin Hood cost about $1,400,000—exceeding both Intolerance ($700,000) and the celebrated "million dollar movie" Foolish Wives. But it earned $2,500,000.

[268] Vance, Jeffrey. Douglas Fairbanks. University of California Press. 2008: 146. ISBN 978-0-520-25667-5. The film had a production cost of $930,042.78—more than the cost of D.W. Griffith's Intolerance and nearly as much as Erich von Stroheim's Foolish Wives (1922).

[Time_(1925)-269] 217.0 ^217.1 Business: Film Exports. Time. July 6, 1925 [July 12, 2011]. （原始内容存档于November 5, 2010）.

[Birchard_(2009)-270] 218.0 ^218.1 ^218.2 ^218.3 ^218.4 Birchard, Robert S. Cecil B. DeMille's Hollywood. University Press of Kentucky. 2009. ISBN 978-0-8131-3829-9.
ch. 45. The Ten Commandments (1923). "Cost: $1,475,836.93; Gross: $4,169,798.38"

ch. 56. The Sign of the Cross 互联网档案馆的存檔，存档日期April 3, 2023，.. "Cost: $694,064.67; Gross: $2,738,993.35 (to 1937)"

ch. 68. Samson and Delilah 互联网档案馆的存檔，存档日期April 4, 2023，.. "Cost: $3,097,563.05"

ch. 69. The Greatest Show on Earth 互联网档案馆的存檔，存档日期April 3, 2023，.. "Cost: $3,873,946.50; Gross receipts: $15,797,396.36 (to December 29, 1962)"

ch. 70. The Ten Commandments (1956). "Cost: $13,272,381.87; Gross receipts: $90,066,230.00 (to June 23, 1979)"

[225] . 45. The Ten Commandments (1923). "Cost: $1,475,836.93; Gross: $4,169,798.38"

[226] . 56. The Sign of the Cross 互联网档案馆的存檔，存档日期April 3, 2023，.. "Cost: $694,064.67; Gross: $2,738,993.35 (to 1937)"

[227] . 68. Samson and Delilah 互联网档案馆的存檔，存档日期April 4, 2023，.. "Cost: $3,097,563.05"

[228] . 69. The Greatest Show on Earth 互联网档案馆的存檔，存档日期April 3, 2023，.. "Cost: $3,873,946.50; Gross receipts: $15,797,396.36 (to December 29, 1962)"

[229] . 70. The Ten Commandments (1956). "Cost: $13,272,381.87; Gross receipts: $90,066,230.00 (to June 23, 1979)"

[May_(2005)-271] May, Richard P., Restoring The Big Parade, The Moving Image, Fall 2005, 5 (2): 140–146, ISSN 1532-3978, S2CID 192076406, doi:10.1353/mov.2005.0033, ...earning somewhere between $18 and $22 million, depending on the figures consulted

[272] Robertson, Patrick. Guinness Book of Movie Facts and Feats 4. Abbeville Publishing Group. 1991: 30. ISBN 978-1-55859-236-0. The top grossing silent film was King Vidor's The Big Parade (US 25), with worldwide rentals of $22 million.

[273] Hall & Neale 2010，第58–59頁. "Even then, at a time when the budget for a feature averaged at around $300,000, no more than $382,000 was spent on production...According to the Eddie Mannix Ledger at MGM, it grossed $4,990,000 domestically and $1,141,000 abroad."

[Ben-Hur_(1925)-274] Ben-Hur (1925) – Notes. Turner Classic Movies. [December 19, 2017]. （原始内容存档于July 24, 2019）.

[HallNeale163-275] Hall & Neale 2010，第163. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era. (At a negative cost of $3,967,000, it was also the most expensive.)"頁

[276] Miller, Frank. For Heaven's Sake (1926) – Articles. Turner Classic Movies. [January 15, 2012]. （原始内容存档于July 24, 2019）.

[277] Finler 2003，第188頁. "At a cost of $2 million Wings was the studio's most expensive movie of the decade, and though it did well it was not good enough to earn a profit."

[Jolson-278] 226.0 ^226.1 The Jazz Singer and The Singing Fool
Block, Hayley Taylor, The Jazz Singer: 113, 2010, The film brought in $2.6 million in worldwide rentals and made a net profit of $1,196,750. Jolson's follow-up Warner Bros. film, The Singing Fool (1928), brought in over two times as much, with $5.9 in worldwide rentals and a profit of $3,649,000, making them two of the most profitable films in the 1920s. In: Block & Wilson 2010.

[238] Block, Hayley Taylor, The Jazz Singer: 113, 2010, The film brought in $2.6 million in worldwide rentals and made a net profit of $1,196,750. Jolson's follow-up Warner Bros. film, The Singing Fool (1928), brought in over two times as much, with $5.9 in worldwide rentals and a profit of $3,649,000, making them two of the most profitable films in the 1920s. In: Block & Wilson 2010.

[Crafton-279] Crafton, Donald. The Talkies: American Cinema's Transition to Sound, 1926–1931. University of California Press. 1999: 549–552. ISBN 978-0-520-22128-4. The Singing Fool: Negative Cost ($1000s): 388

[280] Birchard, Robert S., The Broadway Melody: 121, 2010, It earned $4.4 million in worldwide rentals and was the first movie to spawn sequels (there were several until 1940). In: Block & Wilson 2010.

[bradley-281] Bradley, Edwin M. The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 Through 1932. McFarland & Company. 2004 [1st. pub. 1996]. ISBN 978-0-7864-2029-2.
The Singing Fool: p. 12 互联网档案馆的存檔，存档日期April 4, 2023，.. "Ego aside, Jolson was at the top of his powers in The Singing Fool. The $150,000 Warner Bros. paid him to make it, and the $388,000 it took to produce the film, were drops in the hat next to the film's world gross of $5.9 million. Its $3.8-million gross in this country set a box-office record that would not be surpassed until Walt Disney's Snow White and the Seven Dwarfs (1937)."

The Broadway Melody: p. 24 互联网档案馆的存檔，存档日期April 4, 2023，.. "The Broadway Melody with a negative cost of $379,000, grossed $2.8 million in the United States, $4.8 million worldwide, and made a recorded profit of $1.6 million for MGM."

Gold Diggers of Broadway: p. 58 互联网档案馆的存檔，存档日期April 4, 2023，.. "It grossed an impressive $2.5 million domestically and nearly $4 million worldwide."

[242] The Singing Fool: p. 12 互联网档案馆的存檔，存档日期April 4, 2023，.. "Ego aside, Jolson was at the top of his powers in The Singing Fool. The $150,000 Warner Bros. paid him to make it, and the $388,000 it took to produce the film, were drops in the hat next to the film's world gross of $5.9 million. Its $3.8-million gross in this country set a box-office record that would not be surpassed until Walt Disney's Snow White and the Seven Dwarfs (1937)."

[243] The Broadway Melody: p. 24 互联网档案馆的存檔，存档日期April 4, 2023，.. "The Broadway Melody with a negative cost of $379,000, grossed $2.8 million in the United States, $4.8 million worldwide, and made a recorded profit of $1.6 million for MGM."

[244] Gold Diggers of Broadway: p. 58 互联网档案馆的存檔，存档日期April 4, 2023，.. "It grossed an impressive $2.5 million domestically and nearly $4 million worldwide."

[Solomon_(1988)-282] 230.0 ^230.1 ^230.2 Solomon, Aubrey. Twentieth Century-Fox: a corporate and financial history. Filmmakers series 20. Rowman & Littlefield. 2002 [First published 1988]. ISBN 978-0-8108-4244-1.
Sunny Side Up: p. 10 互联网档案馆的存檔，存档日期February 10, 2024，.. "Sunny Side Up, a musical starring Janet Gaynor and Charles Farrell, showed domestic rentals of $3.5 million, a record for the company."

Forever Amber: p. 66 互联网档案馆的存檔，存档日期November 7, 2023，.. "On the surface, with world rentals of $8 million, Forever Amber was considered a hit at distribution level."

The French Connection

p. 167 互联网档案馆的存檔，存档日期November 7, 2023，.. "The Planet of the Apes motion pictures were all moneymakers and Zanuck's record would have immediately improved had he stayed through the release of The French Connection, which took in rentals of approximately $75 million worldwide."

p. 256 互联网档案馆的存檔，存档日期November 7, 2023，.. "$3,300,00".

[246] Sunny Side Up: p. 10 互联网档案馆的存檔，存档日期February 10, 2024，.. "Sunny Side Up, a musical starring Janet Gaynor and Charles Farrell, showed domestic rentals of $3.5 million, a record for the company."

[247] Forever Amber: p. 66 互联网档案馆的存檔，存档日期November 7, 2023，.. "On the surface, with world rentals of $8 million, Forever Amber was considered a hit at distribution level."

[248] The French Connection

[283] Block & Wilson 2010，第46頁. "Production Cost: $0.6 (Unadjusted $s in Millions of $s)."

[284] Cormack, Mike. Ideology and Cinematography in Hollywood, 1930–1939. Palgrave Macmillan. 1993: 28. ISBN 978-0-312-10067-4. Although costing $1250000—a huge sum for any studio in 1929—the film was a financial success. Karl Thiede gives the domestic box-office at $1500000, and the same figure for the foreign gross.

[Balio_(1996)-285] 233.0 ^233.1 Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939. 5 of History of the American Cinema. University of California Press. 1996. ISBN 978-0-520-20334-1.
Cavalcade: p. 182 互联网档案馆的存檔，存档日期April 4, 2023，.. "Produced by Winfield Sheehan at a cost of $1.25 million, Cavalcade won Academy Awards for best picture, director, art direction and grossed close to $4 million during its first release, much of which came from Great Britain and the Empire."

Whoopee: p. 212 互联网档案馆的存檔，存档日期April 4, 2023，.. "Produced by Sam Goldwyn at a cost of $1 million, the picture was an adaptation of a smash musical comedy built around Eddie Cantor...A personality-centered musical, Whoopee! made little attempt to integrate the comedy routines, songs, and story. Nonetheless, Cantor's feature-film debut grossed over $2.6 million worldwide and started a popular series that included Palmy Days (1931), The Kid from Spain (1932), and Roman Scandals (1933)."

[252] Cavalcade: p. 182 互联网档案馆的存檔，存档日期April 4, 2023，.. "Produced by Winfield Sheehan at a cost of $1.25 million, Cavalcade won Academy Awards for best picture, director, art direction and grossed close to $4 million during its first release, much of which came from Great Britain and the Empire."

[253] Whoopee: p. 212 互联网档案馆的存檔，存档日期April 4, 2023，.. "Produced by Sam Goldwyn at a cost of $1 million, the picture was an adaptation of a smash musical comedy built around Eddie Cantor...A personality-centered musical, Whoopee! made little attempt to integrate the comedy routines, songs, and story. Nonetheless, Cantor's feature-film debut grossed over $2.6 million worldwide and started a popular series that included Palmy Days (1931), The Kid from Spain (1932), and Roman Scandals (1933)."

[Balio_(1976)-286] Hell's Angels
Balio, Tino. United Artists: The Company Built by the Stars. University of Wisconsin Press. 1976: 110. Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.

[255] Balio, Tino. United Artists: The Company Built by the Stars. University of Wisconsin Press. 1976: 110. Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.

[287] Feaster, Felicia. Frankenstein (1931). Turner Classic Movies. [July 4, 2011]. （原始内容存档于December 21, 2014）.

[288] Block & Wilson 2010，第163頁. "It drew $1.4 million in worldwide rentals in its first run versus $1.2 million for Dracula, which had opened in February 1931."

[289] Vance, Jeffrey. Chaplin: genius of the cinema. Abrams Books. 2003: 208. Chaplin's negative cost for City Lights was $1,607,351. The film eventually earned him a worldwide profit of $5 million ($2 million domestically and $3 million in foreign distribution), an enormous sum of money for the time.

[IMPA_(1937)-290] Ramsaye, Terry (编). The All-Time Best Sellers – Motion Pictures. International Motion Picture Almanac 1937–38. 1937: 942–943. Kid from Spain: $2,621,000 (data supplied by Eddie Cantor)

[Sedgwick-291] 239.0 ^239.1 ^239.2 ^239.3 Sedgwick, John. Popular Filmgoing In 1930s Britain: A Choice of Pleasures. University of Exeter Press. 2000: 146–148. ISBN 978-0-85989-660-3. Sources: Eddie Mannix Ledger, made available to the author by Mark Glancy...
Grand Hotel: Production Cost $000s: 700; Distribution Cost $000s: 947; U.S. box-office $000s: 1,235; Foreign box-office $000s: 1,359; Total box-office $000s: 2,594; Profit $000s: 947.

The Merry Widow: Production Cost $000s: 1,605; Distribution Cost $000s: 1,116; U.S. box-office $000s: 861; Foreign box-office $000s: 1,747; Total box-office $000s: 2,608; Profit $000s: -113.

Viva Villa: Production Cost $000s: 1,022; Distribution Cost $000s: 766; U.S. box-office $000s: 941; Foreign box-office $000s: 934; Total box-office $000s: 1,875; Profit $000s: 87.

Mutiny on the Bounty: Production Cost $000s: 1,905; Distribution Cost $000s: 1,646; U.S. box-office $000s: 2,250; Foreign box-office $000s: 2,210; Total box-office $000s: 4,460; Profit $000s: 909.

San Francisco: Production Cost $000s: 1,300; Distribution Cost $000s: 1,736; U.S. box-office $000s: 2,868; Foreign box-office $000s: 2,405; Total box-office $000s: 5,273; Profit $000s: 2,237.

[261] Grand Hotel: Production Cost $000s: 700; Distribution Cost $000s: 947; U.S. box-office $000s: 1,235; Foreign box-office $000s: 1,359; Total box-office $000s: 2,594; Profit $000s: 947.

[262] The Merry Widow: Production Cost $000s: 1,605; Distribution Cost $000s: 1,116; U.S. box-office $000s: 861; Foreign box-office $000s: 1,747; Total box-office $000s: 2,608; Profit $000s: -113.

[263] Viva Villa: Production Cost $000s: 1,022; Distribution Cost $000s: 766; U.S. box-office $000s: 941; Foreign box-office $000s: 934; Total box-office $000s: 1,875; Profit $000s: 87.

[264] Mutiny on the Bounty: Production Cost $000s: 1,905; Distribution Cost $000s: 1,646; U.S. box-office $000s: 2,250; Foreign box-office $000s: 2,210; Total box-office $000s: 4,460; Profit $000s: 909.

[265] San Francisco: Production Cost $000s: 1,300; Distribution Cost $000s: 1,736; U.S. box-office $000s: 2,868; Foreign box-office $000s: 2,405; Total box-office $000s: 5,273; Profit $000s: 2,237.

[shanghai-292] Shanghai Express
Block & Wilson 2010，第165頁. "Shanghai Express was Dietrich's biggest hit in America, bringing in $1.5 million in worldwide rentals."

[267] Block & Wilson 2010，第165頁. "Shanghai Express was Dietrich's biggest hit in America, bringing in $1.5 million in worldwide rentals."

[293] King Kong
Jewel, Richard. RKO Film Grosses: 1931–1951. Historical Journal of Film, Radio and Television. 1994, 14 (1): 39. 1933 release: $1,856,000; 1938 release: $306,000; 1944 release: $685,000

King Kong (1933) – Notes. Turner Classic Movies. [January 7, 2012]. （原始内容存档于November 17, 2015）. 1952 release: $2,500,000; budget: $672,254.75

[269] Jewel, Richard. RKO Film Grosses: 1931–1951. Historical Journal of Film, Radio and Television. 1994, 14 (1): 39. 1933 release: $1,856,000; 1938 release: $306,000; 1944 release: $685,000

[270] King Kong (1933) – Notes. Turner Classic Movies. [January 7, 2012]. （原始内容存档于November 17, 2015）. 1952 release: $2,500,000; budget: $672,254.75

[294] I'm No Angel (1933) – Notes. Turner Classic Movies. [January 7, 2012]. （原始内容存档于December 17, 2019）. According to a modern source, it had a gross earning of $2,250,000 on the North American continent, with over a million more earned internationally.

[295] Finler 2003，第188頁. "The studio released its most profitable pictures of the decade in 1933, She Done Him Wrong and I'm No Angel, written by and starring Mae West. Produced at a rock-bottom cost of $200,000 each, they undoubtedly helped Paramount through the worst patch in its history..."

[BlockWilson173-296] Block, Alex Ben, She Done Him Wrong: 173, 2010, The worldwide rentals of over $3 million keep the lights on at Paramount, which did not shy away from selling the movie's sex appeal. In: Block & Wilson 2010.

[Phillips_(2008)-297] Phillips, Kendall R. Controversial Cinema: The Films That Outraged America. ABC-CLIO. 2008: 26. ISBN 978-1-56720-724-8. The reaction to West's first major film, however, was not exclusively negative. Made for a mere $200,000, the film would rake in a healthy $2 million in the United States and an additional million in overseas markets.

[298] Block & Wilson 2010，第135頁. "Total production cost: $274,076 (Unadjusted $s)."

[Turk-299] 247.0 ^247.1 Turk, Edward Baron. Hollywood Diva: A Biography of Jeanette MacDonald. University of California Press. 2000 [1st. pub. 1998]. ISBN 978-0-520-22253-3.
The Merry Widow: p. 361 Cost: $1,605,000. Earnings: domestic $861,000; foreign $1,747,000; total $2,608,000. Loss: $113,000.

San Francisco: p. 364 Cost: $1,300,000. Earnings: domestic $2,868,000; foreign $2,405,000; total $5,273,000. Profit: $2,237,000. [Reissues in 1938–39 and 1948–49 brought profits of $124,000 and $647,000 respectively.]

[277] The Merry Widow: p. 361 Cost: $1,605,000. Earnings: domestic $861,000; foreign $1,747,000; total $2,608,000. Loss: $113,000.

[278] San Francisco: p. 364 Cost: $1,300,000. Earnings: domestic $2,868,000; foreign $2,405,000; total $5,273,000. Profit: $2,237,000. [Reissues in 1938–39 and 1948–49 brought profits of $124,000 and $647,000 respectively.]

[300] Wall St. Researchers' Cheery Tone. Variety. November 7, 1962: 7.

[301] Dick, Bernard F. Claudette Colbert: She Walked in Beauty. University Press of Mississippi. 2008: 79. ISBN 978-1-60473-087-6. Although Columbia's president, Harry Cohn, had strong reservations about It Happened One Night, he also knew that it would not bankrupt the studio; the rights were only $5,000, and the budget was set at $325,000, including the performers' salaries.

[302] Snow White and the Seven Dwarfs
Monaco, Paul. A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema. Scarecrow Press. 2010: 54. ISBN 978-0-8108-7434-3. Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.

Wilhelm, Henry Gilmer; Brower, Carol. The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Preservation Pub. 1993: 359. ISBN 978-0-911515-00-8. In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million!

Snow White and the Seven Dwarfs (1987 Re-issue). Boxoffice. [May 29, 2016]. （原始内容存档于January 8, 2019）. North American box-office: $46,594,719

Snow White and the Seven Dwarfs (1993 Re-issue). Boxoffice. [May 29, 2016]. （原始内容存档于December 25, 2018）. North American box-office: $41,634,791

[282] Monaco, Paul. A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema. Scarecrow Press. 2010: 54. ISBN 978-0-8108-7434-3. Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.

[283] Wilhelm, Henry Gilmer; Brower, Carol. The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Preservation Pub. 1993: 359. ISBN 978-0-911515-00-8. In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million!

[284] Snow White and the Seven Dwarfs (1987 Re-issue). Boxoffice. [May 29, 2016]. （原始内容存档于January 8, 2019）. North American box-office: $46,594,719

[285] Snow White and the Seven Dwarfs (1993 Re-issue). Boxoffice. [May 29, 2016]. （原始内容存档于December 25, 2018）. North American box-office: $41,634,791

[Snow_White_&_Pinocchio-303] 251.0 ^251.1 Snow White and the Seven Dwarfs and Pinocchio
Block & Wilson 2010

p. 207 互联网档案馆的存檔，存档日期April 4, 2023，.. "When the budget rose from $250,000 to $1,488,423 he even mortgaged his own home and automobile. Disney had bet more than his company on the success of Snow White."

p. 237 互联网档案馆的存檔，存档日期April 4, 2023，.. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur".

p. 255 互联网档案馆的存檔，存档日期April 3, 2023，.. "On its initial release Pinocchio brought in only $1.6 million in domestic rentals (compared with Snow White's $4.2 million) and $1.9 million in foreign rentals (compared with Snow White's $4.3 million)."

[287] Block & Wilson 2010

[304] 1938
You Can't Take It with You:You Can't Take It With You Premieres. Focus Features. （原始内容存档于September 13, 2012）. You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.

Boys Town: Block, Alex Ben, Boys Town: 215, 2010, The film quickly became a smash nationwide, making a profit of over $2 million on worldwide rentals of $4 million. In: Block & Wilson 2010.

The Adventures of Robin Hood: Glancy, H. Mark. Warner Bros Film Grosses, 1921–51: the William Schaefer ledger. Historical Journal of Film, Radio and Television. 1995, 1 (15): 55–60. ISSN 0143-9685. doi:10.1080/01439689500260031. $3.981 million.

Alexander's Ragtime Band: Block, Hayley Taylor, Alexander's Ragtime Band: 213, 2010, Once the confusion cleared, however, the film blossomed into a commercial success, with a profit of $978,000 on worldwide rentals of $3.6 million. In: Block & Wilson 2010.

[289] You Can't Take It with You:You Can't Take It With You Premieres. Focus Features. （原始内容存档于September 13, 2012）. You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.

[290] Boys Town: Block, Alex Ben, Boys Town: 215, 2010, The film quickly became a smash nationwide, making a profit of over $2 million on worldwide rentals of $4 million. In: Block & Wilson 2010.

[291] The Adventures of Robin Hood: Glancy, H. Mark. Warner Bros Film Grosses, 1921–51: the William Schaefer ledger. Historical Journal of Film, Radio and Television. 1995, 1 (15): 55–60. ISSN 0143-9685. doi:10.1080/01439689500260031. $3.981 million.

[292] Alexander's Ragtime Band: Block, Hayley Taylor, Alexander's Ragtime Band: 213, 2010, Once the confusion cleared, however, the film blossomed into a commercial success, with a profit of $978,000 on worldwide rentals of $3.6 million. In: Block & Wilson 2010.

[305] Chartier, Roy. You Can't Take It With You. Variety. September 6, 1938 [September 13, 2011]. （原始内容存档于September 13, 2012）.

[306] Gone with the Wind. The Numbers. Nash Information Services. LLC. [February 8, 2013]. （原始内容存档于February 1, 2013）.

[307] Gone with the Wind. Boxoffice. [May 29, 2016]. （原始内容存档于December 25, 2018）.

[308] Gone with the Wind (1939). Box Office Mojo. [October 1, 2024].

[gwtw_tcm-309] 257.0 ^257.1 Miller, Frank; Stafford, Jeff. Gone With the Wind (1939) – Articles. Turner Classic Movies. January 5, 2007. （原始内容存档于July 28, 2013）.

[310] Hall & Neale 2010，第283頁 ."The final negative cost of Gone with the Wind (GWTW) has been variously reported between $3.9 million and $4.25 million."

[311] Pinocchio (1940). Boxoffice. [May 29, 2016]. （原始内容存档于May 30, 2016）.

[Barrier602-312] Barrier, Michael. Hollywood Cartoons: American Animation in Its Golden Age. New York: Oxford University Press. 2003: 266. ISBN 978-0-19-983922-3. The film's negative cost was $2.6 million, more than $1 million higher than Snow White's.

[Schatz_(1999)-313] Schatz, Thomas. Boom and Bust: American Cinema in the 1940s. 6 of History of the American Cinema. University of California Press. 1999: 466 [1st. pub. 1997]. ISBN 978-0-520-22130-7. Boom Town ($4.6 million).

[314] Block & Wilson 2010，第258–259頁. "Production Cost: $2.1 (Unadjusted $s in Millions of $s) ... Boom Town was the biggest moneymaker of 1940 and one of the top films of the decade."

[315] Block & Wilson 2010，第267頁. "With worldwide rentals of $7.8 million in its initial release, the movie made a net profit of over $3 million."

[316] Finler 2003，第301頁. "The studio did particularly well with its war-related pictures, such as Sergeant York (1941), which cost $1.6 million but was the studio's biggest hit of the decade aside from This is the Army (1943), the Irving Berlin musical for which the profits were donated to the Army Emergency Relief fund."

[317] Bambi. Boxoffice. [May 29, 2016]. （原始内容存档于May 30, 2016）.

[318] Block & Wilson 2010，第281頁. "Worldwide rentals of $3,449,353 barely recouped the film's nearly $2 million production cost."

[Disney-319] 267.0 ^267.1 ^267.2 ^267.3 Block & Wilson 2010，第712–713頁.
Bambi: "Worldwide Box Office: $266.8; Production Cost: $1.7 (Millions of $s)"

101 Dalmatians: "Worldwide Box Office: $215.0; Production Cost: $3.6 (Millions of $s)"

The Jungle Book: "Worldwide Box Office: $170.8"; Production Cost: $3.9 (Millions of $s)"

Aladdin: "Worldwide Box Office: $505.1"; Production Cost: $28.0 (Millions of $s)"

[308] Bambi: "Worldwide Box Office: $266.8; Production Cost: $1.7 (Millions of $s)"

[309] 101 Dalmatians: "Worldwide Box Office: $215.0; Production Cost: $3.6 (Millions of $s)"

[310] The Jungle Book: "Worldwide Box Office: $170.8"; Production Cost: $3.9 (Millions of $s)"

[311] Aladdin: "Worldwide Box Office: $505.1"; Production Cost: $28.0 (Millions of $s)"

[320] Glancy, Mark. When Hollywood Loved Britain: The Hollywood 'British' Film 1939–1945. Manchester University Press. 1999: 94–95. ISBN 978-0-7190-4853-1. Mrs Miniver was a phenomenon. It was the most popular film of the year (from any studio) in both North America and Britain, and its foreign earnings were three times higher than those of any other MGM film released in the 1941–42 season. The production cost ($1,344,000) was one of the highest of the season, indicating the studio never thought of the film as a potential loss-maker. When the film earned a worldwide gross of $8,878,000, MGM had the highest profit ($4,831,000) in its history. Random Harvest nearly matched the success of Mrs Miniver with worldwide earnings of $8,147,000 yielding the second-highest profit in MGM's history ($4,384,000). Random Harvest was also the most popular film of the year in Britain, where it proved to be even more popular than Britain's most acclaimed war film, In Which We Serve.

[321] Block & Wilson 2010
Mrs. Miniver: Burns, Douglas, Mrs. Miniver: 279, 2010, Mrs. Miniver's galvanizing effect on Americans spawned a record-breaking ten-week run at Radio City Music Hall and garnered a $5.4 million take in domestic rentals (making Mrs. Miniver 1942's top grosser), with a $4.8 million profit on worldwide rentals of $8.9 million.

Yankee Doodle Dandy: p. 275 互联网档案馆的存檔，存档日期April 4, 2023，.. "It became the second biggest box-office hit of 1942 (after Mrs. Miniver) and was praised by critics, making a profit of $3.4 million on worldwide rentals of $6.5 million."

[314] Mrs. Miniver: Burns, Douglas, Mrs. Miniver: 279, 2010, Mrs. Miniver's galvanizing effect on Americans spawned a record-breaking ten-week run at Radio City Music Hall and garnered a $5.4 million take in domestic rentals (making Mrs. Miniver 1942's top grosser), with a $4.8 million profit on worldwide rentals of $8.9 million.

[315] Yankee Doodle Dandy: p. 275 互联网档案馆的存檔，存档日期April 4, 2023，.. "It became the second biggest box-office hit of 1942 (after Mrs. Miniver) and was praised by critics, making a profit of $3.4 million on worldwide rentals of $6.5 million."

[322] McAdams, Frank, For Whom the Bell Tolls: 287, 2010, Despite the early furor over the novel being "pro-red and immoral," the film opened to strong and favorable reviews and brought in $11 million in worldwide rentals in its initial release. In: Block & Wilson 2010.

[323] For Whom the Bell Tolls (1943) – Notes. Turner Classic Movies. [June 24, 2012]. （原始内容存档于July 24, 2019）.

[guy-named-joe-324] 272.0 ^272.1 A Guy Named Joe (1944) – Notes. Turner Classic Movies. [August 29, 2012]. （原始内容存档于December 17, 2019）. According to M-G-M studio records at the AMPAS Library, the film had a negative cost of $2,627,000 and took in $5,363,000 at the box office. When the picture was re-issued for the 1955–56 season, it took in an additional $150,000.

[325] Bergreen, Laurence. Irving Berlin: This Is the Army. Prologue. Summer 1996, 28 (2). Part 3 [August 22, 2012]. （原始内容存档于August 11, 2019）.

[326] This Is the Army (1943) – Notes. Turner Classic Movies. [July 9, 2011]. （原始内容存档于July 15, 2015）.

[Finler356-327] 275.0 ^275.1 ^275.2 ^275.3 ^275.4 ^275.5 ^275.6 Finler 2003，第356–363頁

[328] Block & Wilson 2010，第420頁. "(Unadjusted $s) in Millions of $s – Production Cost: $1.0"

[BlockWilson232-329] 277.0 ^277.1 Block & Wilson 2010，第232頁.
Mrs. Miniver: "Domestic Rentals: $5,358,000; Foreign Rentals: $3,520,000 (Unadjusted $s)"

Meet Me in St. Louis: "Domestic Rentals: $5,016,000; Foreign Rentals: $1,623,630 (Unadjusted $s)"

Easter Parade: "Domestic Rentals: $4,144,000; Foreign Rentals: $1,774,134 (Unadjusted $s)"

[324] Mrs. Miniver: "Domestic Rentals: $5,358,000; Foreign Rentals: $3,520,000 (Unadjusted $s)"

[325] Meet Me in St. Louis: "Domestic Rentals: $5,016,000; Foreign Rentals: $1,623,630 (Unadjusted $s)"

[326] Easter Parade: "Domestic Rentals: $4,144,000; Foreign Rentals: $1,774,134 (Unadjusted $s)"

[Schaefer_(1999)-330] Schaefer, Eric. "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919–1959. Duke University Press. 1999: 197–199. ISBN 978-0-8223-2374-7. Leading the pack of postwar sex hygiene films was Mom and Dad (1944), which would become not only the most successful sex hygiene film in history but the biggest pre-1960 exploitation film of any kind. At the end of 1947, the Los Angeles Times reported that Mom and Dad had grossed $2 million. By 1949 Time had estimated that Mom and Dad had taken in $8 million from twenty million moviegoers. And publicity issuing from Mom and Dad's production company indicated that by the end of 1956 it had grossed over $80 million worldwide. Net rentals of around $22 million by 1956 would easily place it in the top ten films of the late 1940s and early 1950s had it appeared on conventional lists. Some estimates have placed its total gross over the years at up to $100 million, and it was still playing drive-in dates into 1975...The film was made for around $65,000 with a crew of Hollywood veterans including director William "One Shot" Beaudine, cinematographer Marcel LePicard, and a cast that sported old stalwarts Hardie Albright, Francis Ford, and John Hamilton.

[331] Block & Wilson 2010
p. 296 互联网档案馆的存檔，存档日期April 4, 2023，.. "Production Cost: $1.6 (Unadjusted $s in Millions of $s)"

Wasson, Sam, The Bells of St. Mary's: 297, 2010, This was that rare sequel that did even better at the box office than the original, bringing in a $3.7 million profit on $11.2 million in worldwide rentals.

[329] . 296 互联网档案馆的存檔，存档日期April 4, 2023，.. "Production Cost: $1.6 (Unadjusted $s in Millions of $s)"

[330] Wasson, Sam, The Bells of St. Mary's: 297, 2010, This was that rare sequel that did even better at the box office than the original, bringing in a $3.7 million profit on $11.2 million in worldwide rentals.

[332] Song of the South. The Numbers. Nash Information Services. LLC. [July 10, 2011]. （原始内容存档于September 3, 2011）.

[333] Gabler, Neal. Walt Disney: the biography. Aurum Press. 2007: 438. Still, the film wound up grossing $3.3 million...

[334] Song of the South (1946) – Notes. Turner Classic Movies. [July 25, 2012]. （原始内容存档于July 24, 2019）.

[335] Hall & Neale 2010
p. 132 互联网档案馆的存檔，存档日期April 3, 2023，.."Best Years was considerably cheaper, costing only $2.1 million, and therefore vastly more profitable."

p. 286 互联网档案馆的存檔，存档日期April 3, 2023，. (note 6.70). "Worldwide rentals for The Best Years of Our Lives amounted to $14,750,000."

[335] . 132 互联网档案馆的存檔，存档日期April 3, 2023，.."Best Years was considerably cheaper, costing only $2.1 million, and therefore vastly more profitable."

[336] . 286 互联网档案馆的存檔，存档日期April 3, 2023，. (note 6.70). "Worldwide rentals for The Best Years of Our Lives amounted to $14,750,000."

[336] Burns, Douglas, The Best years of Our Lives: 301, 2010, The film made a $5 million profit on worldwide rentals of $14.8 million. In: Block & Wilson 2010.

[HallNeale285-337] 285.0 ^285.1 Hall & Neale 2010，第285 (note 6.56)頁. "The cost of Duel in the Sun has been reported as both $5,255,000 (Haver, David O'Selznick's Hollywood, 361) and $6,480,000 (Thomson, Showman: The Life of David O'Selznick, 472); the latter figure may include distribution expenses. Forever Amber cost $6,375,000 (Solomon, Twentieth Century-Fox: A Corporate and Financial History, 243)."

[338] Chopra-Gant, Mike. Hollywood Genres and Post-war America: Masculinity, Family and Nation in Popular Movies and Film Noir. I.B. Tauris. 2006: 18. ISBN 978-1-85043-815-1. Forever Amber: $8 million; Unconquered: $7.5 million; Life with Father: $6.25 million

[339] Unconquered (1947) – Notes. Turner Classic Movies. [January 10, 2012]. （原始内容存档于July 15, 2015）.

[340] Miller, Frank. Easter Parade (1948) – Articles. Turner Classic Movies. [July 19, 2012]. （原始内容存档于July 24, 2019）.

[341] Street, Sarah. Transatlantic Crossings: British Feature Films in the United States. Continuum International Publishing Group. 2002: 110. ISBN 978-0-8264-1395-6. Although both films had higher than average budgets (The Red Shoes cost £505,581 and Hamlet cost £572,530, while the average cost of the other thirty films for which Rank supplied information was £233,000), they resulted in high takings at home and abroad.

[342] Officer, Lawrence H. Dollar-Pound Exchange Rate From 1791. MeasuringWorth. 2011 [November 18, 2012]. （原始内容存档于November 18, 2012）. 1947–1948: $4.03 (per British pound)

[343] The Snake Pit. The Numbers. Nash Information Services. LLC. （原始内容存档于December 28, 2011）.

[344] 'Snake Pit' Seen No Problem After All. Variety. January 19, 1949: 7.

[HallNeale136-345] 293.0 ^293.1 Hall & Neale 2010，第136–139頁
Samson and Delilah: "...the film became the highest grosser in the studio's history to date, with domestic rentals of $7,976,730 by 1955 and a further $6,232,520 overseas...For all their spectacle, Samson and David were quite economically produced, costing $3,097,563 and $2,170,000 respectively."

Quo Vadis: "Production costs totaled a record $7,623,000...Worldwide rentals totaled $21,037,000, almost half of which came from the foreign market."

[347] Samson and Delilah: "...the film became the highest grosser in the studio's history to date, with domestic rentals of $7,976,730 by 1955 and a further $6,232,520 overseas...For all their spectacle, Samson and David were quite economically produced, costing $3,097,563 and $2,170,000 respectively."

[348] Quo Vadis: "Production costs totaled a record $7,623,000...Worldwide rentals totaled $21,037,000, almost half of which came from the foreign market."

[346] Cinderella (1950). The Numbers. Nash Information Services. [January 2, 2017]. （原始内容存档于June 5, 2019）.

[347] Eisner, Michael D.; Schwartz, Tony. Work in Progress. Pennsylvania State University. 2009: 178. ISBN 978-0-7868-8507-7. Cinderella revived its fortunes. Re-released in February 1950, it cost nearly $3 million to make but earned more than $20 million worldwide.

[348] Barrier, Michael. Hollywood Cartoons: American Animation in Its Golden Age. Oxford University Press. 2003: 401. ISBN 978-0-19-516729-0. It cost around $2.2 million, little more than each of the two package features, Melody Time and The Adventures of Ichabod and Mr. Toad (as Tluo Fabulous Characters had ultimately been named), that just preceded it, but its gross rentals—an amount shared by Disney and RKO—were $7.8 million, almost twice as much as the two package features combined.

[Mannix-349] The E. J. Mannix ledger. Margaret Herrick Library, Academy of Motion Picture Arts and Sciences: Howard Strickling Collection. 1962.

[Lev-350] 298.0 ^298.1 Lev, Peter. Transforming the Screen, 1950–1959. 7 of History of the American Cinema. University of California Press. 2006. ISBN 978-0-520-24966-0.
Quo Vadis: p. 15 互联网档案馆的存檔，存档日期April 4, 2023，.. "MGM's most expensive film of the period, Quo Vadis (1951) also did extremely well. The cost was $7,623,000, earnings were an estimated $21.2 million (with foreign earnings almost 50 percent of this total), and profit was estimated at $5,562,000."

Rear Window: pp. 203 互联网档案馆的存檔，存档日期April 4, 2023，.–204 互联网档案馆的存檔，存档日期April 4, 2023，.. "Rear Window (1954) was an excellent commercial success, with a cost of $1 million and North American rentals of $5.3 million."

[354] Quo Vadis: p. 15 互联网档案馆的存檔，存档日期April 4, 2023，.. "MGM's most expensive film of the period, Quo Vadis (1951) also did extremely well. The cost was $7,623,000, earnings were an estimated $21.2 million (with foreign earnings almost 50 percent of this total), and profit was estimated at $5,562,000."

[355] Rear Window: pp. 203 互联网档案馆的存檔，存档日期April 4, 2023，.–204 互联网档案馆的存檔，存档日期April 4, 2023，.. "Rear Window (1954) was an excellent commercial success, with a cost of $1 million and North American rentals of $5.3 million."

[BlockWilson335-351] 299.0 ^299.1 Block & Wilson 2010，第335頁.
The Robe: "Domestic Rentals: $16.7; Foreign Rentals: $9.4; Production Cost: $4.1 (Unadjusted $s in Millions of $s)."

Quo Vadis: "Domestic Rentals: $11.1; Foreign Rentals: $15.6; Production Cost: $7.5 (Unadjusted $s in Millions of $s)."

[357] The Robe: "Domestic Rentals: $16.7; Foreign Rentals: $9.4; Production Cost: $4.1 (Unadjusted $s in Millions of $s)."

[358] Quo Vadis: "Domestic Rentals: $11.1; Foreign Rentals: $15.6; Production Cost: $7.5 (Unadjusted $s in Millions of $s)."

[352] Mulligan, Hugh A. Cinerama Pushing Ahead As Biggest Money-Maker. The Register-Guard (Eugene, Oregon). September 23, 1956: 7B.

[353] Zone, Ray. 3-D Revolution: The History of Modern Stereoscopic Cinema. University Press of Kentucky. 2012: 71. ISBN 978-0-8131-3611-0. Produced at a cost of $1 million, This is Cinerama ran 122 weeks, earning $4.7 million in its initial New York run alone and eventually grossed over $32 million. It was obvious to Hollywood that the public was ready for a new form of motion picture entertainment. The first five Cinerama feature-length travelogues, though they only played in twenty-two theaters, pulled in a combined gross of $82 million.

[354] Burns, Douglas, The Greatest Show on Earth: 354–355, 2010, By May 1953, Variety was reporting that the Best Picture winner had amassed $18.35 million in worldwide rentals. In: Block & Wilson 2010.

[355] The Greatest Show on Earth (1952) – Notes. Turner Classic Movies. [January 8, 2012]. （原始内容存档于July 14, 2015）.

[356] Peter Pan (1953) – Notes. Turner Classic Movies. [July 24, 2011]. （原始内容存档于September 3, 2015）.

[357] Top Grossers of 1953. Variety. January 13, 1954: 10 [September 12, 2019].

[HallNeale147-358] Hall & Neale 2010，第147–148頁. "To take full advantage of CinemaScope's panoramic possibilities, shooting was delayed for the sets to be redesigned and rebuilt, adding $500,000 to the eventual $4.1 million budget...It ultimately returned domestic rentals of $17.5 million and $25 million worldwide, placing it second only to Gone with the Wind in Variety's annually updated chart."

[359] Block & Wilson 2010，第367頁. "It brought in $16.7 million in domestic rentals, $9.4 million in foreign rentals, and made a net profit of $8.1 million."

[360] Rear Window. Boxoffice. [May 29, 2016]. （原始内容存档于May 30, 2016）.

[361] White Christmas. Boxoffice. [May 29, 2016]. （原始内容存档于May 30, 2016）.

[362] Block & Wilson 2010，第420頁. "Domestic Box Office: $19.6 million; Production Cost: $3.8 million."

[363] Hall & Neale 2010，第149頁. "VistaVision was first used for the musical White Christmas (1954), which Variety named the top grosser of its year with anticipated domestic rentals of $12 million."

[364] 20000 Leagues Under The Sea. Boxoffice. [May 29, 2016]. （原始内容存档于December 25, 2018）.

[365] Miller, John M. 20,000 Leagues Under the Sea (1954) – Articles. Turner Classic Movies. [January 9, 2012]. （原始内容存档于December 21, 2014）.

[366] Finler 2003，第320頁. "It was up and running in time to handle Disney's most elaborate expensive feature, 20,000 Leagues Under the Sea, based on the book by Jules Verne, starring James Mason and Kirk Douglas and directed by Richard Fleischer at a cost of $4.5 million."

[DisneyWWVariety2003-367] 315.0 ^315.1 ^315.2 D'Alessandro, Anthony. Disney Animated Features at the Worldwide Box Office. Variety. October 27, 2003 [July 4, 2022]. （原始内容存档于November 4, 2020） –通过The Free Library. The Jungle Book $378 million; One Hundred and One Dalmatians $303 million; Lady and the Tramp $187 million

[368] Lady and the Tramp (1955) – Notes. Turner Classic Movies. [July 27, 2011]. （原始内容存档于September 28, 2015）.

[369] Minego, Pete. Pete's Pungent Patter. Portsmouth Daily Times (Portsmouth, Ohio). May 21, 1956: 19.

[370] Cinerama Holiday (1955) – Notes. Turner Classic Movies. [July 7, 2012]. （原始内容存档于July 24, 2019）.

[371] Block & Wilson 2010
p. 382 互联网档案馆的存檔，存档日期April 3, 2023，.. "Production Cost: $2.4 (Unadjusted $s in Millions of $s)"

Burns, Douglas, Mister Roberts: 383, 2010, Mister Roberts sailed onto movie screens buoyed by enthusiastic reviews and receptive audiences. For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show. It returned a net profit of $4.5 million on worldwide rentals of $9.9 million, putting it in the top 5 domestic films of 1955.

[379] . 382 互联网档案馆的存檔，存档日期April 3, 2023，.. "Production Cost: $2.4 (Unadjusted $s in Millions of $s)"

[380] Burns, Douglas, Mister Roberts: 383, 2010, Mister Roberts sailed onto movie screens buoyed by enthusiastic reviews and receptive audiences. For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show. It returned a net profit of $4.5 million on worldwide rentals of $9.9 million, putting it in the top 5 domestic films of 1955.

[BlockWilson327-372] Block & Wilson 2010，第327頁. "Production cost: $13.3 million; Domestic Film Rental: $31.3; Foreign Film Rental: $23.9; Worldwide Box office (estimated): $122.7 (Initial Release – Unadjusted $s in Millions of $s)."

[HallNeale159-373] 321.0 ^321.1 Hall & Neale 2010，第159–161頁
The Ten Commandments: "No film did more to entrench roadshow policy than The Ten Commandments. While the success of This Is Cinerama, The Robe, and even Eighty Days could be attributed, at least in part, to their respective photographic and projection formats, that of DeMille's film (which cost a record $13,266,491) could not...General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."

The Bridge on the River Kwai: Columbia's Anglo-American war film The Bridge on the River Kwai (1957) opened on a roadshow basis in selected U.S. cities (including New York, Chicago, Boston, and Los Angeles) and in London. Costing only $2,840,000 to produce, it grossed $30.6 million worldwide on first release."

[383] The Ten Commandments: "No film did more to entrench roadshow policy than The Ten Commandments. While the success of This Is Cinerama, The Robe, and even Eighty Days could be attributed, at least in part, to their respective photographic and projection formats, that of DeMille's film (which cost a record $13,266,491) could not...General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."

[384] The Bridge on the River Kwai: Columbia's Anglo-American war film The Bridge on the River Kwai (1957) opened on a roadshow basis in selected U.S. cities (including New York, Chicago, Boston, and Los Angeles) and in London. Costing only $2,840,000 to produce, it grossed $30.6 million worldwide on first release."

[374] Hall & Neale 2010，第153頁. "South Pacific also became for a time the most successful film ever released in the United Kingdom, where it earned a box-office gross three times its negative cost of $5,610,000. Anticipated global rentals after three years were $30 million."

[375] Ross, Steven J. Hollywood Left and Right: How Movie Stars Shaped American Politics. Oxford University Press. 2011: 278–279. ISBN 978-0-19-991143-1. Costing $15 million to produce, the film earned $47 million by the end of 1961 and $90 million worldwide by January 1989.

[376] Block & Wilson 2010，第324頁. "Worldwide box office: $146.9 million; Worldwide rentals: $66.1 million; Production cost: $15.9 million. (Initial Release – Unadjusted $s in Millions of $s)"

[377] Reid, John Howard. America's Best, Britain's Finest: A Survey of Mixed Movies. 14 of Hollywood classics. Lulu. 2006: 243–245. ISBN 978-1-4116-7877-4. Negative cost: around $4 million; Worldwide film rentals gross (including 1968 American reissue) to 1970: $30 million.

[378] Webster, Patrick. Love and Death in Kubrick: A Critical Study of the Films from Lolita Through Eyes Wide Shut. McFarland & Company. 2010: 298 (note 2.23). ISBN 978-0-7864-5916-2. Spartacus cost $12 million and grossed some $60 million at the box office, figures Kubrick rarely again matched.

[HallNeale179-379] 327.0 ^327.1 Hall & Neale 2010，第179頁.
Spartacus: "In the case of Spartacus, overseas earnings to 1969 amounted to $12,462,044, while U.S. and Canadian rentals (even including a million-dollar TV sale) were only $10,643,181. But the film failed to show a profit on production costs of $10,284,014 because of the distribution charges and expenses amounting to an additional $15,308,083."

The Bible: "The Bible—In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."

[391] Spartacus: "In the case of Spartacus, overseas earnings to 1969 amounted to $12,462,044, while U.S. and Canadian rentals (even including a million-dollar TV sale) were only $10,643,181. But the film failed to show a profit on production costs of $10,284,014 because of the distribution charges and expenses amounting to an additional $15,308,083."

[392] The Bible: "The Bible—In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."

[380] Nixon, Rob. Psycho (1960) – Articles. Turner Classic Movies. [January 9, 2012]. （原始内容存档于September 12, 2015）.

[381] Tube. One Hundred and One Dalmatians. Daily Variety. January 18, 1961 [August 23, 2011]. （原始内容存档于November 9, 2012）.

[382] Block, Hayley Taylor, West Side Story: 449, 2010, With its three rereleases, it took in over $105 million in worldwide box office ($720 million in 2005 dollars). In: Block & Wilson 2010.

[BlockWilson434-383] 331.0 ^331.1 ^331.2 ^331.3 ^331.4 ^331.5 ^331.6 Block & Wilson 2010，第434頁.
The Sound of Music: "Domestic Rentals: $68.4; Foreign Rentals: $46.2; Production Cost: $8.0 (Initial Release – Unadjusted $s in Millions of $s)."

The Dirty Dozen: "Domestic Rentals: $20.1; Foreign Rentals: $11.2; Production Cost: $5.4 (Initial Release – Unadjusted $s in Millions of $s)."

2001: A Space Odyssey: "Domestic Rentals: $16.4; Foreign Rentals: $5.5; Production Cost: $10.3 (Initial Release – Unadjusted $s in Millions of $s)."

Cleopatra: "Domestic Rentals: $22.1; Foreign Rentals: $18.2; Production Cost: $44.0 (Initial Release – Unadjusted $s in Millions of $s)."

West Side Story: "Domestic Rentals: $16.2; Foreign Rentals: $15.6; Production Cost: $7.0 (Initial Release – Unadjusted $s in Millions of $s)."

The Longest Day: "Domestic Rentals: $13.9; Foreign Rentals: $19.3; Production Cost: $8.6 (Initial Release – Unadjusted $s in Millions of $s)."

Butch Cassidy and the Sundance Kid: "Domestic Rentals: $29.2; Foreign Rentals: $7.9; Production Cost: $6.6 (Initial Release – Unadjusted $s in Millions of $s)."

[397] The Sound of Music: "Domestic Rentals: $68.4; Foreign Rentals: $46.2; Production Cost: $8.0 (Initial Release – Unadjusted $s in Millions of $s)."

[398] The Dirty Dozen: "Domestic Rentals: $20.1; Foreign Rentals: $11.2; Production Cost: $5.4 (Initial Release – Unadjusted $s in Millions of $s)."

[399] 2001: A Space Odyssey: "Domestic Rentals: $16.4; Foreign Rentals: $5.5; Production Cost: $10.3 (Initial Release – Unadjusted $s in Millions of $s)."

[400] Cleopatra: "Domestic Rentals: $22.1; Foreign Rentals: $18.2; Production Cost: $44.0 (Initial Release – Unadjusted $s in Millions of $s)."

[401] West Side Story: "Domestic Rentals: $16.2; Foreign Rentals: $15.6; Production Cost: $7.0 (Initial Release – Unadjusted $s in Millions of $s)."

[402] The Longest Day: "Domestic Rentals: $13.9; Foreign Rentals: $19.3; Production Cost: $8.6 (Initial Release – Unadjusted $s in Millions of $s)."

[403] Butch Cassidy and the Sundance Kid: "Domestic Rentals: $29.2; Foreign Rentals: $7.9; Production Cost: $6.6 (Initial Release – Unadjusted $s in Millions of $s)."

[384] Lawrence of Arabia
1962 release: Lawrence of Arabia. The Numbers. Nash Information Services. LLC. [August 15, 2011]. （原始内容存档于March 16, 2012）. Worldwide Box Office: $69,995,385; International Box Office: $32,500,000

U.S. total (including reissues): Lawrence of Arabia. Boxoffice. [May 29, 2016]. （原始内容存档于August 10, 2014）. $44,824,852

[405] 1962 release: Lawrence of Arabia. The Numbers. Nash Information Services. LLC. [August 15, 2011]. （原始内容存档于March 16, 2012）. Worldwide Box Office: $69,995,385; International Box Office: $32,500,000

[406] U.S. total (including reissues): Lawrence of Arabia. Boxoffice. [May 29, 2016]. （原始内容存档于August 10, 2014）. $44,824,852

[HallNeale165-385] 333.0 ^333.1 ^333.2 Hall & Neale 2010，第165–166頁
Lawrence of Arabia: Columbia released the $13.8 million Lawrence of Arabia (1962), filmed in Super Panavision 70, exclusively on a hard-ticket basis, but opened Barabbas (1962), The Cardinal (1963), and the $12 million Joseph Conrad adaptation Lord Jim (1965) as 70 mm roadshows in selected territories only."

The Longest Day: "Darryl's most ambitious independent production was The Longest Day (1962), a three-hour reconstruction of D-Day filmed in black-and-white CinemaScope at a cost of $8 million. It grossed over $30 million worldwide as a roadshow followed by general release, thereby helping the studio regain stability during its period of reorganization."

Cleopatra: "With top tickets set at an all-time high of $5.50,Cleopatra had amassed as much as $20 million in such guarantees from exhibitors even before its premiere. Fox claimed the film had cost in total $44 million, of which $31,115,000 represented the direct negative cost and the rest distribution, print and advertising expenses. (These figures excluded the more than $5 million spent on the production's abortive British shoot in 1960–61, prior to its relocation to Italy.) By 1966 worldwide rentals had reached $38,042,000 including $23.5 million from the United States."

[408] Lawrence of Arabia: Columbia released the $13.8 million Lawrence of Arabia (1962), filmed in Super Panavision 70, exclusively on a hard-ticket basis, but opened Barabbas (1962), The Cardinal (1963), and the $12 million Joseph Conrad adaptation Lord Jim (1965) as 70 mm roadshows in selected territories only."

[409] The Longest Day: "Darryl's most ambitious independent production was The Longest Day (1962), a three-hour reconstruction of D-Day filmed in black-and-white CinemaScope at a cost of $8 million. It grossed over $30 million worldwide as a roadshow followed by general release, thereby helping the studio regain stability during its period of reorganization."

[410] Cleopatra: "With top tickets set at an all-time high of $5.50,Cleopatra had amassed as much as $20 million in such guarantees from exhibitors even before its premiere. Fox claimed the film had cost in total $44 million, of which $31,115,000 represented the direct negative cost and the rest distribution, print and advertising expenses. (These figures excluded the more than $5 million spent on the production's abortive British shoot in 1960–61, prior to its relocation to Italy.) By 1966 worldwide rentals had reached $38,042,000 including $23.5 million from the United States."

[HallNeale164-386] Hall & Neale 2010，第164頁. "West cost $14,483,000; although it earned $35 million worldwide in just under three years, with ultimate domestic rentals totaling $20,932,883, high distribution costs severely limited its profitability."

[Bond_grosses-387] 335.0 ^335.1 ^335.2 ^335.3 Block & Wilson 2010，第428–429頁
From Russia With Love: "Worldwide Box Office: 78.9; Production Cost: 2.0 (in millions of $s)"

Goldfinger: "Worldwide Box Office: 124.9; Production Cost: 3.0 (in millions of $s)"

Diamonds Are Forever: "Worldwide Box Office: 116; Production Cost: 7.2 (in millions of $s)"

Moonraker: "Worldwide Box Office: 210.3; Production Cost: 34.0 (in millions of $s)"

[413] From Russia With Love: "Worldwide Box Office: 78.9; Production Cost: 2.0 (in millions of $s)"

[414] Goldfinger: "Worldwide Box Office: 124.9; Production Cost: 3.0 (in millions of $s)"

[415] Diamonds Are Forever: "Worldwide Box Office: 116; Production Cost: 7.2 (in millions of $s)"

[416] Moonraker: "Worldwide Box Office: 210.3; Production Cost: 34.0 (in millions of $s)"

[Chapman_(2007)-388] 336.0 ^336.1 Chapman, James. Licence to thrill: a cultural history of the James Bond films. I.B. Tauris. 2007. ISBN 978-1-84511-515-9.
From Russia With Love: "The American release of From Russia With Love again followed on some six months after it had been shown in Britain. North American rentals of $9.9 million were an improvement on its predecessor, helped by a slightly wider release, though they were still only half the $19.5 million of foreign rentals... (Online copy 互联网档案馆的存檔，存档日期April 4, 2023，. at Google Books)"

Diamonds Are Forever: "Diamonds Are Forever marked a return to the box-office heights of the Bond films of the mid-1960s. Its worldwide rentals were $45.7 million..."^{[页码请求]}

Moonraker: "These figures were surpassed by Moonraker, which earned total worldwide rentals of $87.7 million, of which $33 million came from North America. (Online copy 互联网档案馆的存檔，存档日期April 4, 2023，. at Google Books)"

[418] From Russia With Love: "The American release of From Russia With Love again followed on some six months after it had been shown in Britain. North American rentals of $9.9 million were an improvement on its predecessor, helped by a slightly wider release, though they were still only half the $19.5 million of foreign rentals... (Online copy 互联网档案馆的存檔，存档日期April 4, 2023，. at Google Books)"

[419] Diamonds Are Forever: "Diamonds Are Forever marked a return to the box-office heights of the Bond films of the mid-1960s. Its worldwide rentals were $45.7 million..."^{[页码请求]}

[420] Moonraker: "These figures were surpassed by Moonraker, which earned total worldwide rentals of $87.7 million, of which $33 million came from North America. (Online copy 互联网档案馆的存檔，存档日期April 4, 2023，. at Google Books)"

[Balio_(2009)-389] 337.0 ^337.1 Balio, Tino. United Artists, Volume 2, 1951–1978: the Company that Changed the Film Industry. University of Wisconsin Press. 2009: 261. ISBN 978-0-299-23014-2.
From Russia With Love: "The picture grossed twice as much as Dr. No, both domestic and foreign—$12.5 million worldwide (Online copy 互联网档案馆的存檔，存档日期April 4, 2023，. at Google Books)"

Goldfinger: "Produced on a budget of around $3 million, Goldfinger grossed a phenomenal $46 million worldwide the first time around. (Online copy 互联网档案馆的存檔，存档日期April 4, 2023，. at Google Books)"

[422] From Russia With Love: "The picture grossed twice as much as Dr. No, both domestic and foreign—$12.5 million worldwide (Online copy 互联网档案馆的存檔，存档日期April 4, 2023，. at Google Books)"

[423] Goldfinger: "Produced on a budget of around $3 million, Goldfinger grossed a phenomenal $46 million worldwide the first time around. (Online copy 互联网档案馆的存檔，存档日期April 4, 2023，. at Google Books)"

[HallNeale184-390] 338.0 ^338.1 Hall & Neale 2010，第184頁
My Fair Lady: "My Fair Lady (1964) cost Warners $17 million to make, including a record $5.5 million just for the film rights to the Alan Jay Lerner and Frederick Loewe stage show and a million-dollar fee for star Audrey Hepburn. By 1967 it was reported to have grossed $55 million from roadshowing worldwide."

Mary Poppins: "Mary Poppins (1964), which cost $5.2 million, was neither a stage adaptation nor a roadshow. But by the end of its first release, it had grossed nearly $50 million worldwide."

[425] My Fair Lady: "My Fair Lady (1964) cost Warners $17 million to make, including a record $5.5 million just for the film rights to the Alan Jay Lerner and Frederick Loewe stage show and a million-dollar fee for star Audrey Hepburn. By 1967 it was reported to have grossed $55 million from roadshowing worldwide."

[426] Mary Poppins: "Mary Poppins (1964), which cost $5.2 million, was neither a stage adaptation nor a roadshow. But by the end of its first release, it had grossed nearly $50 million worldwide."

[391] Burns, Douglas, Mary Poppins: 469, 2010, In its initial run, Poppins garnered an astounding $44 million in worldwide rentals and became the company's first Best Picture Oscar contender. In: Block & Wilson 2010.

[392] The Sound of Music. Boxoffice. [May 29, 2016]. （原始内容存档于December 25, 2018）.

[393] Silverman, Stephen M. The Fox that got Away: The Last Days of the Zanuck Dynasty at Twentieth Century-Fox. Secaucus, N.J.: L. Stuart. 1988: 325. ISBN 978-0-8184-0485-6.

[394] Hawaii. The Numbers. Nash Information Services. LLC. [August 18, 2011]. （原始内容存档于March 16, 2012）.

[395] Who's Afraid of Virginia Wolf? (1966). The Numbers. Nash Information Services. LLC. [February 3, 2020]. （原始内容存档于November 12, 2019）.

[HallNeale188-396] Hall & Neale 2010，第188頁. "The negative cost of Warners' adaptation of Edward Albee's play Who's Afraid of Virginia Woolf? (1966)—filmed in widescreen and black-and-white, largely set in domestic interiors and with a cast of only four principal actors—amounted to $7,613,000, in part because stars Elizabeth Taylor and Richard Burton received up-front fees of $1 million and $750,000 respectively, against 10 percent of the gross apiece. (Their participation was presumably added to the budget)."

[397] Animals Portray Parts in Disney's "Robin Hood". Toledo Blade. October 18, 1970. Sec. G, p. 7. "The Jungle Book," in it's（原文如此） initial world-wide release, has grossed $23.8 million to date...

[398] Murphy, A.D. The Jungle Book. Variety. October 4, 1967: 6 [March 14, 2018]. （原始内容存档于March 15, 2018）. It was filmed at a declared cost of $4 million over a 42-month period.

[Denisoff_&_Romanowski_(1991)-399] 347.0 ^347.1 Denisoff, R. Serge; Romanowski, William D. Risky Business: Rock in Film. Transaction Publishers. 1991. ISBN 978-0-88738-843-9.
The Graduate: p. 167 互联网档案馆的存檔，存档日期June 5, 2019，.. "World net rental was estimated at more than $85 million by January 1971."

Grease: p. 236 互联网档案馆的存檔，存档日期April 4, 2023，.. "The film was produced for $6 million and Paramount reportedly spent another $3 million on promotion."

[436] The Graduate: p. 167 互联网档案馆的存檔，存档日期June 5, 2019，.. "World net rental was estimated at more than $85 million by January 1971."

[437] Grease: p. 236 互联网档案馆的存檔，存档日期April 4, 2023，.. "The film was produced for $6 million and Paramount reportedly spent another $3 million on promotion."

[HallNeale191-400] 348.0 ^348.1 Hall & Neale 2010，第191–192頁
The Graduate: "The Graduate eventually earned U.S. rentals of $44,090,729 on a production cost of $3.1 million to become the most lucrative non-roadshow picture (and independent release) to date."

Butch Cassidy and the Sundance Kid: "None of these films was roadshown in the United States; most were set in contemporary America or had a contemporary "take" on the past (the casting of genuine teenagers to play Romeo and Juliet, the urbane sophistication of the dialogue in Butch Cassidy, the antiauthoritarianism of Bonnie and Clyde and MASH); most were produced on modest or medium-sized budgets (as low as $450,000 for Easy Rider and no higher than $6,825,000 for Butch Cassidy); and all grossed upward of $10 million domestically."

[439] The Graduate: "The Graduate eventually earned U.S. rentals of $44,090,729 on a production cost of $3.1 million to become the most lucrative non-roadshow picture (and independent release) to date."

[440] Butch Cassidy and the Sundance Kid: "None of these films was roadshown in the United States; most were set in contemporary America or had a contemporary "take" on the past (the casting of genuine teenagers to play Romeo and Juliet, the urbane sophistication of the dialogue in Butch Cassidy, the antiauthoritarianism of Bonnie and Clyde and MASH); most were produced on modest or medium-sized budgets (as low as $450,000 for Easy Rider and no higher than $6,825,000 for Butch Cassidy); and all grossed upward of $10 million domestically."

[401] 2001: A Space Odyssey
Total: Miller, Frank. 2001: A Space Odyssey (1968) – Articles. Turner Classic Movies. [August 24, 2011]. （原始内容存档于February 12, 2012）. 2001: A Space Odyssey made $15 million on its initial U.S. release, and currently shows a worldwide gross of over $190 million.

As of 2006: Palmer, R. Barton. 2001: The Critical Reception and the Generation Gap. Kolker, Robert Phillip (编). Stanley Kubrick's 2001: a Space Odyssey: New Essays. Oxford University Press. 2006: 16. ISBN 978-0-19-517452-6. With its initial and subsequent releases, domestic and worldwide, Kubrick's arty, intellectual film earned nearly $138 million, which was, at that time, an astounding figure.

2013 re-release: 2001: A Space Odyssey (2013 re-release). Box Office Mojo. [September 26, 2018]. （原始内容存档于June 15, 2019）. Domestic Total Gross: $214,618; United Kingdom: $568,997

2014 re-release: 2001: A Space Odyssey (2014 re-release). Box Office Mojo. [September 26, 2018]. （原始内容存档于June 5, 2019）. Domestic Total Gross: $135,370

2018 re-release: 2001: A Space Odyssey (2018 re-release). Box Office Mojo. [September 26, 2018]. （原始内容存档于June 15, 2019）. Domestic Total Gross: $1,283,820; Australia: $192,457; Greece: $27,510; Netherlands: $159,068; New Zealand: $5,046; Russia: $155,841; United Kingdom: $296,525

[442] Total: Miller, Frank. 2001: A Space Odyssey (1968) – Articles. Turner Classic Movies. [August 24, 2011]. （原始内容存档于February 12, 2012）. 2001: A Space Odyssey made $15 million on its initial U.S. release, and currently shows a worldwide gross of over $190 million.

[443] As of 2006: Palmer, R. Barton. 2001: The Critical Reception and the Generation Gap. Kolker, Robert Phillip (编). Stanley Kubrick's 2001: a Space Odyssey: New Essays. Oxford University Press. 2006: 16. ISBN 978-0-19-517452-6. With its initial and subsequent releases, domestic and worldwide, Kubrick's arty, intellectual film earned nearly $138 million, which was, at that time, an astounding figure.

[444] 2013 re-release: 2001: A Space Odyssey (2013 re-release). Box Office Mojo. [September 26, 2018]. （原始内容存档于June 15, 2019）. Domestic Total Gross: $214,618; United Kingdom: $568,997

[445] 2014 re-release: 2001: A Space Odyssey (2014 re-release). Box Office Mojo. [September 26, 2018]. （原始内容存档于June 5, 2019）. Domestic Total Gross: $135,370

[446] 2018 re-release: 2001: A Space Odyssey (2018 re-release). Box Office Mojo. [September 26, 2018]. （原始内容存档于June 15, 2019）. Domestic Total Gross: $1,283,820; Australia: $192,457; Greece: $27,510; Netherlands: $159,068; New Zealand: $5,046; Russia: $155,841; United Kingdom: $296,525

[402] Haber, Joyces. 'Funny Girl' a Box Office Winner. Los Angeles Times. March 27, 1969 [March 29, 2012]. （原始内容存档于July 24, 2012）. ..."Funny Girl" will gross an estimated $80 to $100 million worldwide.

[403] Welles, Chris. Behind the Silence at Columbia Pictures—No Moguls, No Minions, Just Profits. New York 3 (36). September 7, 1970: 42–47. While Columbia, battling Ray Stark over every dollar, did Funny Girl for around $8.8 million, a million or so over budget, Fox spent nearly $24 million on Hello, Dolly!, more than twice the initial budget, and the film will thus have to gross three times as much to break even.

[404] Butch Cassidy and the Sundance Kid
United States and Canada: Butch Cassidy and the Sundance Kid. Boxoffice. [May 29, 2016]. （原始内容存档于January 8, 2019）. $102,308,525

Outside North America: Vanity Fair. 2008: 388. Butch Cassidy went on to be a huge hit—by the spring of 1970 it had taken in $46 million in North America and grossed another $50 million abroad. |issue=被忽略 (帮助)

[450] United States and Canada: Butch Cassidy and the Sundance Kid. Boxoffice. [May 29, 2016]. （原始内容存档于January 8, 2019）. $102,308,525

[451] Outside North America: Vanity Fair. 2008: 388. Butch Cassidy went on to be a huge hit—by the spring of 1970 it had taken in $46 million in North America and grossed another $50 million abroad. |issue=被忽略 (帮助)

[405] D'Alessandro, Anthony. Top 50 worldwide grossers. Variety. July 15, 2002: 52, Paramount at 90 supplement.

[406] 'Love Story' II: Ryan Redux?. New York. Vol. 9. 1976: 389. Bring those handkerchiefs out of retirement. ... After all, the first movie made around $80 million worldwide.

[407] Block, Hayley Taylor, Love Story: 545, 2010, The final cost came in at $2,260,000. In: Block & Wilson 2010.

[408] Block & Wilson 2010，第549頁. "Fiddler had the highest domestic box office of 1971 (it was second in worldwide box office after Diamonds Are Forever), with more than $100 million in unadjusted worldwide box office on its initial release. The soundtrack album was also a huge seller. The 1979 rerelease was not as successful, with the $3.8 million print and ad costs almost as high as the $4.3 million in worldwide rentals."

[BlockWilson527-409] 357.0 ^357.1 ^357.2 ^357.3 ^357.4 ^357.5 Block & Wilson 2010，第527頁.
Star Wars: "Domestic Rentals: $127.0; Foreign Rentals: $141.5; Production Cost: $13.0 (Initial Release – Unadjusted $s in Millions of $s)."

The Godfather: "Domestic Rentals: $85.6; Foreign Rentals: $42.0; Production Cost: $7.2 (Initial Release – Unadjusted $s in Millions of $s)."

Fiddler on the Roof: "Domestic Rentals: $34.0; Foreign Rentals: $11.1; Production Cost: $9.0 (Initial Release – Unadjusted $s in Millions of $s)."

Rocky: "Domestic Rentals: $56.0; Foreign Rentals: $21.1; Production Cost: $1.6 (Initial Release – Unadjusted $s in Millions of $s)."

[457] Star Wars: "Domestic Rentals: $127.0; Foreign Rentals: $141.5; Production Cost: $13.0 (Initial Release – Unadjusted $s in Millions of $s)."

[458] The Godfather: "Domestic Rentals: $85.6; Foreign Rentals: $42.0; Production Cost: $7.2 (Initial Release – Unadjusted $s in Millions of $s)."

[459] Fiddler on the Roof: "Domestic Rentals: $34.0; Foreign Rentals: $11.1; Production Cost: $9.0 (Initial Release – Unadjusted $s in Millions of $s)."

[460] Rocky: "Domestic Rentals: $56.0; Foreign Rentals: $21.1; Production Cost: $1.6 (Initial Release – Unadjusted $s in Millions of $s)."

[410] The Godfather
1974: Newsweek 84. 1974: 74. The original Godfather has grossed a mind-boggling $285 million... |issue=被忽略 (帮助)

1991: Von Gunden, Kenneth. Postmodern auteurs: Coppola, Lucas, De Palma, Spielberg, and Scorsese. McFarland & Company. 1991: 36. ISBN 978-0-89950-618-0. Since The Godfather had earned over $85 million in U.S.-Canada rentals (the worldwide box-office gross was $285 million), a sequel, according to the usual formula, could be expected to earn approximately two-thirds of the original's box-office take (ultimately Godfather II had rentals of $30 million).

Releases: The Godfather (1972). Box Office Mojo. [January 22, 2020]. （原始内容存档于February 6, 2020）. Original release: $243,862,778; 1997 re-release: $1,267,490; 2009 re-release: $121,323; 2011 re-release: $818,333; 2014 re-release: $29,349; 2018 re-release: $21,701; Budget: $6,000,000

[462] 1974: Newsweek 84. 1974: 74. The original Godfather has grossed a mind-boggling $285 million... |issue=被忽略 (帮助)

[463] 1991: Von Gunden, Kenneth. Postmodern auteurs: Coppola, Lucas, De Palma, Spielberg, and Scorsese. McFarland & Company. 1991: 36. ISBN 978-0-89950-618-0. Since The Godfather had earned over $85 million in U.S.-Canada rentals (the worldwide box-office gross was $285 million), a sequel, according to the usual formula, could be expected to earn approximately two-thirds of the original's box-office take (ultimately Godfather II had rentals of $30 million).

[464] Releases: The Godfather (1972). Box Office Mojo. [January 22, 2020]. （原始内容存档于February 6, 2020）. Original release: $243,862,778; 1997 re-release: $1,267,490; 2009 re-release: $121,323; 2011 re-release: $818,333; 2014 re-release: $29,349; 2018 re-release: $21,701; Budget: $6,000,000

[411] Jacobs, Diane. Hollywood Renaissance. Dell Publishing. 1980: 115. ISBN 978-0-440-53382-5. The Godfather catapulted Coppola to overnight celebrity, earning three Academy Awards and a then record-breaking $142 million in worldwide sales.

[godfather-tcm-412] The Godfather (1972) – Notes. Turner Classic Movies. [January 23, 2020]. （原始内容存档于June 15, 2020）.

[413] The Exorcist (1973). Box Office Mojo. [September 5, 2024]. （原始内容存档于November 1, 2023）.

[414] Stanley, Robert Henry; Steinberg, Charles Side. The media environment: mass communications in American society. Hastings House. 1976: 76. ISBN 978-0-8038-4681-4. ...further reflected by the phenomenal successes of The Sting, Chinatown and The Exorcist. The latter film, which cost about $10 million to produce, has grossed over $110 million worldwide.

[415] Big Rental Films of 1974. Variety. January 8, 1975: 24 [July 4, 2022] –通过Archive.org. U.S-Canada market only $66,300,000

[WBos-416] 364.0 ^364.1 Pollock, Dale. WB Adds To Its Record Collection. Daily Variety. May 9, 1979: 1. "Towering Inferno" did $56,000,000 overseas in billings while "The Exorcist" totted up $46,000,000

[417] New York 8, 1975, ...Jaws should outstrip another MCA hit, The Sting, which had world-wide revenues of $115 million. (Online copy 互联网档案馆的存檔，存档日期April 4, 2023，. at Google Books)

[BlockWilson560-418] Block & Wilson 2010，第560頁. "Production Cost: $5.5 (Unadjusted $s in Millions of $s)."

[419] It Towers $203,336,412 (advertisement). Variety. June 2, 1976: 8–9 [October 31, 2020]. （原始内容存档于January 8, 2023）.

[420] Hall & Neale 2010，第206–208頁. "The most successful entry in the disaster cycle was the $15 million The Towering Inferno which earned over $48,650,000 in domestic rentals and about $40 million foreign."

[421] Klady, Leonard. All-Time Top Film Rentals. Variety. 1998. （原始内容存档于October 7, 1999）. Domestic rentals: $48,838,000

[BlockWilson568-422] Block & Wilson 2010，第568頁. "Production Cost: $14.3 (Unadjusted $s in Millions of $s)."

[423] Jaws (1975). Box Office Mojo. [January 4, 2024]. （原始内容存档于April 2, 2020）.

[jaws-424] 372.0 ^372.1 Kilday, Gregg. Director of 'Jaws II' Abandons His 'Ship'. The Victoria Advocate. July 5, 1977: 6B.

[425] Priggé, Steven. Movie Moguls Speak: Interviews With Top Film Producers. McFarland & Company. 2004: 8. ISBN 978-0-7864-1929-6. The budget for the first Jaws was $4 million and the picture wound up costing $9 million.

[426] Rocky (1976) at The Numbers. Nash Information Services, LLC. Retrieved October 2, 2023.

[HallNeale214-427] Hall & Neale 2010，第214頁. "Rocky was the "sleeper of the decade". Produced by UA and costing just under $1 million, it went on to earn a box-office gross of $117,235,247 in the United States and $225 million worldwide."

[BlockWilson583-428] Block, Alex Ben, Rocky: 583, 2010, The budget was $1,075,000 plus producer's fees of $100,000. In: Block & Wilson 2010.

[star-wars-se-429] Star Wars (1977). Box Office Mojo. [October 1, 2023]. （原始内容存档于March 5, 2023）.

[et_first-run-430] 378.0 ^378.1 ^378.2 ^378.3 Wuntch, Philip. Return of E.T.. The Dallas Morning News. July 19, 1985 [March 6, 2012]. （原始内容存档于May 17, 2013）. Its worldwide box-office gross was $619 million, toppling the record of $530 million set by Star Wars.

[HallNeale218-431] Hall & Neale 2010，第218頁. "Eventually costing $11,293,151, Star Wars was previewed at the Northpoint Theatre in San Francisco on May 1, 1977."

[432] Grease (1978). Box Office Mojo. [May 14, 2023]. （原始内容存档于May 22, 2023）.

[433] Hofler, Robert. Party Animals: A Hollywood Tale of Sex, Drugs, and Rock 'N' Roll Starring the Fabulous Allan Carr. ReadHowYouWant.com. 2010: 145. ISBN 978-1-4596-0007-2. Despite the fact that Grease was well on its way to becoming the highest-grossing movie musical in the world, and eventually grossed over $341 million...

[434] Moonraker (1979). Box Office Mojo. [October 2, 2023]. （原始内容存档于January 31, 2023）.

[kramer-435] 383.0 ^383.1 Kramer vs. Kramer
United & Babson Investment Report 72. Babson-United, Inc. 1980: 262. Columbia Pictures Industries is continuing to rake in the box office dollars from its Oscar-winning Kramer vs. Kramer, which has topped $100 million in domestic grosses and $70 million overseas. Kramer, which cost less than $8 million to make, is now the second...

Prince, Stephen. A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980–1989. University of California Press. 2002: 7. ISBN 978-0-520-23266-2. Much of this was attributable to the performance of its hit film, Kramer vs. Kramer ($94 million worldwide and the number two film in the domestic market).

[490] United & Babson Investment Report 72. Babson-United, Inc. 1980: 262. Columbia Pictures Industries is continuing to rake in the box office dollars from its Oscar-winning Kramer vs. Kramer, which has topped $100 million in domestic grosses and $70 million overseas. Kramer, which cost less than $8 million to make, is now the second...

[491] Prince, Stephen. A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980–1989. University of California Press. 2002: 7. ISBN 978-0-520-23266-2. Much of this was attributable to the performance of its hit film, Kramer vs. Kramer ($94 million worldwide and the number two film in the domestic market).

[436] Rocky 2 (1979) at The Numbers. Nash Information Services, LLC. Retrieved October 2, 2023.

[437] Kilday, Greg. Rules of the Game. Entertainment Weekly. No. 119. May 22, 1992 [July 4, 2012]. （原始内容存档于December 25, 2018）.

[438] The Empire Strikes Back
Total up to 2014: The Empire Strikes Back (1980). Box Office Mojo. [September 5, 2024]. $538,375,067

Special edition: The Empire Strikes Back (Special Edition). Box Office Mojo. [October 1, 2023]. North America: $67,597,694; Overseas: $57,214,766

2015 re-release: The Empire Strikes Back (2015 Re-release). Box Office Mojo. [October 1, 2023]. United Kingdom: $9,593,937

2020 re-release: The Empire Strikes Back (2020 Re-release). Box Office Mojo. [September 5, 2024]. $3,137,879

[495] Total up to 2014: The Empire Strikes Back (1980). Box Office Mojo. [September 5, 2024]. $538,375,067

[496] Special edition: The Empire Strikes Back (Special Edition). Box Office Mojo. [October 1, 2023]. North America: $67,597,694; Overseas: $57,214,766

[497] 2015 re-release: The Empire Strikes Back (2015 Re-release). Box Office Mojo. [October 1, 2023]. United Kingdom: $9,593,937

[498] 2020 re-release: The Empire Strikes Back (2020 Re-release). Box Office Mojo. [September 5, 2024]. $3,137,879

[BlockWilson519-439] 387.0 ^387.1 ^387.2 Block & Wilson 2010，第519頁.
The Empire Strikes Back: "Production Cost: $32.0 (Unadjusted $s in Millions of $s)."

Return of the Jedi: "Production Cost: $42.7 (Unadjusted $s in Millions of $s)."

The Phantom Menace: "Production Cost: $127.5 (Unadjusted $s in Millions of $s)."

[500] The Empire Strikes Back: "Production Cost: $32.0 (Unadjusted $s in Millions of $s)."

[501] Return of the Jedi: "Production Cost: $42.7 (Unadjusted $s in Millions of $s)."

[titanic-sales-1] 1.0 ^1.1 ^1.2 Pincus-Roth, Zachary. Movies aren't the only B.O. monsters. Variety. 2006-01-08 [2014-02-02]. （原始内容存档于2021-04-20）.

[2] Avatar – Video Sales. The Numbers. Nash Information Services. [2013-11-12]. （原始内容存档于2018-11-25）.

[3] Unkind unwind. The Economist. 2011-03-17 [2022-04-06]. （原始内容存档于2017-09-04）.

[4] Vogel, Harold L. Entertainment Industry Economics: A Guide for Financial Analysis. Cambridge University Press. 2010: 224. ISBN 978-1-107-00309-5. Most pictures would likely receive 20% to 25% of theatrical box office gross for two prime-time network runs.

[5] Clark, Emma. How films make money. BBC News. 2001-11-12 [2012-04-12]. （原始内容存档于2017-09-08）.

[6] Seymour, Lee. Over The Last 20 Years, Broadway's 'Lion King' Has Made More Money For Disney Than 'Star Wars'. Forbes. 2017-12-18 [2019-07-28]. （原始内容存档于2023-06-10）.

[7] The Entertainment Glut. Bloomberg. 1998-02-15 [2022-04-06]. （原始内容存档于2017-10-12）.

[8] Pixar – Worldwide (Unadjusted). Box Office Mojo. [2012-04-12]. （原始内容存档于2019-08-29）.

[9] Szalai, Georg. Disney: 'Cars' Has Crossed $8 Billion in Global Retail Sales. The Hollywood Reporter. 2011-02-14 [2022-04-06]. （原始内容存档于2011-03-19）.

[10] Chmielewski, Dawn C.; Keegan, Rebecca. Merchandise sales drive Pixar's 'Cars' franchise. Los Angeles Times. 2011-06-21 [2012-04-12]. （原始内容存档于2013-07-09）.

[11] Palmeri, Christopher; Sakoui, Anousha. More Disney Fun and Games With 'Toy Story 4' in 2017. Bloomberg News. 2014-11-07 [2015-06-30]. （原始内容存档于2015-07-05）.

[78] Titanic (1997). Box Office Mojo. [October 27, 2019] –通过Wayback Machine.

[79] Titanic (1997). Box Office Mojo. [October 30, 2020] –通过Wayback Machine.

[80] Titanic (1997). Box Office Mojo. [October 26, 2021] –通过Wayback Machine.

[81] Titanic (1997). Box Office Mojo. [February 5, 2023] –通过Wayback Machine.

[82] Titanic. The Numbers. [September 2, 2014] –通过Wayback Machine.

[83] Titanic. The Numbers. [September 13, 2014] –通过Wayback Machine.

[84] The Fate of the Furious (2017) – International Box Office Results: Argentina. Box Office Mojo. [January 11, 2018].

[85] Pixar Movies at the Box Office. Box Office Mojo. （原始内容存档于August 16, 2016）.

[86] Pixar Movies at the Box Office. Box Office Mojo. （原始内容存档于August 20, 2016）.

[Bialik_(2010-1-29)-225] 21.0 ^21.1 Bialik, Carl. How Hollywood Box-Office Records Are Made. The Wall Street Journal. January 29, 2010 [August 9, 2011]. （原始内容存档于November 1, 2011）.

[Pincus-Roth_(2009)-226] 22.0 ^22.1 Pincus-Roth, Zachary. Best Weekend Never. Slate. July 6, 2009 [April 6, 2022]. （原始内容存档于April 6, 2022）.

[LLU_(2004)-227] 23.0 ^23.1 Anderson, S. Eric; Albertson, Stewart; Shavlick, David. How the motion picture industry miscalculates box office receipts. Proceedings of the Midwest Business Economics Association. Loma Linda University. March 2004 [April 8, 2013]. （原始内容 (DOC)存档于October 29, 2013）.

[Gray_(2010-02-03)-228] Gray, Brandon. 'Avatar' Claims Highest Gross of All Time. Box Office Mojo. [April 6, 2022]. （原始内容存档于February 7, 2010）.

[Bialik_(2010-1-30)-229] 25.0 ^25.1 Bialik, Carl. What It Takes for a Movie to Be No. 1. The Wall Street Journal. January 30, 2010 [August 9, 2011]. （原始内容存档于December 18, 2018）.

[Kolesnikov-Jessop-230] Kolesnikov-Jessop, Sonia. Hollywood Presses Its Global Agenda. The New York Times. May 22, 2011 [January 4, 2012]. （原始内容存档于December 18, 2018）.

[Hoad-231] Hoad, Phil. The rise of the international box office. The Guardian. August 11, 2011 [January 4, 2012]. （原始内容存档于June 29, 2023）.

[Frankel-232] Frankel, Daniel. Why the Foreign Box Office Leads: 'Fast Five,' 'Thor' Open Overseas First. The Wrap. May 1, 2011 [April 6, 2022]. （原始内容存档于January 9, 2019）.

[Bialik_(2007)-233] 29.0 ^29.1 Bialik, Carl. Box-Office Records Are the Stuff of 'Legend'. The Wall Street Journal. December 17, 2007 [August 10, 2011]. （原始内容存档于October 29, 2013）.

[Leonhardt-234] 30.0 ^30.1 Leonhardt, David. Why 'Avatar' Is Not the Top-Grossing Film. The New York Times. March 1, 2010 [April 7, 2013]. （原始内容存档于October 16, 2021）.

[gwtw_tcm-235] 31.0 ^31.1 Miller, Frank; Stafford, Jeff. Gone With the Wind (1939) – Articles. Turner Classic Movies. January 5, 2007. （原始内容存档于September 26, 2013）.

[Shone-236] 32.0 ^32.1 Shone, Tom. Oscars 2010: How James Cameron took on the world. The Daily Telegraph. February 3, 2010 [March 22, 2012]. （原始内容存档于January 10, 2022）.

[237] Hill, George F. Gone With The Wind, Indeed. The Washington Post. June 25, 2006. （原始内容存档于December 27, 2018）.

[Guinness_2015-238] 34.0 ^34.1 Guinness World Records 60 2015. Guinness World Records. 2014: 160–161. ISBN 978-1-908843-70-8.

[239] World Economic Outlook: Inflation rate, end of period consumer prices. International Monetary Fund. [June 16, 2024]. （原始内容存档于May 10, 2019）.

[240] Gone with the Wind (2019 Re-release). Box Office Mojo. [June 16, 2024]. Gross: $2,176,120

[241] Avatar (2009). Box Office Mojo. [September 10, 2022]. （原始内容存档于May 3, 2021）. 2020 Re-release: $1,281,204; 2021 Re-release: $57,995,770; 2022 Re-release: $76,012,917

[242] Glenday, Craig (编). Гиннесс. Мировые рекорды [Guinness World Records]. 由Andrianov, P.I.; Palova, I.V.翻译 2012. Moscow: Astrel. 2011: 211. ISBN 978-5-271-36423-5 （俄语）.

[243] Titanic 3D (2012) – International Box Office results. Box Office Mojo. [November 25, 2012]. （原始内容存档于October 27, 2019）. $343,550,770

[244] Titanic (1997). Box Office Mojo. [November 25, 2012]. 2017 Re-release: $691,642; 2020 Re-release: $71,352; 25 Year Anniversary: $70,157,472

[245] E.T. the Extra-Terrestrial (1982). Box Office Mojo. [June 16, 2024]. 2020 Re-release: $516,969; 2022 Re-release: $2,834,590

[Cones-246] 42.0 ^42.1 Cones, John W. The feature film distribution deal: a critical analysis of the single most important film industry agreement. Southern Illinois University Press. 1997: 41. ISBN 978-0-8093-2082-0. Distributor rentals: It is also important to know and recognize the difference between the distributor's gross receipts and the gross rentals. The term "rentals" refers to the aggregate amount of the film distributor's share of monies paid at theatre box offices computed on the basis of negotiated agreements between the distributor and the exhibitor. Note that gross receipts refers to amounts actually received and from all markets and media, whereas gross rentals refers to amounts earned from theatrical exhibition only, regardless of whether received by the distributor. Thus, gross receipts is the much broader term and includes distributor rentals. The issue of film rentals (i.e., what percentage of a film's box office gross comes back to the distributor) is of key importance...More current numbers suggest that distributor rentals for the major studio/distributor released films average in the neighborhood of 43% of box office gross. Again, however, such an average is based on widely divergent distributor rental ratios on individual films.

[Marich-247] Marich, Robert. Marketing to moviegoers: a handbook of strategies used by major studios and independents 2. Southern Illinois University Press. 2009: 252 [1st. pub. Focal Press:2005]. ISBN 978-0-8093-2884-0. Rentals are the distributors' share of the box office gross and typically set by a complex, two-part contract.

[Balio-248] Balio, Tino. The American film industry. University of Wisconsin Press. 2005: 296. ISBN 978-0-299-09874-2. Film Rentals as Percent of Volume of Business (1939): 36.4

[249] Balio, Tino. United Artists: the Company that Changed the Film Industry. University of Wisconsin Press. 1987: 124–125. ISBN 978-0-299-11440-4. To rekindle interest in the movies, Hollywood not only had to compete with television but also with other leisure-time activities...Movies made a comeback by 1955, but audiences had changed. Moviegoing became a special event for most people, creating the phenomenon of the big picture.

[HallNeale179-250] Hall & Neale 2010，第179. "Later epics proved far more disastrous for the backers. Samuel Bronston's The Fall of the Roman Empire, filmed in Spain, cost $17,816,876 and grossed only $1.9 million in America. George Stevens's long-gestating life of Christ, The Greatest Story Ever Told (1965), which had been in planning since 1954 and in production since 1962, earned domestic rentals of $6,962,715 on a $21,481,745 negative cost, the largest amount yet spent on a production made entirely within the United States. The Bible: In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."頁

[251] Williams, Trey. Ridley Scott's latest 'Alien' announcement drives Hollywood's sequel problem. MarketWatch. September 25, 2015 [May 12, 2016]. （原始内容存档于June 8, 2016）.

[252] Yearly Box Office. Box Office Mojo. [January 6, 2012]. （原始内容存档于July 29, 2015）.

[253] Movie Index By Year. The Numbers. Nash Information Services. LLC. [January 6, 2012]. （原始内容存档于December 21, 2011）.

[Dirks_(year)-254] Dirks, Tim. All-Time Box-Office Hits By Decade and Year. Filmsite.org. American Movie Classics. [January 5, 2012].

[258] Griffith's 20 Year Record. Variety. September 5, 1928: 12 [March 21, 2023].

[Schickel-259] Schickel, Richard. D. W. Griffith: An American Life. Limelight Series. Hal Leonard Corporation. 1996: 326. ISBN 978-0-87910-080-3. ...there exists a very precise production accountant's statement, drawn up some time after the picture was finished, previews had been held and release prints struck. This document shows that the negative cost of the picture was precisely $385,906.77...

[497] 20,000 Leagues Under the Sea. The Numbers. Nash Information Services. [January 5, 2012].

[Finler358-498] 54.0 ^54.1 Finler 2003，第358頁

[499] Milwaukee Magazine 32. 2007. The year's top–grossing movie, Aloma made $3 million in the first three months and brought Gray back to Milwaukee for its opening at the Wisconsin Theatre. |issue=被忽略 (帮助)

[500] Parkinson, David. The Rough Guide to Film Musicals. Dorling Kindersley. 2007: 28. ISBN 978-1-84353-650-5. But they had previously succeeded in showing how musicals could centre on ordinary people with Sunny Side Up (1929), which had grossed $2 million at the box office and demonstrated a new maturity and ingenuity in the staging of story and dance.

[HallNeale6-501] 57.0 ^57.1 Hall & Neale 2010，第6–7頁. "For similar reasons of accountability, Variety has typically used figures for domestic (U.S. and Canadian) rather than worldwide revenue. This became its standard policy in 1940, when the advent of war in Europe persuaded the American film industry (temporarily, as it turned out) that it should be wholly reliant on the home market for profitability. Where specific rentals data are reported in Variety before this (which tended to be only sporadically) they were often for worldwide rather domestic performance. This was also the case with other trade sources, such as Quigley's annual Motion Picture Almanac, which published its own all-time hits lists from the early 1930s onward. The subsequent confusion of domestic and worldwide figures, and of rental and box-office figures, has plagued many published accounts of Hollywood history (sometimes including those in Variety itself), and we have attempted to be diligant in clarifying the differences between them."

[502] McBride, Joseph. Frank Capra: The Catastrophe of Success. University Press of Mississippi. 2011: 309. ISBN 978-1-60473-838-4. According to the studio's books It Happened One Night brought in $1 million in film rentals during its initial release, but as Joe Walker pointed out, the figure would have been much larger if the film had not been sold to theaters on a block-booking basis in a package with more than two dozen lesser Columbia films, and the total rentals of the package spread among them all, as was customary in that era, since it minimized the risk and allowed the major studios to dominate the marketplace.

[503] Shearer, Lloyd. GWTW: Supercolossal Saga of an Epic. The New York Times. October 26, 1947 [July 14, 2012].

[504] Cinema: The Big Grossers. Time. February 2, 1953 [September 15, 2012]. （原始内容存档于December 22, 2008）.

[BlockWilson129-505] Block & Wilson 2010，第129頁. "Domestic Rentals: $30,015,000 (61%); Foreign Rentals: $18,964,000 (39%)...Gone with the Wind includes initial release plus four rereleases (1941,1942,1947 and 1954) since foreign rental revenues were available only cumulative through 1956."

[506] McDermott, Christine, Life with Father: 307, 2010, No matter what the billing, the movie became a worldwide hit with $6.5 million in worldwide rentals, from Pappa och vi in Sweden to Vita col padre in Italy, although it booked a net loss of $350,000. In: Block & Wilson 2010.

[507] Mulligan, Hugh A. Cinerama Pushing Ahead As Biggest Money-Maker. The Register-Guard（英语：The Register-Guard） (Eugene, Oregon). September 23, 1956: 7B.

[508] Hall & Neale 2010，第145頁. "The commercial success of the five Cinerama travelogues, which earned an aggregate worldwide box-office gross of $120 million by 1962 (including $82 million in the United States and Canada), nevertheless demonstrated to the mainstream industry the market value of special screen formats."

[Dirks_(2010)-509] 65.0 ^65.1 ^65.2 ^65.3 ^65.4 ^65.5 Dirks, Tim. Top Films of All-Time: Part 1 – Box-Office Blockbusters. Filmsite.org. [August 11, 2010].

[Wasko-510] 66.0 ^66.1 Wasko, Janet. D.W. Griffiths and the banks: a case study in film financing. Kerr, Paul (编). The Hollywood Film Industry: A Reader. Routledge. 1986: 34. ISBN 978-0-7100-9730-9. Various accounts have cited $15 to $18 million profits during the first few years of release, while in a letter to a potential investor in the proposed sound version, Aitken noted that a $15 to $18 million box-office gross was a 'conservative estimate'. For years Variety has listed The Birth of a Nation's total rental at $50 million. (This reflects the total amount paid to the distributor, not box-office gross.) This 'trade legend' has finally been acknowledged by Variety as a 'whopper myth', and the amount has been revised to $5 million. That figure seems far more feasible, as reports of earnings in the Griffith collection list gross receipts for 1915–1919 at slightly more than $5.2 million (including foreign distribution) and total earnings after deducting general office expenses, but not royalties, at about $2 million.

[Variety_(1932)-511] Biggest Money Pictures. Variety. June 21, 1932: 1 –通过Archive.org. Cited in Biggest Money Pictures. Cinemaweb. [June 25, 2015]. （原始内容存档于November 5, 2011）.

[512] 'Peter Pan' flies again. Daily Record (Ellensburg, Washington). United Press International. July 21, 1989: 16.

[513] Block & Wilson 2010，第237頁. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur".

[514] Finler 2003，第47頁. "Walt Disney took a big risk when he decided to invest $1.5 million in his first feature-length animated film, Snow White and the Seven Dwarfs. It became the biggest hit of the sound era and the largest-grossing movie since The Birth of a Nation – until the release of independent producer David O. Selznick's Gone with the Wind just two years later."

[515] Barrios, Richard. A Song in the Dark: The Birth of the Musical Film. Oxford University Press. 1995: 49. ISBN 978-0-19-508811-3. Since it's rarely seen today, The Singing Fool is frequently confused with The Jazz Singer; although besides Jolson and a pervasively maudlin air the two have little in common. In the earlier film Jolson was inordinately attached to his mother and sang "Mammy"; here the fixation was on his young son, and "Sonny Boy" became an enormous hit. So did the film, which amassed a stunning world-wide gross of $5.9 million...Some sources give it as the highest gross of any film in its initial release prior to Gone with the Wind. This is probably overstating it—MGM's records show that Ben-Hur and The Big Parade grossed more, and no one knows just how much The Birth of a Nation brought in. Still, by the standards of the time it's an amazing amount.

[516] Everson, William K. American silent film. Da Capo Press. 1998: 374 [First published 1978]. ISBN 978-0-306-80876-0. Putting The Birth of a Nation in fifth place is open to question, since it is generally conceded to be the top-grossing film of all time. However, it has always been difficult to obtain reliable box-office figures for this film, and it may have been even more difficult in the mid-1930s. After listing it until the mid-1970s as the top-grosser, though finding it impossible to quote exact figures, Variety, the trade journal, suddenly repudiated the claim but without giving specific details or reasons. On the basis of the number of paid admissions, and continuous exhibition, its number one position seems justified.

[HallNeale163-517] Hall & Neale 2010，第163頁. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era."

[du_Brow-518] 74.0 ^74.1 du Brow, Rick. Documentary On The Klan Made Quite An Impact On Du Brow. The Columbus Dispatch. September 22, 1965: 12.

[519] Hodgkinson, Will. Culture quake: The Birth of a Nation. The Daily Telegraph. April 12, 2004 [January 31, 2012]. （原始内容存档于January 10, 2022）.

[520] Thomas, Bob. 'West Side Story' Earned $19 Million Last Year. Reading Eagle. Associated Press. January 18, 1963: 20.

[521] Klopsch, Louis; Sandison, George Henry; Talmage, Thomas De Witt. Christian Herald 88. 1965: 68. Yet "The Ten Commandments" has earned 58 million dollars in film rentals and is expected to bring in 10 to 15 million each year it is reissued.

[HallNeale160-522] Hall & Neale 2010，第160–161頁. "General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."

[Oviatt_(1961)-523] Oviatt, Ray. The Memory Isn't Gone With The Wind. Toledo Blade. April 16, 1961: 67–68.

[524] Ben-Hur (1959) – Notes. Turner Classic Movies. [November 17, 2012].

[Thomas_(1963)-525] Thomas, Bob. Movie Finances Are No Longer Hidden From Scrutiny. The Robesonian. Associated Press. August 1, 1963: 10.

[526] Block & Wilson 2010，第324頁. "Worldwide rentals: $66.1 million (initial release)"

[527] Washington (AP). 'Deep Throat' star against pornography. The Free Lance–Star. September 13, 1984: 12.

[528] Hiltzik, Michael. 'Deep Throat' Numbers Just Don't Add Up. Los Angeles Times. February 24, 2005 [February 2, 2012].

[529] Memphis (UPI). 'Deep Throat' Defendant Found Guilty of Conspiring. The Palm Beach Post. May 1, 1976: A2.

[530] Ebert, Roger. Inside Deep Throat. rogerebert.com. Chicago Sun-Times. February 11, 2005 [February 2, 2012]. （原始内容存档于June 6, 2011）.

[Bartel-531] Bartel, Pauline. The Complete Gone with the Wind Trivia Book: The Movie and More. Taylor Trade Publishing. 1989: 127. ISBN 978-0-87833-619-7. At the end of the 1941 general release, MGM decided to withdraw GWTW again. The prints were battered, but the studio believed one final fling for GWTW was possible. The film returned to movie theaters for the third time in the spring of 1942 and stayed in release until late 1943 ... When MGM finally pulled the film from exhibition, all worn-out prints were destroyed, and GWTW was at last declared out of circulation. MGM, which by then had sole ownership of the film, announced that GWTW had grossed over $32 million.

[536] Dick, Bernard F. City of Dreams: The Making and Remaking of Universal Pictures. University Press of Kentucky. 1997: 168. ISBN 978-0-8131-2016-4. Jaws (1975) saved the day, grossing $104 million domestically and $132 million worldwide by January 1976.

[jaws-537] Kilday, Gregg. Director of 'Jaws II' Abandons His 'Ship'. The Victoria Advocate. July 5, 1977: 6B.

[538] New York (AP). Scariness of Jaws 2 unknown quantity. The StarPhoenix. May 26, 1978: 21.

[539] Fenner, Pat C. Independent Action. {Evening Independent. January 16, 1978: 11-A.

[Cook_(2002)-541] Cook, David A. Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970–1979. 9 of History of the American Cinema, Charles Harpole. University of California Press. 2002: 50. ISBN 978-0-520-23265-5. The industry was stunned when Star Wars earned nearly $3 million in its first week and by the end of August had grossed $100 million; it played continuously throughout 1977–1978, and was officially re-released in 1978 and 1979, by the end of which it had earned $262 million in rentals worldwide to become the top-grossing film of all time – a position it would maintain until surpassed by Universal's E.T.: The Extra-Terrestrial in January 1983.

[BBC_(1998)-543] Titanic sinks competitors without a trace. BBC News (BBC). February 25, 1998 [August 13, 2010].

[Cieply_(2010)-544] Cieply, Michael. He Doth Surpass Himself: 'Avatar' Outperforms 'Titanic'. The New York Times. January 26, 2010 [January 27, 2010].

[Segers_(2010)-545] Segers, Frank. 'Avatar' breaks 'Titanic' worldwide record. The Hollywood Reporter. January 25, 2010 [December 4, 2010].

[546] Whitten, Sarah. 'Avengers: Endgame' is now the highest-grossing film of all time, dethroning 'Avatar'. CNBC. July 21, 2019 [July 21, 2019]. （原始内容存档于July 21, 2019）.

[547] Robbins, Shawn. Avengers: Endgame Surpasses Avatar As #1 Global Release of All Time on Saturday. BoxOffice. July 20, 2019 [July 24, 2019]. （原始内容存档于July 24, 2019）.

[548] Tartaglione, Nancy. 'Avatar' Overtakes 'Avengers: Endgame' As All-Time Highest-Grossing Film At Global Box Office; China Reissue Growing. Deadline Hollywood. March 13, 2021 [March 13, 2021].

[549] Box Office History for James Bond Movies. The Numbers. Nash Information Services. [January 4, 2012].

[550] Box Office History for Star Wars Movies. The Numbers. Nash Information Services. [January 4, 2012].

[551] Indiana Jones – Worldwide (Unadjusted). Box Office Mojo. [January 6, 2012].

[552] Anderson, Dave. Bayonne Bleeder Throws a Punch at the Italian Stallion. The New York Times. November 16, 2003 [January 4, 2012].

[553] Schneiderman, R. M. Stallone Settles With The 'Real' Rocky. Forbes. August 10, 2006 [January 4, 2012].

[554] Poller, Kenneth G. Charles Wepner v. Sylvester Stallone (PDF). Mango & Iacoviello. November 12, 2003 [January 4, 2012]. （原始内容 (PDF)存档于October 29, 2013）.

[555] Batman – Worldwide (Unadjusted) & Batman: Mask of the Phantasm. Box Office Mojo. [January 6, 2012].

[556] Jurassic Park – Worldwide (Unadjusted). Box Office Mojo. [January 6, 2012].

[557] Box Office History for Star Trek Movies. The Numbers. Nash Information Services. [January 4, 2012].

[Numbers_franchises-558] Movie Franchises. The Numbers. Nash Information Services. [December 11, 2024].

[economist-559] The Economist online. Pottering on, and on. The Economist. July 11, 2011. （原始内容存档于July 11, 2011）.

[560] Nevins, Jess. A Brief History of the Crossover. io9. August 23, 2011 [July 19, 2018].

[561] Nevins, Jess. The First Shared Universes. io9. September 9, 2011 [July 19, 2018].

[562] How 'Spectre' May Stack Up With 'Thunderball' as a James Bond Blockbuster. The New York Times. November 6, 2015 [January 7, 2018].

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